1834 items on this page
Wooden mold carved to resemble a vulva with a large wrinkled lobe on either side
Submerged/Emerged, Wooden mold
Black-and-white print with a column of text flanked by illustrations of outstretched hands and snake-like motifs
With No Immediate Cause
Black-and-white drawing of a male torso with arms extended toward the viewer
PowerPlay. Study for the Offering
Drawing of a raised white fist with gold tears dripping down it
Glass. Study for Weeping Fist
Black-and-white drawing of a man with hands extended
PowerPlay. Male Figure Study
Drawing of a gray hand with gold fingernails propped on a clear block
Glass. Study for Reaching Hand with Golden Nails
Black-and-white drawing of a nude, crying woman inserting her foot into a boot, annotated with handwriting
Holocaust Project - Nazi Shoes
Black-and-white drawing of three men where one is holding reins, one is extending his hand like a gun from which liquid spurts, and the third is urinating on a landscape
PowerPlay. Study for Pissing on Nature and Handgun
Black-and-white drawing of a nude man seated with legs crossed
PowerPlay. Male Figure Study
Black-and-white drawing of six faces with handwritten annotations below
PowerPlay. Study for Woe Man #2
Black-and-white drawing of a nude man standing with one knee propped up, urinating
PowerPlay. Study for Pissing on Nature
Black-and-white drawing of a woman standing and pointing at a board with writing on it with a group of women or girls are seated in front of her
The Dinner Party. Creation. Runners. Individuals. Mary Wollstonecraft [notes, drawings], n.d.
Triptych drawing of a field of barrels, clothing and protective gear, and nude and clothed figures in various poses
Study for Nuclear Waste(d)
Drawing in shades of beige, red, green, and blue of ten heads in various poses
PowerPlay. Study for Disfigured Heads
Black-and-white drawing of a nude man holding reins in his outstretched arms
PowerPlay. Driven by Culture
Drawing of a nude woman holding her hands over her face and a nude man inserting his fingers into his ears with vegetation over their pubic areas
Study for See No Evil Hear No Evil (Denial)
Drawing in earth tones of a seated nude man holding reins
PowerPlay. Study for Driving the World to Destruction
Multi-colored drawing on gray paper of a face with an open mouth and liquid dripping from one empty eye
Study for Doublehead 3
Drawing in shades of blue and orange of a nude man holding the arms of two nude women above him
PowerPlay. Struggling with the Shadow of His Mother
Drawing in black and red of a man extending his hand in the shape of a gun spurting red liquid
PowerPlay. Study for Handgun 1
Multi-colored drawing of three abstract figures reaching for each other in a circle where one figure is a woman holding a baby
PowerPlay. Wrestling with the Shadow for Her Life
Black-and-white drawing divided into two sections with two feet standing on a woman's body that resembles a tree above and people fighting below
Early Study for The Fall
Black-and-white drawing of a nude man extending his fingers, which fade into the background
PowerPlay. Untitled PowerPlay Study
Drawing in black and red of a wrinkled face with an open mouth surrounded by handwritten annotations
PowerPlay. Study for Malehead 2
Drawing in black outline of a figure reaching hands toward the viewer
PowerPlay. Attracting Her With His Light
Black-and-white drawing of a nude man leaning forward and resting one hand on his knee
PowerPlay. Study of Male Figure 1
Drawing in shades of pink, red, green, and blue of a man clutching a crying woman to his chest
PowerPlay. Struggling with the womanly feelings in his heart
Drawing in black outline of a figure holding up hands
PowerPlay. Deflecting Her With the Same Light
Black-and-white drawing of a nude man extending both arms
PowerPlay. Male Figure Study 2
Black-and-white drawing of a nude man extending both arms
PowerPlay. Male Figure Study 3
Drawing in black outline of a figure reaching hands toward the viewer
PowerPlay. Lights Out
Black-and-white drawing of a man extending his hands toward the viewer
PowerPlay. Study for Lights Out
Drawing in gray and rainbow colors of a nude man with his hands crossed in his lap
PowerPlay. Untitled Male Torso front
Drawing in red of a nude man with long hair placing his hand on his shoulder
PowerPlay. Untitled Male Figure Study
Drawing in black and red of a man extending his hand in the shape of a gun spurting red liquid with a shadow behind him
PowerPlay. Study for In the Shadow of a Handgun
Black-and-white drawing of a hand with curving fingers
PowerPlay. Study of a Hand
Black-and-white drawing of two hands reaching down with curving fingers
PowerPlay. Study of Two Hands
Black-and-white drawing of a kneeling man urinating on a landscape
PowerPlay. Study for Pissing on Nature
Black-and-white drawing of a fist
PowerPlay. Study of a Fist
Black-and-white drawing of a man urinating on a landscape
PowerPlay. Study for Pissing on Nature
Black-and-white drawing of three men where one is holding a steering wheel, one is extending his hand like a gun from which liquid spurts, and the third is urinating
PowerPlay. Study for Male Dominance
Drawing in earth tones of a nude man clutching his hands near his shoulder
PowerPlay. Trying to Fend Her Off After He Attracted Her
Drawing in black and red of a man extending his hand in the shape of a gun spurting red liquid with a shadow behind him
PowerPlay. Study for In the Shadow of a Handgun
Drawing in black and rainbow colors of a man extending his hands towards the viewer with rainbows emanating from them
PowerPlay. Study for Rainbow Man
Black-and-white drawing of a nude man holding his hands to his face and crying
PowerPlay. Such a Sad Boy
Drawing in black and rainbow colors of a man extending his hands towards the viewer with rainbows curving around him on the right
PowerPlay. Study for Lights Out
Black-and-white drawing of a wrinkled face with an open mouth and liquid dripping from one eye, annotated in red handwriting
PowerPlay. Study for Doublehead with notes
Drawing in black and red of a man holding chains encircling the Earth
PowerPlay. Blood Chain
Drawing in brown of two nude male figures, one facing the other turned away from the viewer
PowerPlay. Blood Chain
Paper covered in text and three rows of drawings of squares, circles, and butterfly shapes in gradated colors
Study for Transformation of the Great Ladies
Print with a pale orange penis-like shape approaching a butterfly shape with handwritten text above
Butterfly Vagina Erotica - Study for The Approach
Print with a pale orange, bulbous, peach-like shape and handwritten text above
Butterfly Vagina Erotica - Study for The Climax
Print with a pale orange, penis-like shape penetrating between two pale orange orbs with handwritten text above
Butterfly Vagina Erotica - Study for The Contact
Print with a pale orange butterfly shape releasing a pale orange penis-like shape with handwritten text above
Butterfly Vagina Erotica - Study for The Descent
Print with a pale orange and blue butterfly shape with black, handwritten text over it
Butterfly Vagina Erotica, Study for Suite
Drawing of a black and red cursive letter S decorated with a flaring, leaf-like shape
Study for Letter S #3
Drawing in black and red of a man extending his hand in the shape of a gun spurting red liquid
PowerPlay. Study for Handgun
Black-and-white drawing of a man extending his hand in the shape of a gun spurting red liquid
PowerPlay. Study for Handgun 2
Black-and-white drawing of a man extending his hand in the shape of a gun
PowerPlay. Study for Handgun 4
Drawing in shades of blue, gray, and yellow of a kneeling man urinating into a landscape
Pissing on Nature 2
Drawing in black and rainbow colors of a faceless man reaching toward the viewer surrounded by rainbow stripes
PowerPlay. Study for Rainbow Man Lights Out
Drawing in black and red of a figure holding out their hand like a gun with red liquid spraying from it
PowerPlay. Handgun 1
Drawing in black and red of a figure holding out their hand like a gun with red liquid spraying from it and a red puddle below
PowerPlay. Handgun 2
Drawing in black and rainbow colors of two hands reaching upwards, intersected with rainbow spikes
PowerPlay. Deflecting Her With the Same Light
Black-and-white drawing of a man extending his arms
PowerPlay. Reaching Out is Dangerous They Told Him
White on black drawing of a nude man holding reins in his outstretched arms
PowerPlay. Study for Driving the World to Destruction
Drawing of a nude male figure urinating
Study for Pissing on Nature
Drawing of a nude man in rainbow colors clutching his chest and belly
Male Ness
Drawing in black and yellow of a man bent over and holding his hands to his head Annotated with handwriting below
It Hurt So Much It Made a Coward Out of Him
Black-and-white drawing of a man holding reins encircling the Earth on fire
PowerPlay. Study for Driving the World to Destruction
Drawing in black and red of a man holding his hands to his head as blood streams over his face
He Couldn't Stop the Blood He'd Shed from Showing All Over Him
Drawing in black and yellow of a man propping up one leg and urinating
Study for Pissing on Nature
Drawing of a man in shades of red, blue, and green, holding his hand out like a gun, from which blood spurts and a blue shadow behind him
In the Shadow of the Handgun 2
Drawing in shades of pink and brown of a man choking a woman
Trying to Kill the Woman Inside Him
Drawing in black, blue, and red of a man clutching at the throat of a crying, prone woman
PowerPlay. Struggling with His Female Self
Explosive matter spews from a man's finger, which is pointing like a handgun. Behind the image of the man is his shadow.
In the Shadow of the Handgun 2
Drawing of a man in rainbow colors clenching his fists
Study for Lights Out, to Donald
Drawing in black and pink of a face turning to the right with an open mouth
Study for Malehead 3
Drawing in black and red of a man's face with a large red shadow on one cheek
Study for Disfigured Head 2
Drawing in black and rainbow colors of a man holding his hands up in front of his chest where his palms have red stigmata and his face is covered with rainbow stripes
PowerPlay. Study for Rainbow Man with Stigmata
Black-and-white drawing with radiating lines across the top and fragments of body parts below
Drawing for silkscreen print - Pattern for Earth Birth - Yellow Plate
Black-and-white drawing with radiating lines framing three sides
Drawing for Silkscreen Print - Pattern for Guided by the Goddess - Earth Plate
Black-and-white drawing with radiating lines and wave-like forms emanating from the bottom and outlining a figure
Drawing for Silkscreen Print - Pattern for Guided By the Goddess - Water Plate
Black-and-white drawing of looping lines and a fetus in a womb
Drawing for silkscreen print - Pattern for Birth Tear/Tear - Babies, cord, fetus plate
Black-and-white drawing of a woman giving birth and a fetus in a womb
Drawing for silkscreen print - pattern for Birth Tear/Tear - Mother plate
Black-and-white drawing of radiating lines forming a background to three bodies
Drawing for silkscreen print - pattern for Birth Trinity - Background blend
Drawing divided into four quadrants, each depicting a muscular nude man holding a steering wheel amid different multi-colored abstract and representational images annotated with handwriting on tan paper
Four Studies for Driving the World to Destruction
Black-and-white drawing of two figures helping a woman give birth surrounded by radiating lines
Drawing for silkscreen print - pattern for Birth Trinity/Birthing plate
Black-and-white drawing of a woman giving birth
Drawing for Silkscreen print - Pattern for Birth Trinity/Earth. Mother plate
Black-and-white drawing of a woman giving birth
Drawing for silkscreen print - Pattern for Earth Birth - Figure plate
Drawing in shades of pink, red, and turquoise of two men holding their hands to their faces and crying annotated with handwriting on tan paper
Weeping Maleheads: If Only They Would/Could
Drawing in shades of white and brown on tan paper of three faces with different expressions annotated with handwriting below
Study for Three Faces of Man: "Weeping is Womanly"
Black-and-white drawing of a pair of feet surrounded by undulating lines
Drawing for silkscreen print - pattern for Earth Birth - Gray plate
Drawing in shades of white and brown on tan paper of three faces with different expressions annotated with handwriting below
Study for Three Faces of Man: "Real Feelings Are Covered Up"
Black-and-white drawing of radiating lines outlining a figure
Drawing for silkscreen print - Pattern for Earth Birth - Master (or Mistress) plate
Black-and-white drawing of radiating lines around a woman giving birth and a fetus in a womb
Drawing for silkscreen print -pattern for Birth Tear/Tear - Ribbon plate
Black-and-white drawing of radiating lines around a fetus in a womb
Drawing for silkscreen print -pattern for Birth Tear/Tear - Twisted cord plate
Black-and-white drawing of figures reaching for each other
The Creation - (Hu)mankind plate, Pattern
Black-and-white drawing of the legs of a woman giving birth
The Creation - Earth plate, Pattern
Black-and-white drawing of various animals
The Creation - Earthlife plate, Pattern
Black-and-white drawing of dark shapes outlining a woman's breasts and a sun
The Creation - Sky plate, Pattern
Black-and-white drawing of spiraling lines and a sun
The Creation - Sky scene plate, Pattern
Black-and-white drawing of lava erupting from a volcano
The Creation - Volcano plate, Pattern
Black-and-white drawing of undulating, wave-like lines outlining the underside of a body
The Creation - Water plate, Pattern
Black-and-white drawing of sea animals and a sun
The Creation - Waterlife plate, Pattern
Drawing of two wrinkled faces in rainbow colors on beige paper with open mouths with handwriting inside and where the face on the left is crying and the one on the right is missing an eye
Really Sad/Power Mad
Drawing in shades of gray, pink, red, and blue of a reclining man's head He is clenching his eyes shut
PowerPlay. Study for Making Himself Vulnerable
Drawing in shades of pink, red, and blue of a man clutching a crying woman's breast
PowerPlay. Trying to Kill the Womanly Feelings in His Heart
Drawing of a man grabbing a woman's breast as she cries
Trying to Kill the Womanly Feelings in his Heart
Drawing in shades of black and red of a face looking upward with an open mouth
PowerPlay. Malehead 1
Two black and white sketches of people fighting
Study for The Fall
Drawing in black and red of a man extending his hand in the shape of a gun spurting liquid and a shadow behind him
PowerPlay. Study for Handgun
Black-and-white drawing of a man holding a hand to his face and crying with handwritten annotations
PowerPlay. Study for Weeping Men 3
Drawing of two nude figures and the profile of a head contained in a circle with one figure holding a bloody knife that extends outside the circle and handwriting below
Vetruvian Man the measure?
Drawing in black and red of a man's face in profile, crying, with handwritten annotations
PowerPlay. Study for Weeping Men 4
Black-and-white drawing of a muscled, shirtless man gripping a steering wheel
Driving the World to Destruction, Blue plate #5
Black-and-white drawing of a muscled, shirtless man gripping a steering wheel
Driving the World to Destruction, Plate #6
Drawing of a muscled, shirtless man gripping a steering wheel with flames emerging from it
Driving the World to Destruction, Plate #6B
Black-and-white drawing of a muscled, shirtless man gripping a steering wheel with flames emerging from it
Driving the World to Destruction, Red plate #4
Black-and-white drawing of a silhouette of a muscled man gripping something
Driving the World to Destruction, White plate #1
Sketch of human figures in agony as they are stabbed
Study for The Fall
Drawing of a muscled, shirtless man gripping a steering wheel with a dark shadow above
Driving the World to Destruction, Plate #3 Earth/Flames Ground
Drawing in shades of black and brown of a man holding his hand to his face and crying
PowerPlay. Study for Weeping Men 2
Drawing of a religious figure and a nurse on one side and three figures clothed in national flags on the other, both turning away from the empty center with handwriting below
Study for Wall of Indifference
Drawing in black and red of a sneering face
PowerPlay. Malehead 2
Black-and-white drawing of a man holding his head in his hands and crying
PowerPlay. Study for Weeping Men 1
Drawing of three figures: a woman with lesions on her arms exhaling over a mushroom cloud, a man wearing a miner's hat cradling one of his lungs, and a mother cradling a baby in the rain
Nuclear Waste(d)
Drawing in black and rainbow colors of a man holding up his hands with rainbow stripes between them and rainbow stripes on his face
PowerPlay. Study for the Rainbow Man
Drawing of missiles in an underground bunker
Study for Banality of Evil
Drawing of a purple soldier raising his arm to a nude man with his arms raised as a nude woman cowers in the background
Study for What Would You Have Done?
Color illustration of a brown-skinned woman paddling a canoe with a globe in it as other people look on
Study for Paddle Your Own Canoe
Drawing of two nude Black women with their arms raised each contained in a rectangle with a gold gradient background
I am Black and I am Radiant from Fragments from the Song of Songs, Study
Black-and-white drawing of two hands holding a bird-like shape over a vulva-like shape
My Dove in the Cleft of the Rock Study
Black-and-white drawing of two hands holding a bird-like shape over a vulva-like shape
My Dove in the Clefts of the Rocks, Study
Drawing of a rectangle with a blue to yellow gradient
Color Study - Image #2 Background Blend
Black-and-white drawing of a woman in profile with her mouth open and one hand raised in front of her face
O, for Your Scent #1: Study for Fragments from the Song of Songs
Drawing of a rectangle with a blue to yellow gradient
Color Study for Background Blend
Black-and-white drawing of a bald person in profile
O, for Your Scent Study
Black-and-white drawing of a nude woman leaning forward with one hand raised
How Fine You Are My Love (1), Study
Black-and-white drawing of two upturned faces in profile
How Fine You are My Love (2), Study
Black-and-white drawing of a person in profile looking down at a hand
How Fine You are My Love (3), Study
Black-and-white drawing of vegetation curling across two rectangles
Her Voice, Study for floral element
Black-and-white drawing of a person looking at a raised hand
How Fine You are My Love (4), Study
Black-and-white drawing of two horizontal panels with vegetation and flowers trailing across them
Her Voice, Study for floral element
Black-and-white drawing of a nude person looking at their raised hand
How Fine You Are My Love (5), Study
Black-and-white drawing of a horizontal panel with vegetation and flowers trailing across it
Her Voice, Study for floral element - left side
Black-and-white drawing of a nude person in profile looking at their raised hand
How Fine You Are My Love (6), Study
Black-and-white drawing of a horizontal panel with vegetation and flowers trailing across it
Her Voice, Study for floral element - right side
Black-and-white drawing of a person looking down at another person and holding their face with one hand
How Fine You Are My Love/My Perfect One, Study
Black-and-white drawing of two horizontal panels with vegetation and a curlicue trailing across them
His Voice, Study for Floral Element
Black-and-white drawing of two hands placing a bird in a vulva-like opening
My Dove in the Clefts of the Rock Study
Black-and-white drawing of two horizontal panels with vegetation and a curlicue trailing across them
His Voice, Study for floral element
A rectangular blue-to-yellow gradient with a small, rectangular red gradient on the left side
My Dove in the Clefts of the Rocks, Background Blend Color Study for Test
Black-and-white drawing of a horizontal panel with vegetation and a curlicue trailing across it
His Voice, Study for floral element - left side
Black-and-white drawing of two hands reaching upwards as if cradling something
My Dove in the Clefts, Study
Black-and-white drawing of a horizontal panel with vegetation and a curlicue trailing across it
His Voice, Study for floral element - right side
Black-and-white drawing of two people kissing with one person's hand on the other's face
O, for Your Scent Study
Black-and-white drawing of a nude woman standing with her arms raised and legs spread
Yes, I am Black and Radiant, Image #3 Study
Black-and-beige drawing of two reclining faces in profile
How Fine you are My Love: Study for So Fine 1
Black-and-beige drawing of three faces in profile sticking out their tongues
How Fine you are My Love: Study for So Fine 2
Print with a rectangle with a brown and beige gradient overlaid with a woodgrain pattern in white
Unfilled Faded Helio-Relief
Drawing of a nude man with his arms raised, seen from the back
There You Stand Like a Palm, Untitled: Boy With Arms Raised Study
Print with a rectangle with a brown and beige gradient overlaid with a woodgrain pattern in white
Unfilled Faded Helio-Relief: Using Wood Grain Expressively
Drawing of a nude woman standing with her hands framing her pubic area
There You Stand Like a Palm, Untitled: Woman with Arms Lowered Study
Black-and-white drawing of an upturned face
How Fine Study
Two drawings of nude Black women standing with their arms raised against a gold gradient background
I am Black/I am Radiant, Studies (2)
Black-and-white drawing of a nude, bald figure embracing a palm tree with a human head and torso
There You Stand Like a Palm, Untitled Study
Black-and-white drawing of a nude, bald figure embracing a palm tree with human arms
There You Stand Like a Palm, Pattern for Image #6
Black-and-white drawing of a human head and raised arms against the leaves of a palm tree
There You Stand Like a Palm, Pattern for Leaf Drawing
Black-and-white drawing of a nude, bald figure with raised arms
There You Stand Like a Palm, Study 1
Black-and-white drawing of a palm tree
There You Stand Like a Palm, Study 2
Black-and-white drawing of a nude, bald figure embracing a palm tree with a human head and torso
There You Stand Like a Palm, Study 3
Black-and-white drawing of a nude woman standing with her arms raised
Yes, I am Black and I am Radiant, Untitled Study
Black-and-white drawing of a figure with a flower between their legs, reaching their hands toward the pubic region of a standing figure with leaves above their penis
Let Us Go Out Into the Open Fields, Pattern for Image #5
Black-and-white drawing of a figure with a flower between their legs, reaching their hands toward the pubic region of a standing figure with leaves above their penis
Let Us Go Out Into the Open Fields, Study 1
Black-and-white drawing of a figure with a flower between their legs, reaching their hands toward the pubic region of a standing figure with leaves above their penis
Let Us Go Out Into the Open Fields, Study 2
Drawing of two rectangles side by side with blue to dark red gradients
Voices from the Song of Songs Blend Test, Blue to Rust
Drawing of two rectangles side by side with diagonal white to gold to purple gradients
Voices from the Song of Songs Blend Test, Gold to Purple
Drawing of two rectangles side by side with green to white gradients
Voices from the Song of Songs Blend Test, Green
Drawing of two rectangles side by side with green to red gradients
Voices from the Song of Songs Blend Test, Green to Red
Drawing of two rectangles side by side with dark red to green to white diagonal gradients
Voices from the Song of Songs Blend Test, Green to Rust
Drawing of two rectangles side by side with rust to white gradients
Voices from the Song of Songs Blend Test, Rust
Drawing of a grid of ten rectangles, each with a different gradient
Voices from the Song of Songs Blend Tests
Drawing of a grid of ten rectangles, each with a different gradient
Voices from the Song of Songs Blend Tests
Black-and-white drawing of two raised heads and three breasts
Animal-like Hands, Study 1
Black-and-white drawing of two hands touching a pregnant belly
Caressing a Woman, Study 1 (maybe 'She had never caressed a woman?)
Black-and-white drawing of a figure standing with one leg raised and an erect penis
Female gaze, Study 1
Black-and-white drawing of a hand drawing a nude male figure with an erect penis on an easel alongside a nude male figure with an erect penis
Female gaze, Study 2
Black-and-white drawing of a hand drawing a nude male figure with an erect penis on an easel alongside a nude male figure with an erect penis
Female gaze, Study 3
Black-and-white drawing of two hands, each touching a penis
Finding the tiny rivulets, Study 1
Black-and-white drawing of a figure touching one breast and suckling at the other
Suckling at the Nipples, Study 1
Black-and-white drawing of a figure touching one breast and suckling at the other
Suckling at the Nipples, Study 2
Black-and-white drawing of a hand pulling on the waistband of a pair of underwear as a penis ejaculates below
Taking off her panties, Study 1
Black-and-white drawing of a figure with a cat's face inserting a penis into the vagina of a kneeling woman as she looks on
Like a giant cat, Study 1
Black-and-white drawing with a mix of faces and hands kissing and caressing breasts and vulvas
Three bodies in accord, Study 1
Black-and-white drawing of a figure with a cat's face inserting a penis into the vagina of a kneeling woman
Like a giant cat, Study 2
Black-and-white drawing of a man with a cat's face inserting his penis into the vagina of a kneeling woman
Like a giant cat, Study 3
Black-and-white drawing of a figure with a cat's face inserting a penis into the vagina of a kneeling woman as she looks on over an image of a vagina on the floor
Like a giant cat, Study 4
Black-and-white drawing of a small figure looking up at the legs and pelvic region of a person wearing a garter, stockings, and high heeled shoes
Watching her, Study 1
Black-and-white drawing of a figure with a cat's face inserting a penis into the vagina of a kneeling woman as she looks on over an image of a vagina on the floor
Like a giant cat, Study 5
Black-and-white drawing of a nude figure with their hands tucked between their legs
Watching her, Study 2
Illustration of two pink hands reaching toward each other with one hand in a fist
Glass. Study #2 for Handout/Handsoff
Black-and-white drawing of a small figure looking up at the legs and pelvic region of a person wearing a garter, stockings, and high heeled shoes
Watching her, Study 3
Black-and-white drawing of a tongue shaped like a penis and a hand touching a vulva
He parted the opening...seeking the tongue, Study 5
Black, white, and purple drawing of a vagina clasping a penis
She clasped the penis like a mouth, Study 2
Black-and-white drawing of a penis entering a vulva ringed with small, protruding, petal-like shapes
The flesh walls moved like sea anemones, Study 4
Black-and-white drawing of a penis penetrating a vulva framed by small petals
The flesh walls moved like sea anemones, Study 5
Black-and-white drawing of a hand and a penis-shaped tongue reaching toward a vulva
He parted the opening...seeking the tongue, Study 6
Black-and-white drawing of a vagina clasping a penis
She clasped the penis like a mouth, Study 3
Black-and-white drawing of a penis entering a vulva ringed with small, protruding, petal-like shapes
The flesh walls moved like sea anemones, Study 6
Black-and-white drawing of a vulva ringed with flower petals
Her sex was like a giant hothouse flower, Study 1
Black-and-white annotated drawing of three organic forms enclosing penises
She clasped the penis like a mouth, Study 4
Black-and-white drawing of a penis entering a vulva ringed with small, protruding, petal-like shapes
The flesh walls moved like sea anemones, Study 7
Drawing in white and pink on black of an outstretched hand with exposed bones
Glass. Study #1 Bony Hand
Black, white, and red drawing of a vulva ringed with flower petals and with wavy lines radiating upwards above
Her sex was like a giant hothouse flower, Study 2
Black-and-white drawing of two organic forms touching either side of a penis
She clasped the penis like a mouth, Study 5
Black-and-white drawing of a penis penetrating a vulva framed by small petals
The flesh walls moved like sea anemones, Study 9
Black-and-white drawing of a vulva ringed with flower petals
Her sex was like a giant hothouse flower, Study 3
Black-and-white drawing of two organic forms touching either side of a penis
She clasped the penis like a mouth, Study 6
Black, white, and purple drawing of a pair of legs segmented into three sections
They were caressing each other with their eyes (Black Drawing), Study 3
Black-and-white drawing of a vulva ringed with flower petals
Her sex was like a giant hothouse flower, Study 4
Black-and-white drawing of a woman kneeling atop a man who has an erect penis
She crouched over his face, Study 1
Black, white, and purple drawing of a sun over two shadowy pairs of legs touching under a table
They were caressing each other with their eyes (Etched lines and aquatint), Study 4
Blue, black, and white drawing of a vulva ringed with flower petals
Her sex was like a giant hothouse flower, Study 5
Black-and-white drawing of a crouching woman embracing another figure
She crouched over his face, Study 10
Black-and-white drawing of a sun on a dark background
They were caressing each other with their eyes (Yellow Shading), Study 5
Drawing in multiple colors on black of six hands in various poses with flames on their wrists and palms
Burning Palms
Black-and-gray drawing of a vulva framed with petals
Her sex was like a giant hothouse flower, Study 6
Black-and-white drawing of a woman kneeling atop a man who has an erect penis and is licking her side
She crouched over his face, Study 11
Black-and-white drawing of a sun over two pairs of legs touching under a table
They were caressing each other with their eyes, Study 1
Drawing in shades of red and white on black of a grasping hand with exposed musculature and long nails dripping blood
Claws That Won't Let Go
Black-and-white drawing of a vulva ringed with flower petals
Her sex was like a giant hothouse flower, Study 7
Black-and-white drawing of a woman kneeling atop a man who has an erect penis and is licking her side
She crouched over his face, Study 2
Black-and-white drawing of a person sitting at a table with their legs entwined with another person's legs under the table and a sun with a face hovering above
They were caressing each other with their eyes, Study 10
Black-and-white drawing of a piece of fabric curved like a letter C
She crouched over his face, Study 3
Black, white, and purple drawing of a pair of crossed legs
They were caressing each other with their eyes, Study 2
Black-and-white drawing of a woman kneeling atop a man who has an erect penis and is licking her side
She crouched over his face, Study 4
Black-and-white drawing of a sun
They were caressing each other with their eyes, Study 6
Drawing in white on black of two hands with exposed bones reaching toward each other
Missing Palms
Black handwritten text on gray paper
Her sex was like a giant hothouse flower, Test Study 1
Black-and-white drawing of a woman kneeling atop a man who has an erect penis and is licking her side
She crouched over his face, Study 5
Black-and-white drawing of two pairs of legs touching under a table
They were caressing each other with their eyes, Study 7
Drawing in multiple colors on black of four hands in various poses with peeling skin
Peeled Hands
Black handwritten text superimposed on a vulva framed with petals on gray paper
Her sex was like a giant hothouse flower, Text Study 2
Black-and-white drawing of a woman kneeling atop a man who has an erect penis and is licking her side
She crouched over his face, Study 6
Black-and-white drawing of a face in profile looking at another face ringed with leaves
They were caressing each other with their eyes, Study 8
Black-and-white drawing of a muscular figure leaning forward to the right
His breath was like...some legendary bull - Brown to Violet Shading, Study 2
Black-and-white drawing of a hand touching the buttocks of a kneeling figure
She crouched over his face, Study 7
Black-and-white drawing and collage of a sun over two pairs of legs touching under a table
They were caressing each other with their eyes, Study 9
Black-and-white drawing of a woman's body leaning backwards, segmented in three parts
His breath was like...some legendary bull - Flesh Red Shaded Drawing, Study 1
Black-and-white drawing of a woman kneeling over a reclining man with an erect penis as he licks her breasts
She crouched over his face, Study 8
Black, white, and purple drawing of a shaded oval shape with white cutouts for legs and a woman's torso
His breath was like...some legendary bull - Turquoise/Blue Shading, Study 3
Black-and-white drawing of a woman kneeling over a reclining man with an erect penis as he licks her breasts
She crouched over his face, Study 9
Black-and-white drawing of a figure with a bull's head and torso in profile
His breath was like...some legendary bull, Study 4
Black-and-white drawing of three hands each touching a different body part, including buttocks, belly, and thigh
She had never caressed a woman, Study 1
Black-and-white drawing of a figure with the head and forelegs of a bull and the hind legs of a person
His breath was like...some legendary bull, Study 5
Black-and-white drawing of three hands each touching a different body part, including buttocks, belly, and thigh
She had never caressed a woman, Study 2
Black-and-white drawing of a figure with the head and forelegs of a bull and the hind legs of a person embracing and penetrating a woman
His breath was like...some legendary bull, Study 6
Black-and-white drawing of three hands each touching a different body part, including buttocks, belly, and thigh
She had never caressed a woman, Study 3
Black-and-white drawing of a figure with the head and forelegs of a bull and the hind legs of a person embracing and penetrating a woman
His breath was like...some legendary bull, Study 7
Black-and-white drawing of a nude woman embracing a figure with a bull's head and torso who is penetrating her with a penis shaped like a zig zag
His breath was like...some legendary bull, Study 8
Black-and-white drawing of a muscular figure leaning forward to the right and embracing a woman who is leaning backward
His breath was like...some legendary bull, Study 9
Black-and-white drawing of a cross section view of a penis ejaculating into a vagina
Nine Fragments from the Delta of Venus, Study 1
Drawing of black, handwritten text on a pink and white gradient
Nine Fragments from the Delta of Venus 'He parted the opening of her sex...' Text Study
Black-and-white drawing of a woman opening her mouth above a penis in cross section with a strawberry tip
She kissed it...like some marvelous fruit, Study 1
Drawing of gray, handwritten text on a blue and pink gradient
Nine Fragments from the Delta of Venus 'Her sexual hunger was rising like madness to her head' Text Study
Black-and-white drawing of a woman opening her mouth above a penis with a strawberry tip
She kissed it...like some marvelous fruit, Study 2
Drawing in pink, white, and red on black of a hand with exposed blood vessels trailing blood from its fingers
Bloody Discharge
Drawing of black, handwritten text on a blue and pink gradient
Nine Fragments from the Delta of Venus #1 'Her sex was like a giant hothouse flower' Text Study 21
Black-and-white drawing of a woman opening her mouth above a penis with a strawberry tip
She kissed it...like some marvelous fruit, Study 3
Drawing in yellow, white, and red on black of an outstretched hand with exposed bones
Bony Hand 2
Drawing of black, handwritten text on a blue and pink gradient
Nine Fragments from the Delta of Venus #1 'Her sex was like a giant hothouse flower' Text Study 3
Drawing of a woman inserting her tongue into a penis with a strawberry tip
She kissed it...like some marvelous fruit, Study 4
Drawing in white and pink on black of an outstretched hand with exposed bones
Bony Hand I
Drawing of black, handwritten text on a blue and pink gradient
Nine Fragments from the Delta of Venus #1 #27 'Her sex was like a giant hothouse flower...' Text Study 1
Black-and-white drawing of a woman inserting her tongue into a penis with a strawberry tip
She kissed it...like some marvelous fruit, Study 5
Black-and-white drawing of a hand and a penis-shaped tongue reaching toward a vulva
He parted the opening...seeking the tongue, Study 1
Drawing of black, handwritten text on a rainbow gradient
Nine Fragments from the Delta of Venus #2 'With her fingers...' Text Study
Black-and-white drawing of a hand and a penis-shaped tongue reaching toward a vulva ringed with radiating lines
He parted the opening...seeking the tongue, Study 2
Drawing of a pink and blue gradient
Nine Fragments from the Delta of Venus text background color
Black-and-white drawing of a penis entering a vulva ringed with small, protruding, petal-like shapes
The flesh walls moved like sea anemones, Study 1
Black-and-white drawing of a hand and a penis-shaped tongue reaching toward a vulva
He parted the opening...seeking the tongue, Study 3
Black-and-white drawing of a cross section view of a penis ejaculating into a vagina
Nine Fragments from the Delta of Venus, Study 2
Black-and-white drawing of a penis entering a vulva ringed with small, protruding, petal-like shapes
The flesh walls moved like sea anemones, Study 2
Black-and-white drawing of a hand and a penis-shaped tongue reaching toward a vulva
He parted the opening...seeking the tongue, Study 4
Drawing of two organic shapes touching either side of a penis
She clasped the penis like a mouth, Study 1
Black-and-white drawing of a penis entering a vulva ringed with small, protruding, petal-like shapes
The flesh walls moved like sea anemones, Study 3
Drawing in white, orange, and red on black of five fists with exposed bones or musculature in various positions, each paired with a word
Pissed Off
Drawing of a raised white fist with orange flames around the base
Study for Flaming Fist
Drawing in shades of beige, red, and purple of two hands, one raised, the other lying down
Study for Hands of Choice
Drawing of a brown raised fist with a gold snake coiled around it
Study for Snake Arm
Drawing in shades of pink, red, turquoise, and black of a head where one half exposes the musculature
Exposed Head
Drawing in shades of pink, black, yellow, and red of a man's face with eyes closed and flame details around the eyes, bald head, and jaw
Man with Flames of Grief
Drawing in shades of pink, black, and rainbow colors of a bald man's face with eyes closed an a rainbow swirl inside his open mouth
Man with Rainbow Mouth
Drawing in pink and beige of a bald head crying, divided in half vertically where one side is darker than the other
Study for Toby Head with Golden Tear
Drawing in shades of red, blue, and beige, of a bald head, thrown back and crying, divided in half vertically where one side has exposed musculature
Torn Up
Drawing in pink, black, and white of a face with exposed musculature crying
Undone
Drawing in shades of pink, black, yellow, and red of a man's face with flame details around his eyes, jaw, and bald head
Man with Flaming Face
Drawing in shades of pink and black of a man's face with his eyes closed and a flower in his mouth
Man with Rose Mouth
Drawing in shades of pink, black, brown, and turquoise of a bald head wearing a gold mask with staring blue eyes
Study for Sharon with Golden Mask
Drawing in shades of pink, black, yellow, and red of a bald face with flame details on the eyes, jaw, and neck
Woman with Flaming Eyes
Drawing in shades of pink, black, and red of a bald face with one eye closed
Woman with Open Eye
Black-and-white drawing of triangle inside a flaming square
Signing The Dinner Party, Pattern 1
Drawing in shades of pink, black, and red of a bald face with flames in the eyes, red cheeks, and exposed bone around the mouth
Woman with Suppressed Rage
Drawing of two triangles with concentric lines inside, one black and one red
Signing The Dinner Party, Study 1
Black-and-white drawing of half a view of a woman crouching and giving birth with her hair radiating upward
The Crowning Study
Black-and-white drawing of concentric circles filled in with a repeating pattern of petal-like shapes in the lower left corner
Into the Darkness (for Retrospective in a Box), 1/4 Pattern
Black-and-white drawing of three concentric circles of petal-like shapes radiating from a gradient center circle
Into the Darkness (for Retrospective in a Box), Key Drawing
Black-and-white drawing of three concentric circles of petal-like shapes
Into the Darkness (for Retrospective in a Box), Pattern
Black-and-white drawing of a triangle edged with flames with handwritten text above and below in a square edged with flames
The Dinner Party as Symbol (for Retrospective in a Box), Pattern
Black-and-white drawing of a flaming triangle with handwritten text above and below, framed in a flaming square
Signing The Dinner Party, Pattern 2
Black-and-white drawing of two ridged faces, one crying, one angry
Rather Rage than Tears, Study (for Retrospective in a Box)
Black-and-white drawing of a central, vulva-like shape surrounded by wavy, radiating tendrils
The Butterfly Returns (for Retrospective in a Box), Pattern
Black-and-white drawing of a woman crouching and holding her legs open with her hair streaming upwards
The Crowning (for Retrospective in a Box), Line Drawing
Drawing in shades of orange and black of a bald head with a diagonal strip along one side and along the base
Study for Face Lift
Drawing in shades of purple, pink, and gold of a bust with a bald head atop a column decorated with swirls and eyes
Study for Head Pole with Open Eye
Multi-colored drawing of five busts with various decorations and expressions atop decorated columns
Study for Head Poles
Drawing in shades of pink and black of a bust with a wrinkled face wearing a bald cap
Study for Judy Heart Head
Black-and-white drawing of two nude figures embracing or struggling as one is spewing liquid from their mouth
Crime of Silence, Study
Black-and-white drawing of an outline of a figure surrounded by an organic shape and handwritten text
Aging Woman /Artist/Jew, Study #1
Black-and-white drawing of an outline of a figure with a star connected to vertical channel on the torso surrounded by handwritten text
Aging Woman/Artist/Jew, Pattern
Black-and-white drawing of an outline of a white figure with a star connected to vertical channel on the torso on a black ground
Aging Woman/Artist/Jew, Plate Drawing
Black-and-white drawing of an outline of a butterfly superimposed on a football field
A Butterfly for Pomona: Layout, Judy Chicago's A Butterfly for Pomona
Black-and-white drawing of Judy Chicago standing nude with outstretched arms
Old, Study
Drawing of a red butterfly outline filled with red dots and with handwritten annotations in blue and annotations in white text in a blue box on the right
A Butterfly for Brooklyn. 6. Strobes Overall, Fuscia, Red + White
Drawing of a red butterfly outline filled with red, blue, and purple circles with handwritten annotations in black and annotations in white text in a blue box on the right
A Butterfly for Brooklyn. 8. Saxons
Drawing of a red butterfly outline filled with red, blue, and purple interior lines with handwritten annotations in black and annotations in white text in a blue box on the right
A Butterfly for Brooklyn. 10. Sousa Comets
Drawing of a red butterfly outline filled with red, blue, green, and purple scribbles with handwritten annotations in black and annotations in white text in a blue box on the right
A Butterfly for Brooklyn. FINALE 11. Mines
Drawing of a black butterfly outline on a grid with multicolored lines like veins on the wings and handwritten and typewritten annotations in black
A Butterfly for Brooklyn. Layout, Judy Chicago’s Butterfly for Brooklyn with multi-color veins
Drawing of a black butterfly outline on a grid in the center of a topographical map in red, black, and green
A Butterfly for Brooklyn. Location of Butterfly for Brooklyn
Drawing of a red butterfly outline with annotations in white text in a blue box on the right
A Butterfly for Brooklyn. 2. Road Flares, Outline of Wings
Drawing of red outlines in a flower-like shape with annotations in white text in a blue box on the right
A Butterfly for Brooklyn. 3. LED Veins
Drawing of a red butterfly outline filled with red dots and with annotations in white text in a blue box on the right
A Butterfly for Brooklyn. 5. Red Strobes, Wings
Black-and-white drawing of two prairie dogs embracing surrounded by handwritten text and outlines
Prairie Dogs Grid, Commissioned Print
Mug in shades of brown, beige, and metallic gold with a face on either side and a flared base
Two Faced Toby Mug #11
Mug in shades of pink, beige, and metallic gold with a face on either side and a flared base
Two Faced Toby Mug #12
Mug in shades of magenta, beige, and metallic gold with a face on either side and a flared base
Two Faced Toby Mug #13
Mug in white and metallic silver with a face and a flared base
Two Faced Toby Mug #2
Mug in white and metallic silver with a face on either side and a flared base
Two Faced Toby Mug #2
Relief sculpture of a white pitcher and bowl with a red and blue flower pattern
Fabric Items from Mary Wollstonecraft
Mug in shades of dark red, beige, and metallic bronze with a face on either side and a flared base
Two Faced Toby Mug #3
Detail of illustration of a purple spindle over white waves and purple hills on a clear surface with windows visible behind
Glass. Cowan Glass Doors, detail 1
Mug in shades of dark green, and metallic gold with a face on either side and a flared base
Two Faced Toby Mug #4
Detail of illustration of a purple spindle over white waves and purple hills on a clear surface with windows visible behind
Glass. Cowan Glass Doors, detail 2
Mug in shades of peach and dark pink with a face on either side and a flared base
Two Faced Toby Mug #5
Detail of illustration of a purple spindle over white waves and purple hills on a clear surface with windows visible behind
Glass. Cowan Glass Doors, detail 3
Mug in white and metallic gold with a face on either side and a flared base
Two Faced Toby Mug #6
Color photograph of double doors with clear panels with illustration of a purple spindle over white waves and purple hills with windows visible behind
Glass. Cowan Glass Doors only
Mug in shades of orange and black with a face on either side and a flared base
Two Faced Toby Mug #7
Color photograph of double doors with clear panels with illustration of a purple spindle over white waves and purple hills with windows visible behind and a larger spindle on the clear transom above
Glass. Cowan Glass Doors Overview 1
Mug in shades of pink and turquoise with a face on either side and a flared base
Two Faced Toby Mug #8
Color photograph of a purple spindle on a clear transom
Glass. Cowan Glass Transom Window only
Mug in shades of beige and brown with a face on either side and a flared base
Two Faced Toby Mug #9
Sculpture of a bald head divided vertically in half where one half is translucent orange and the other is shiny dark orange
Glass. Glass & Bronze Toby Head
Sculpture of a translucent pink bald head divided vertically in half where one half is more translucent
Glass. Toby Head with Open Eye 1
Sculpture of a translucent purple bald head divided vertically in half One half is more translucent
Glass. Toby Head with Open Eye 3
Mug in translucent orange with a face, handle, and a flared base
Toby Mug #1
Mug in translucent purple with a face, handle, and a flared base
Toby Mug #10
Sculpture of an outstretched hand painted in shades of brown on a translucent pink rectangle on a clear plinth
Glass. Large Fused Musclehand with presentation stand
Mug in translucent white with a face, handle, and a flared base
Toby Mug #11
Mug in translucent orange and turquoise with a face, handle, and a flared base
Toby Mug #2
Sculpture of an outstretched hand painted in brown, blue, and white with exposed bones and musculature on a translucent pink rectangle on a clear plinth
Glass. Large Fused Reaching Hand with stand
Mug in translucent pink with a face, handle, and a flared base
Toby Mug #4
Sculpture of two hands in earth tones on a clear plinth where one is reaching upward and the other is extending toward the viewer
Glass. Grand Hands of Choice
Mug in translucent turquoise with a face, handle, and a flared base
Toby Mug #6
Detail of a sculpture of a translucent white arm with orange and red flames on it
Glass. Grand Flaming Fist, detail 1
Mug in translucent gold with a face, handle, and a flared base
Toby Mug #7
Detail of a sculpture of a translucent white arm with orange and red flames on it
Glass. Grand Flaming Fist, detail 3
Mug in translucent purple with a face, handle, and a flared base
Toby Mug #8
Sculpture of a translucent white raised fist with orange and red flames on the arm
Glass. Grand Flaming Fist, full
Translucent mug with a face, handle, and a flared base
Toby Mug #9
Sculpture of a translucent brown hand with silver fingernails on a clear plinth
Glass. Dark Hand with Silver Nails, A
Mug in earth tones with a face on either side and a flared base
Two Faced Toby Mug #1
Sculpture of a translucent brown hand with silver fingernails on a clear plinth
Glass. Dark Hand with Silver Nails, B
Mug in multiple colors and metallic gold with a face on either side and a flared base in a clear box with a mirrored back
Two Faced Toby Mug #10
White plate with unpainted relief design and chip broken off on the top right side
Trotula Test Plate #1 (from The Dinner Party - Test plates, studies, & Ancillaries)
Mostly curvilinear, abstract shapes mostly in blues, browns and red inside of and surrounding a vulva-shaped image.
Did You Know Your Mother Had a Sacred Heart? Center Panel
A plate with a painted red and green vaginal design
Judith Plate (from The Dinner Party)
Stained glass work of a flaming, rainbow-striped triangle
Logo from the Holocaust Project
Stained glass work with people of different faiths and races seated around a long table flanked by two rainbow Stars of David on either end
Rainbow Shabbat
Stained glass window with a group of people of different religions, nationalities, and races sitting at a table looking at a woman leading a religious ceremony.
Rainbow Shabbat
Detail of a stained glass work with rows of people of different faiths and races linking arms
Detail from Rainbow Shabbat
Detail of a stained glass work with a woman praying over a table where two people sit with a bird and candles
Detail from Rainbow Shabbat
Detail of a stained glass work with people of different faiths and races seated around a long table
Detail from Rainbow Shabbat
Sculpture of four translucent gray rectangles each with illustrations of nude bodies in various poses on a clear plinth
Arcanum in Shades of Gray
Painting of a vulva-like shape in shades of orange, yellow, and red, surrounded by peeling, radiating petals in shades of red and blue
Peeling Back
Painting in shades of brown of two hands reaching toward each other where one hand is in a fist
Fused Study #3 for Handout/Handsoff
Illustration in shades of yellow on red of an outstretched hand with peeling skin and exposed musculature where a pliers is pulling on a piece of skin
Study #3 for Flayed Arm
Painting in shades of brown and pink of an outstretched hand with exposed bones
Fused Study #2 for Bony Hand
Painting in shades of white, pink, and brown of two outstretched hands reaching toward each other where one hand is in a fist
Fused Study #4 for Handout/Handsoff
Painting in shades of brown of an outstretched hand with exposed bones
Bony Reach #1
Painting in shades of dark orange of an outstretched hand with exposed bones and musculature
Bony Reach #2
Sculpture of a translucent pink hand missing a pinky finger with a dark stain on the palm and exposed musculature
Damaged Hand
Sculpture of a translucent yellow hand with two missing fingers and exposed musculature
Disfigured Hand
Painting of two hands holding hands with exposed bones
Study for Temporal Connection
Sculpture of two hands holding hands with exposed bones painted on a clear rectangle on a clear plinth
Study for Temporal Connection
Painted glass panels with an open hand reaching for a closed fist
Double Clear Handout/Handsoff
Sculpture of a translucent, dark red hand lying palm side up on a clear plinth where three of the fingers have exposed bones
Bony Palm
Sculpture of two hands reaching for each other painted on two clear rectangles on a clear plinth where one hand is making a fist
Double Clear Handout/Handsoff
Sculpture of a translucent, brown arm on a clear plinth with exposed blood vessels
Exposed Arm
Gold snake coiled around a glass forearm reaching up with the hand in a fist
Snake Arm
Sculpture of a translucent, raised white fist with dark brown flames at the base and on the palm
Flaming Fist
Sculpture of two hands in earth tones on a clear plinth enclosed in a clear box where one is reaching upward and the other is extending toward the viewer
Hands of Choice
Painting in pink, brown, and white of an outstretched hand with exposed bones
Large Fused Bony Hand
Painting in earth tones of two hands reaching for each other where one hand is making a fist
Large Fused Handout/Handsoff
Painting in pink, brown, and white of an outstretched hand with exposed musculature
Large Fused Musclehand
Painting in brown, pink, and white of two hands with exposed bones holding hands
Large Fused Temporal Connection
Sculpture of a beige hand with exposed blood vessels, extending from a clear rectangle on a clear plinth
Revealed Palm
Painting of a purple and blue flower that resembles a vulva inscribed in a circle
Sappho in Glass
Sculpture of a translucent brown raised fist with a metallic gold snake coiled around it
Snake Arm
Painting of a ring of petal-like shapes in shades of red and blue
Through the Flower in Glass
Sculpture of two translucent, light brown raised hands with exposed blood vessels on a clear plinth
Twinned Veins
Sculpture of two arms holding hands painted in multiple colors on four layered clear rectangles on a clear plinth where one of the arms has exposed bones
4 Part Temporal Connection
Painting of wavy lines radiating from a circular center in shades of yellow, red, blue, and pink
Glass. Fused Mary Queen of Scots #2 no stand
Sculpture of a painted pink rectangle with wavy lines radiating from a circular center in shades of yellow, red, blue, and pink on a clear plinth
Glass. Fused Mary Queen of Scots #2 with stand
Translucent glass sculpture of a raised fist with red and orange flames around the arm
Grand Flaming Fist
Painting of a sun-like form radiating out from the center in shades of yellow, red, and blue with handwriting around the edges
Fused Mary Queen of Scots in Glass 1
Sculpture of two hands in earth tones on a clear plinth where one is reaching upward and the other is extending toward the viewer
Grand Hands of Choice
Painting of an outstretched hand in brown, blue, and white on pink with exposed bones and musculature
Glass. Large Fused Reaching Hand
Detail of a sculpture of a translucent red raised fist with a silver snake coiled around the arm
Detail of Grand Snake Arm 3
Detail of a sculpture of a translucent white raised fist with gold tears trailing down the arm
Detail of Weeping Fist
Sculpture of a translucent white hand with fingers splayed and gold fingernails on a gold plinth
Extended Hand with Golden Fingernails
Sculpture of a translucent white raised fist with yellow and red details on the hand and flames on the arm on a clear plinth
Grand Flaming Fist 2
Sculpture of a translucent white raised fist with yellow and red details on the hand and flames on the arm on a clear plinth
Grand Flaming Fist 2
Sculpture of a translucent red raised fist with a silver snake coiled around the arm on a clear plinth
Grand Snake Arm 3
Sculpture of a translucent white raised fist with gold tears trailing down the arm on a gold plinth
Weeping Fist
Detail of a sculpture of a translucent white raised fist with yellow and red details on the hand and flames on the arm
Detail of Grand Flaming Fist 2
Detail of a sculpture of a bald head crying divided vertically in half where one half is translucent yellow and the other is metallic gold
Detail from Toby Head with Golden Tear
Detail of a translucent white sculpture of a bald head with silver eyes and mouth
Detail from Toby Head with Silver Eyes
Sculpture of a bald head crying divided vertically in half where one half is translucent yellow and the other is metallic gold
Toby Head with Golden Tear
Translucent white sculpture of a bald head with silver eyes and mouth
Toby Head with Silver Eyes
Sculpture of a bust with two bald heads, back to back One head is black; the other is translucent white
Two Faced Toby Head
Relief sculpture of a translucent white bald head on a mirrored background
Glass. Clear Toby Head in a Box
Mug in shades of beige, purple, and gold with a face atop a flared base The face's eyes are closed
Two Faced Toby Mug #14
Sculpture of a bald head divided vertically in half where one half is translucent orange and the other is shiny dark orange
Detail from Grand Toby Head with Copper Eye
Sculpture of a bald head divided vertically in half on a clear plinth where one half is translucent orange and the other is shiny dark orange
Grand Toby Head with Copper Eye
Sculpture of a bust with a bald head in translucent orange with a turquoise stripe down the center
Toby Head with Open Eye 2
Mug in translucent white and gold with a frowning face and handle atop a flared base
Toby Mug #3
Mug in translucent pink with a frowning face and handle atop a flared base
Toby Mug #5
Painting on clear glass rectangle of a frowning face on a clear plinth
Angry Eyes
White, brown, and orange sculpture of a man's head with brown flame-like shapes around his eyes on a clear plinth
Burning Head
White and blue sculpture of a man's head with blue flame-like shapes around his eyes and flowers on his neck on a clear plinth
Delft Head #1
White and blue sculpture of a man's head with blue flame-like shapes around his eyes and a flower on his forehead on a clear plinth
Delft Head #2
Pink and turquoise painting of an open mouth on a clear glass rectangle on a clear plinth
False Smile #1 from Heads Up
Pink and turquoise painting of an open mouth on a clear glass rectangle on a clear plinth
False Smile #1 from Heads Up
Orange, red, and brown painting of a smiling mouth on a clear glass rectangle on a clear plinth
False Smile #2
Orange, red, and brown painting of a smiling mouth on a clear glass rectangle on a clear plinth
False Smile #3 from Heads Up
Pink and black painting of a face with large eyes and an open mouth on a clear glass rectangle on a clear plinth
Fearful Eyes
Pink and turquoise painting of a frowning face on a clear glass rectangle on a clear plinth
Grieving Eyes
Two pink, black, and red paintings of skulls in profile on clear glass rectangles on a clear glass plinth where one skull has its mouth open
Grinning/Gritting from Heads Up
Red painting of a face with exposed musculature on a clear glass rectangle on a clear plinth
Sad Face
Painting of the lower half of a smiling face on a clear glass rectangle on a clear plinth where one half of the face reveals musculature
Smiling through Gritted Teeth from Heads Up
Painting of a head thrown back and crying on a clear glass rectangle on a clear plinth, where one half of the head reveals blood vessels
Torn Up
Painting in shades of pink of a wrinkled face crying on a clear glass rectangle on a clear plinth
Undone #1
Painting in shades of red of a crying face on a black glass rectangle on a clear plinth
Undone #2
Sculpture in white, black, gray and gold of a head of a crying man with flame-like shapes around his eyes on a clear plinth
Weeping Head with Golden Lips
Painting on a clear glass rectangle of a head in profile with the skull exposed on a clear plinth
Skull Brother from Heads Up
Translucent silver and white sculpture of two men's heads back to back on a clear plinth
Twin Heads from Heads Up
Painting on a clear glass rectangle of a head divided vertically in half to reveal the musculature on one side on a clear plinth
Under the Skin from Heads Up
Shiny brown sculpture of a bald head wearing a translucent pink mask
Masked Head from Heads Up
Translucent yellow sculpture of a bald head with a shiny gold strip along the base and one side on a white plinth
Face Lift from Heads Up
Purple sculpture of a bald head with its face sliced off on a clear plinth
Flat Face from Heads Up
Translucent pink relief sculpture of a face framed on a purple background
Glass Face in a Box from Heads Up
Translucent pink sculpture of a man's head with a bronze flower in his mouth on a clear plinth
Glass Flowering Head from Heads Up
Translucent white and red sculpture of a bald head on a clear plinth
Grand Head with Burning Eyes
Translucent white sculpture of a bald head with features painted in metallic gold on a mirrored plinth
Head with Copper Nose from Heads Up
Translucent white and pink sculpture of a bald head with features painted in red on a clear plinth
Head with Open Eye from Heads Up
Translucent pink and red sculpture of a head wearing a bald cap or hood on a clear plinth
Heart Head from Heads Up
Painting in shades of beige, red, and green of a face with an open mouth and liquid dripping from one empty eye
PowerPlay. Golden Doublehead #4
Painting in shades of pink and turquoise of a face with a wrinkled neck looking upward
PowerPlay. Woe Man with Turquoise Chin #2
Painting of a rainbow-striped, flaming triangle on a black background with handwriting below
Study for Holocaust Logo
Framed painting in shades of pink, black, and blue of a face with a wrinkled neck looking upward
PowerPlay. Woe Man with Mask #11
Framed artwork with four striated panels with figurative imagery
Final Study #3 for Four Questions
Painted photograph of a boxcar crowded with people and flanked by a soldier and a crying woman on one side and a gesturing man on the other with green foliage all around and handwriting below
What Would You Have Done?
Painting in shades of pink, brown, and turquoise of a face with a wrinkled neck and writing over one eye looking upward
PowerPlay. Woe/Woe Bloody Man #8
Painting in rainbow colors of a face with a wrinkled neck looking upward
PowerPlay. Woe Man with Rainbow Eye #7
Three triangular shapes painted amber, orange and red
Trinity
Car hood painted various shades of blue, red, green, purple, yellow, and white in an abstract design
Birth Hood
Square canvas with yellow, orange, and red gradations leading towards a center point. A square with purple and blue gradations surrounds the point.
Christine of Sweden
Framed canvas with blue, yellow, and pink gradated petal shapes leading towards a centered jagged blue circle
Through the Flower
Painting of a pink, vulva-like shape with a large, white, wrinkled lobe on either side
Submerged/Emerged #1 Study
Painting in shades of beige, pink, and blue of a man astride a kneeling woman pulling her hair as liquid emanates from her breast
Crippled by the Need to Control/Blind Individuality
Painting of a man in rainbow colors holding his hand out like a gun, from which blood spurts and a blue shadow behind him, spurting rainbow colors
In the Shadow of the Handgun
Painted triptych of three nude men reaching for or interacting with abstract rainbow shapes
Rainbow Man
Painting in rainbow colors of a nude man propping his leg on a landscape and urinating into flames
Pissing on Nature
Painting of a muscular nude man holding a steering wheel below flames
Driving the World to Destruction
Painting of a muscular nude man holding a steering wheel amid rainbow streaks of color
Study for Driving the World to Destruction, ver. I
Painting in earth tones of three male faces with different expressions
The Three Faces of Man
Painting in shades of pink, purple, and blue of a face with an open mouth and liquid dripping from one empty eye and handwriting inside the mouth
PowerPlay. Roaring Doublehead with Bleeding Tear #8
Painting in shades of pink, red, and brown of a face with a wrinkled neck looking upward
Woe/Man with Spirits #6
Painting of a wrinkled, pink and blue face with an open mouth with lettering in it and a tear falling from one eye
PowerPlay Series: Roaring Doublehead with Bleeding Tear, edition 8/12
Painting of an orange, upturned face with a wrinkled neck
PowerPlay Series: Woe/Man with Bleeding Notch, edition 4/12
Painting of a pink and blue, upturned face with a wrinkled neck
PowerPlay Series: Woe/Man with Blue Eye, edition 9/12
Painting of a yellow, upturned face with a wrinkled neck
PowerPlay Series: Woe/Man with Burning Throat, edition 10/12
Painting in shades of beige, red, yellow, and blue of a face with an open mouth and liquid dripping from one empty eye
PowerPlay. Doublehead with Red Eyebrow #10
Painting of an orange, upturned face with a wrinkled neck with a red gash on it
PowerPlay Series: Woe/Man with Slit Throat, edition 5/12
Painting of a dark pink, upturned face with a wrinkled neck
PowerPlay Series: Woe/Man with Spittle, edition 6/12
Painting of an orange, upturned face with a wrinkled neck
PowerPlay Series: Woe/Man with Turquoise Chin, edition 2/12
Painting of a beige, upturned face with writing across the eyes and a wrinkled neck
PowerPlay Series: Woe/Woe Bloody Man, edition 8/12
Painting of a wrinkled, pink face with an open mouth and a tear falling from one eye
PowerPlay Series: Angry Doublehead with Cut, edition 9/12
Painting of a wrinkled, orange face with an open mouth with lettering in it and a tear falling from one eye
PowerPlay Series: Doublehead with Blue and Orange/Save Me, edition 11/12
Painting of a wrinkled, beige face with an open mouth and a tear falling from one eye
PowerPlay Series: Doublehead with Blue Eye, edition 1/12
Painting of a wrinkled face in shades of pink, orange, and purple with a tear dripping from a missing eye and an open mouth with handwriting in it
Lavender Doublehead/Hold Me 5
Painting of a wrinkled, pink and blue face with an open mouth with lettering in it and a tear falling from one eye
PowerPlay Series: Doublehead with Gold Tear/Help Me, edition 6/12
Painting of a wrinkled orange face with an open mouth and a tear falling from one eye
PowerPlay Series: Doublehead with Green Eye Lid, edition 2/12
Painting in shades of pink and turquoise of a face with an open mouth and liquid dripping from one empty eye
PowerPlay. Doublehead with Blue Eye #1
Painting of a wrinkled, dark pink face with an open mouth and a tear falling from one eye
PowerPlay Series: Doublehead with Milky Tear, edition 3/12
Painting in shades of pink and brown of a face with an open mouth and liquid dripping from one empty eye
PowerPlay. Doublehead with Green Eye Lid #2
Painting of a wrinkled, orange face with an open mouth and a tear falling from one eye
PowerPlay Series: Doublehead with Red Eyebrow, edition 10/12
Painting in shades of pink and turquoise of a face with an open mouth and liquid dripping from one empty eye
PowerPlay. Doublehead with Milky Tear #3
Painting of a wrinkled, brown face with an open mouth and a tear falling from one eye
PowerPlay Series: Doublehead with Torn Tear, edition 12/12
Painting in shades of pink, purple, and turquoise of a face with a wrinkled neck looking upward
Woe/Man with Blue Eye #9
Painting of a wrinkled face in shades of pink, red, and turquoise with a tear dripping from a missing eye and an open mouth with handwriting in it
Growling Doublehead #7
Painting in shades of beige, pink, and turquoise of a face with a wrinkled neck looking upward
PowerPlay. Woe Man with a Bleeding Notch #4
Painting of a wrinkled face in shades of pink and light purple with a tear dripping from a missing eye and an open mouth
Angry Doublehead with Cut #9
Painting of a wrinkled, orange face with an open mouth and a tear falling from one eye
PowerPlay Series: Golden Doublehead, edition 4/12
Painting in shades of beige, red, and blue of a face with an open mouth and liquid dripping from one empty eye and handwriting inside the mouth
PowerPlay. Doublehead with Blue and Orange Save Me #11
Painting of a wrinkled face in shades of pink, red, and light purple with a tear dripping from a missing eye and an open mouth
Doublehead with Torn Tear #12
Painting of a wrinkled, pink and blue face with an open mouth with lettering in it and a tear falling from one eye
PowerPlay Series: Growling Doublehead, edition 7/12
Painted photograph of a green, glowing plateau in a barren landscape behind barbed wire fencing
Radioactive for Thousands of Years [from the series Nuclear Waste(d)]
Painted diptych of bones and bodies under a rocky ground
Bones of Treblinka
Painted triptych with various indigenous and nomadic people and animals flanked by a woman at a table and a rabbi holding the Torah
Treblinka/Genocide
Detail of painting of a woman at a table with candles, bread, and wine flanked by flames with a rocky landscape in the background and a town below
Detail (left panel) from Treblinka/Genocide
Detail of a painting of a male rabbi holding the Torah flanked by flames with a rocky landscape above and people studying at a table below
Detail (right panel) from Treblinka/Genocide
Bodies wither among a pile of bones under the Treblinka Memorial in the Treblinka concentration camp
Bones of Treblinka
Painted photograph of a woman with lesions on her arms and face, exhaling over a barren landscape
Trinity Site [from the series Nuclear Waste(d)]
Painted photograph of a boxcar crowded with people flanked by three figures wearing national flags and a nurse and a religious figure turning away from the boxcar with green foliage all around
Wall of Indifference
Painted photograph of a boxcar crowded with people flanked by a nude woman with her hands over her face, a purple soldier, and a nude man raising his arms with green foliage all around
What Would You Have Done?
Painted photograph of three glowing green boxes on a semi trailer truck
WIPP-ed [from the series Nuclear Waste(d)]
Nazi soldiers and civilians enjoy food and drink while a Nazi soldier whips naked prisoners in a concentration camp in the background.
Banality of Evil/Struthof
Painting of six women gathered around a table smoking and drinking, some wearing men's clothing
Detail (bottom panel) from Lesbian Triangle
Painted photographic diptych of a German Nazi family at home and an American family at home with bombs in the background
Banality of Evil, Then and Now
Painted photograph of soldiers and a woman sitting at cafe tables as another soldier drives naked people into a building in the background
Banality of Evil/Struthof
Detail of a painting with six women, some wearing men's clothing, sitting or standing around a table
Detail (bottom panel) from Lesbian Triangle
Detail of a painted photograph with nude figures licking the feet of a Nazi soldier and other figures comforting each other with a guardhouse and bunks from Nazi concentration camps above
Detail (top panel) from Lesbian Triangle
Detail of a painted photograph of a naked child falling out of a crowded boxcar
Detail from Wall of Indifference
Painted photograph of five missiles leaking underground beneath a factory with handwriting below
Gang Bang at the WIPP Site [from the series Nuclear Waste(d)]
Painted photograph of a shirtless man wearing a miner's helmet standing next to a barbed wire fence with a glowing, rainbow-colored mountain range in the background
Grants, New Mexico [from the series Nuclear Waste(d)]
Detail of a painting with a nude woman holding her hands over her face and vegetation over her pubic region
Left Panel (Eve) of See No Evil/Hear No Evil
Painted photograph divided into two main sections with figures are entwined below a Nazi soldier inside a triangle and images of a guard tower and bunk beds in the background above and figures dancing and sitting at tables with drinks below
Lesbian Triangle
Painted photograph of a woman cradling a baby above nuclear reactors
Poisoned Power [from the series Nuclear Waste(d)]
Painted photograph of four nuclear reactors with two topped with corks
Put a Cork In It [from the series Nuclear Waste(d)]
Detail of a painting with a nude man stuffing his fingers in his ears and vegetation over his pubic region
Right Panel (Adam) of See No Evil/Hear No Evil
Gridded painting with nine panels of a golden scale interspersed with contrasting scenes of war, babies, hunger, homelessness, and violence
Im/Balance of Power
Detail of a painted photograph divided into three segments with women gathered around a pot, and three women sitting near a table with food above and men building a brick wall below
Detail (Panel 2) of Double Jeopardy
Detail of a painted photograph divided horizontally with nude men lined up outside a stone building above and nude women embracing and supporting each other in a gray room below
Detail (Panel 3) of Double Jeopardy
Detail of a painted photograph divided horizontally with a soldier is preparing to shoot a kneeling man in the head above and a soldier struggling with two women and a baby below
Detail (Panel 4) of Double Jeopardy
Detail of a painted photograph of men and women engaged in secretive activities around men sitting in underbrush
Detail (Panel 5) of Double Jeopardy
Detail of a painted photograph divided horizontally with soldiers beating and raping women above and emaciated men lying in crowded bunks below
Detail (Panel 6) of Double Jeopardy
Detail of a painting with two women carrying a stretcher full of naked bodies out of a building with piles of bodies on the ground outside
Detail of Right Panel from Arbeit Macht Frei/Work Makes Who Free?
Row of six painted photographs with wartime scenes
Double Jeopardy
Detail of a painted photograph of two emaciated nude figures clutching each other at the base of a staircase with handwritten text below
If All Else Fails, One Must Scream
Detail of a column of three paintings depicting violent scenes of American slavery
Left Panel from Arbeit Macht Frei/Work Makes Who Free?
Painted triptych with two groups of people wrapped in a torn Israeli flag, two emaciated nude figures clutching each other, and four kneeling nude figures interacting with the profile of a helmeted soldier
Legacy
Panel with triangular, black and white photographic images of laborers topped with color paintings of people dancing and dining In the background are black and white images of the Ku Klux Klan and a Nazi parade while above is text in German and English
Arbeit Macht Frei/Work Makes Who Free?
Detail of a column of three paintings depicting violent scenes from Nazi concentration camps
Right Panel from Arbeit Macht Frei/Work Makes Who Free?
Five panels that depict the brutality towards Jewish women during the Holocaust using photographs and painting.
Double Jeopady
Color drawing of a soldier grabbing a baby out of a screaming woman’s arms in front of a black and white photograph of a soldier about to execute a man with a gun
Detail (Panel 4) of Double Jeopardy
Six paintings arranged in a grid with violent imagery of American slavery and Nazi concentration camps
Composite View of the Left and Right Panels from Arbeit Macht Frei/Work Makes Who Free?
Detail of a painted photograph of two emaciated nude figures clutching each other at the base of a staircase
Detail (Center Panel) of Legacy
Detail of a painted photograph divided diagonally with a man sitting and holding a protest sign on a slanted surface on the left and three women sewing on the right
Detail (Panel 1) of Double Jeopardy
Painting of a man wearing a white coat holding a woman whose pelvis is being x-rayed by a ray of green light from a machine
Four Questions – Panel 4 (view from left)
Two panels: The left depicts death, war, and natural disasters in bleak gray colors; the right depicts thriving nature, animals and people of different religions, races and countries dancing in a circle.
It's Always Darkest Before the Dawn (Hope)
Painting of a female torso in shades of red and blue dotted with tiny mouths
Feeding Frenzy
Painting in shades of pink, white, and brown of an outstretched hand with exposed musculature
Glass. Study #1 for Musclehand
Painting in shades of pink, white, and black of an outstretched hand with exposed bones
Glass. Study #1 for Bony Hand
Painting of an outstretched hand in brown and beige with exposed musculature
Glass. Fused Study #3 Musclehand
Painting of two brown hands reaching toward each other with one hand in a fist
Glass. Fused Small Handout/Handsoff
Painting in shades of pink, red, and green of a face with large, staring eyes
Angry Eyes
Painting in shades of light purple and turquoise of a smiling mouth in a light purple oval
False Smile #1
Painting in shades of orange and red of a smiling mouth in an orange oval
False Smile #2
Painting in shades of pink and red of a smiling mouth in a pink oval
False Smile #3
Painting in shades of pink, red, and green of a face with large, staring eyes
Fearful Eyes
Painting shades of pink and turquoise of a face with sad eyes
Grieving Eyes
Two pink, black, and red paintings of skulls in profile where one skull has its mouth open
Grinning/Gritting (Diptych)
Painting in shades of pink, beige, red, and turquoise of a face in profile with exposed skull and blood vessels
Lipstick Grin
Painting in shades of pink, beige, red, and turquoise of a face in profile with exposed skull and musculature
Lipstick Grin 2
Painting in shades of red of a crying face with exposed musculature
Sad Face
Painting of a head in profile with the skull exposed
Study for Skull Brother
Painting of a head divided vertically in half to reveal the musculature on one side
Study for Under the Skin
Pyrotechnic installation around a reflecting pool at the Pasadena Art Museum
Multi-color Atmosphere, Pasadena Art Museum (now Norton Simon Museum), Pasadena, California
Color photograph of a woman standing on rocky terrain, surrounded by orange fireworks
Smoke Goddess/Woman with Orange Flares, Los Angeles, California
Place setting for Hypatia on table with runner, plate, goblet, fork, spoon, knife and napkin
Hypatia Placesetting (from The Dinner Party)
Black-and-white print of various abstract shapes and shapes resembling an eye and two nipples
PowerPlay. Drawings for Mezzotints for Test - Disfigured Heads
Print contains a maroon circle in the center intersected diagonally by a dark green blade and parallel golden lines
Flashback, edition 39/40
Print has a black circle in the middle containing a bifurcated red and yellow target with zig zagging black-and-white lines
Flashback, Version 2, edition 36/40
A black-and-white photographic image depicting a hand holding the barrel of a gun up to a short-haired woman's open mouth
Gunsmoke, edition of 95
A blue-tinted photographic image of a kneeling, nude woman with an extended arm pointing a gun at her vagina
Love Story
Photographic close-up of a nude woman pulling a bloody tampon from her vagina
Red Flag, edition AP 5
Four-by-four repeating grid of sunset-hued rounded doorways framed in pink
Silver Doorway, Proof I
A square print with a circular orange gradient in the center framed by undulating volumes of blue and teal
Through the Flower #4, edition 8/10
A square print with a navy blue gradient in the center framed by petals of pink and orange
Through the Flower 3, edition AP 1/1
Two square images, one with a purple gradient in the center surrounded by white-and-blue rays, and the other with a pastel pink center with yellow-and white rays
Through the Flower Twice, edition 6/10
Black-and-white print of a face with black text printed above and below
Potent Pussy/Homage to Lamont - Colophon edition 7/7
Black-and-white print of a black cat in a white square with white text above and below on black paper
Potent Pussy/Homage to Lamont - Cover, edition 7/7
Black-and-white print of black text near the bottom of a white square
Potent Pussy/Homage to Lamont - Quote, edition 7/7
A sun-like yellow circle in the center of this square print emits a gradient of pastel-colored rays in pink, purple, teal, and blue
Mary Queen of Scots, edition AP 1/7
A square black-and-white print on a larger square paper which depicts a circular radial design
Potent Pussy/Homage to Lamont - 1, edition 7/7
A square black-and-white print in the center of a square paper which depicts a circular radial design
Potent Pussy/Homage to Lamont - 2, edition 7/7
A square black-and-white print in the center of a square paper which depicts a circular radial design
Potent Pussy/Homage to Lamont - 3, edition 7/7
A square white print in the center of a square black paper which depicts a circular radial design
Potent Pussy/Homage to Lamont - 4, edition 7/7
A square white print in the center of a square black paper which depicts a circular radial design
Potent Pussy/Homage to Lamont - 5, edition 7/7
A square white print in the center of a square black paper which depicts a circular radial design
Potent Pussy/Homage to Lamont - 6, edition 7/7
Print with a multicolored, vulva-like shape in the center surrounded by thin, red and blue tendrils in a square above handwritten text in black
Peeling Back, edition 84/95
Print with a pale orange butterfly shape with black, handwritten text over it
Butterfly Vagina Erotica, Cover, edition 2/15
Print with a pale orange, wrinkled penis-like shape approaching a pale orange, wrinkled butterfly shape with handwritten text on the left
Butterfly Vagina Erotica, The Approach, edition 2/15
Print with a pale orange, wrinkled penis-like shape intersecting with a pale orange, wrinkled butterfly shape with handwritten text on the right
Butterfly Vagina Erotica, The Contact, edition 2/15
Print with a pale orange, wrinkled butterfly shape releasing a pale orange, wrinkled penis-like shape with handwritten text above
Butterfly Vagina Erotica, The Descent, edition 2/15
Print with a pale orange, wrinkled butterfly shape encasing a pale orange, wrinkled penis-like shape with handwritten text below
Butterfly Vagina Erotica, The Throb, edition 2/15
Print with two columns of handwritten text illustrated with a vulva-like drawing and drawings that resemble petroglyphs
What is Feminist Art?, edition 92/120
Print with two wavy, pink and orange swirls meeting in the middle
Reaching/Uniting/Becoming Free, edition 54/100
Print with a drawing of a cross-section of a mountain-like structure with two small, overhead views above and handwritten text below
The Dream of the Dinner Party (Permanent Housing), edition 1/250
Black and white pattern of a squatting woman figure with flowing hair giving birth to an embryo and surrounded by animals. The pattern is hung up by pushpins and various color samples are pinned on top of it.
Pattern - Creation of the World
White-on-black print of a figure reaching down to a group of crouching figures on the ground
Guided by the Goddess, edition 3/30
Print with undulating lines and spirals in orange and pink interspersed with black text
Creation Scroll - Section One, from Birth Project, CTP from an unpublished edition
Print in red, blue, and green of a baby emerging from a vagina
Almost Born, edition 7/100
Multicolored print of two people helping a woman give birth amid radiating lines
Birth Project: Birth Trinity, edition 18/75
Black-and-white print of a reclining woman giving birth amid radiating lines
Birth Project: Earth Birth, edition 18/75
Print in shades of blue and pink of a floating figure with streams coming from her breasts reaching toward a group of figures on the right
Birth Project: Guided by the Goddess, edition 18/75
Multicolored print of a woman giving birth and also forming a landscape populated by small animals and figures
Birth Project: The Creation, edition 18/75
Print in pink of a woman giving birth and a fetus in a womb amid radiating lines
Birth Project: Birth Tear/Tear, edition 18/75
Two prints, one in red, black, and white and one in black and white, each of a face in profile spewing something out of its mouth behind a figure covering its face with one hand
Double Och Un Vai (Lamentation), version 2 & 4, editions 13/20 and 13/14
Multicolored print of a muscled shirtless man gripping a steering wheel with flames emanating from it
Driving the World to Destruction, edition 11/50
Black-and-white print of a vomiting head in profile with a skull and a figure wearing a Star of David armband superimposed on it
Och un Vai (Lamentation), Version 1, edition 1/14
Black-and-white print of a vomiting head in profile with a skull and a figure wearing a Star of David armband superimposed on it
Och un Vai (Lamentation), Version 3, edition 8/14
Red, black, and white print of a face in profile spewing something out of its mouth behind a figure covering its face with one hand
Two-color study for Shame, edition 2/10
Black-and-white panoramic print of figures inscribed in a circle flanked by figures fighting on the left and a slaughterhouse on the right
The Fall - First proof
Black, white, and red panoramic print of figures inscribed in a circle flanked by figures fighting on the left and a slaughterhouse on the right
The Fall - First proof (with red)
Black-and-white panoramic print of figures inscribed in a circle flanked by figures fighting on the left and a slaughterhouse on the right
The Fall, trial proof
Print with a light blue circle framed with radiating pink petals
Through the Flower, edition 65/100
Print with a group of people of different faiths sitting at a table flanked by two Stars of David framed in rainbow-colored lines with text in Hebrew and English on a black background
Rainbow Shabbat: a vision for the future, edition 69/250
Blue, green, gray, and white print of a figure releasing a white bird into the sky with handwritten text below
In Memory of Holly Harp, edition 35
Print with a rectangle with a light brown organic shape on top of blue, overlaid with a light wood grain pattern
Wood Grain Test
Two prints side by side where the one on the left has black type over a pink and white gradient and the one on the right has two people kissing with one person's hand on the other's face
Voices from the Song of Songs: O for your scent, edition 11/30
Two prints side by side where the one on the left has green text over a brown and yellow gradient and the one on the right has a nude person embracing an anthropomorphic palm tree
Voices from the Song of Songs: There you stand like a palm, edition 11/30
Two prints side by side where the one on the left has black type over a pink and yellow gradient and the one on the right has a nude Black woman standing with her arms raised
Voices from the Song of Songs: Yes, I am black and radiant, edition 11/30
Two prints side by side where the one on the left has red text over a green and yellow gradient and the one on the right has a penis-like plant pointing toward a flower between a woman's legs
Voices from the Song of Songs: Come, let us go out into the open fields, edition 11/30
Two prints side by side where the one on the left has red text over a purple, orange, and yellow gradient and the one on the right has a person looking down at another person with their hand on their face
Voices from the Song of Songs: How fine you are, my love, edition 11/30
Two prints side by side where the one on the left has red type on a blue and yellow gradient and the one on the right has two hands holding a dove over a vulva-like shape
Voices from the Song of Songs: My dove in the cleft of the rocks, edition 11/30
Print of a pink vulva framed with red petals
Her sex was like a giant hothouse flower, Test Proof 1
Print of a pink vulva framed with red petals and topped with black pubic hair
Her sex was like a giant hothouse flower, Test Proof 2
Print of a woman's pubic area with a vulva-like shape framed with large pink petals
Nine Fragments from the Delta of Venus (A), edition 30/45
Print of a nude man and a woman embracing beneath a blue blanket
Nine Fragments from the Delta of Venus (B), edition 30/45
Print of a penis penetrating a vulva-like orifice ringed with small pink petals
Nine Fragments from the Delta of Venus (C), edition 30/45
Print of a tongue shaped like a penis and a hand touching a vulva
Nine Fragments from the Delta of Venus (D), edition 30/45
Print of three hands touching various body parts
Nine Fragments from the Delta of Venus (E), edition 30/45
Print of a tongue touching the strawberry-shaped head of a penis
Nine Fragments from the Delta of Venus (F), edition 30/45
Print of a brown man with a wavy penis embracing and penetrating a lighter-skinned woman
Nine Fragments from the Delta of Venus (G), edition 30/45
Print of two pairs of legs touching under a table as a sun shines above
Nine Fragments from the Delta of Venus (H), edition 30/45
Lid and bottom of a dark red heart-shaped box with gold trim and printed paper inside
Nine Fragments from the Delta of Venus (Heart-shaped box and folio), edition 30/45
Print of two breast-like shapes touching either side of a penis
Nine Fragments from the Delta of Venus (I), edition 30/45
Annotated print of an open mouth approaching the top of an erect penis, which is shaped like a strawberry
She kissed it...like some marvelous fruit, Test Proof
Print of a glowing yellow circle surrounded by hot pink and yellow petals radiating from the center
Through the Flower, edition 1/25 from an open ended edition
Print of two beige, ridged faces, one crying, one angry
Rather Rage Than Tears (Digital Print)
Print of two beige, ridged faces, one crying, one angry with a color palette and annotations above
Rather Rage Than Tears (Proof)
Print of a blue gradient circle surrounded by three concentric circles of pink and yellow petal-like shapes
Retrospective in a Box: Into the Darkness, edition 17/50
Print of a pink, striped triangle edged with black flames with handwritten text above and below on a gold square edged in flames
Retrospective in a Box: Signing the Dinner Party, edition 17/50
White-on-black print of a woman crouching and holding her legs open with her hair streaming upwards
Retrospective in a Box: The Crowning, edition 17/50
Color photographic print of Judy Chicago standing nude with a Star of David on her chest connected to a channel that runs down to her vulva
Aging Woman/Artist/Jew, Mylar
Color photograph of Judy Chicago standing nude with her arms spread
Aging Woman/Artist/Jew, Photo source
Print and drawing of Judy Chicago standing nude with a Star of David on her chest connected to a channel that runs down to her vulva and handwritten text over her knees
Aging Woman/Artist/Jew, Study #2
Print and drawing of Judy Chicago standing nude with a Star of David on her chest connected to a channel that runs down to her vulva and surrounded by black outlines and handwritten text
Aging Woman/Artist/Jew, Text Study
Print and drawing of Judy Chicago standing nude with a Star of David on her chest connected to a channel that runs down to her vulva
Aging Woman - Study for Center
Print and drawing of Judy Chicago standing nude with a Star of David on her chest connected to a channel that runs down to her vulva on a pink and yellow gradient background
Aging Woman/Artist/Jew, Color study
Print of Judy Chicago standing nude with her arms spread with a field of handwritten text behind her
Old, edition AP
Print of Judy Chicago standing nude with her arms spread and a Star of David on her chest connected to a channel that opens between her legs, with handwritten text running down her arms and at her feet
Retrospective in a Box: Aging Woman/Artist/Jew, edition 17/50
Print of two, beige, ridged faces, one crying, one angry
Retrospective in a Box: Rather Rage than Tears, edition 17/50
Print of a multicolored vulva-like shape surrounded by red, green, and blue wavy, radiating tendrils
Retrospective in a Box: Return of the Butterfly, edition 17/50
Print of two naked figures clutching one another at the base of a stairway with blood spraying from one of their mouths
Retrospective in a Box: Silence is the Real Crime, edition 17/50
Print of black smoke rising from lit flares on a bridge over a city street
Judy Chicago: On Fire Suite, Bridge Atmosphere, 1971 Cal State Fullerton, Fullerton, CA, edition AP 3/3
Print of a butterfly shape outlined in orange flares on a black ground with orange smoke rising from it
Judy Chicago: On Fire Suite, Butterfly for Oakland, 1974 Lake Merritt, Oakland, CA, edition AP 3/3
Print of a butterfly shape outlined in orange flares on a black ground with purple fireworks rising from it
Judy Chicago: On Fire Suite, Butterfly for Pomona, 2012 Pomona College, Claremont, CA, edition AP 3/3
Print of a building adorned with orange fireworks with green and yellow fireworks sprouting from the roof
Judy Chicago: On Fire Suite, Deflowering of Nye + Brown, 2012 Los Angeles, CA, edition AP 3/3
Print of a nude woman standing amid red flares and smoke
Judy Chicago: On Fire Suite, Goddess with Flares from Women and Smoke 1972, California Desert, edition AP 3/3
Print of a green-skinned woman sitting in a desert landscape with orange and a fire at her feet
Judy Chicago: On Fire Suite, Immolation from Women and Smoke 1972, California Desert, edition AP 3/3
Print of a cloud of orange smoke over a rectangular pool with buildings on either side
Judy Chicago: On Fire Suite, Multi-Color Atmosphere, 1970 Norton Simon Museum, Pasadena, CA, edition AP 3/3
Print of a cloud of pink smoke rising from a black ground with two small figures standing next to it
Judy Chicago: On Fire Suite, Pink Atmosphere, 1971 Cal State Fullerton, Fullerton, CA, edition AP 3/3
Print of plumes of purple smoke rising from a desert landscape
Judy Chicago: On Fire Suite, Purple Atmosphere, 1969 Santa Barbara Beach, CA, edition AP 3/3
Print of small figures standing amid plumes of multicolored smoke in a desert landscape
Judy Chicago: On Fire Suite, Smoke Bodies from Women and Smoke 1972, California Desert, edition AP 3/3
Print of a plume of orange smoke rising from a hole in the ground in a forest
Judy Chicago: On Fire Suite, Smoke Holes #2 NW Coast Atmospheres 1970, Near CA/OR Border, edition AP 3/3
Print of small figures silhouetted against two rows of glowing, red, pyramidal forms
Judy Chicago: On Fire Suite, Sublime Environment, 2012 Barker Hangar, Santa Monica, CA, edition AP 3/3
Print of wavy lines in pink and yellow gradients emanating from a white center with handwritten black text round the edges
Marie Antoinette 1973/2017, edition AP 3/4
Print of several plumes of white smoke rising from a desert landscape
Atmospheres Suite 1: Desert Atmosphere, 1969; Palm Desert, CA, edition of 3
Print of a orange smoke rising in front of a beige building
Atmospheres Suite 1: Santa Barbara Museum Atmosphere, 1969; Santa Barbara Museum, CA edition of 3
Print of a woman standing with her arms spread in a rocky canyon with orange smoke billowing behind her
Atmospheres Suite 1: Woman with Orange Flares, 1972, edition of 3
Print of the word truth spelled in red flares on the ground and reflected in a mirrored wall
Atmospheres Suite 1: Be No More, 2017; San Francisco Museum of Modern Art, CA, edition of 3
Print of an outline of a butterfly in multi colored flares on the ground with fireworks erupting from it
Atmospheres Suite 1: Butterfly for Brooklyn, 2014; Prospect Park, Brooklyn, NY, edition of 3
Print of two prairie dogs standing upright and kissing with handwritten text framing them
In Praise of Prairie Dogs, edition AP VII/X
Print of Judy Chicago wearing a hot pink shirt and holding flares with green and yellow smoke emanating from them
On Fire at Eighty, edition 26/50
A row of three prints, each depicting a different scene of blue, purple, or pink smoke
Purple Poem for Miami, (Triptych), edition AP 1
Print of a large cloud of purple smoke rising from a lighted rectangle flanked by crowds of people
Purple Poem for Miami, edition 19/20
Print of plumes of yellow and orange smoke rising amid flowers and other plants surrounded by text around the borders
Garden Smoke Portfolio. Confined in the Flowers
Print of pink smoke rising behind a flowering bush surrounded by text around the borders
Garden Smoke Portfolio. Entrapped by the Leaves
Print of light filtering through teal smoke and trees surrounded by text around the borders
Garden Smoke Portfolio. Hindered by the Light
Print of orange smoke rising beneath a wooden trellis surrounded by text around the borders
Garden Smoke Portfolio. Enclosed in a Trellis
Print of yellow smoke rising from a garden of flowers, ringed with handwritten text
Garden Smoke: Circumscribed by the Garden, Archive Proof
Print of yellow smoke rising from a garden of flowers, ringed with handwritten text
Garden Smoke: Confined in the Flowers, Archive Proof
Print of multicolored pastel smoke rising around a tree in a garden, ringed with handwritten text
Garden Smoke: Constrained on the Ground, Archive Proof
Print of plumes of multicolored pastel smoke rising in a garden, ringed with handwritten text
Garden Smoke: Curtailed by a Fence, Archive Proof
Print of orange smoke rising under a trellis, ringed with handwritten text
Garden Smoke: Enclosed in a Trellis, Archive Proof
Print of pink smoke rising around a bush, ringed with handwritten text
Garden Smoke: Entrapped by the Leaves, Archive Proof
Print of rays of light filtering through blue smoke under a tree, ringed with handwritten text
Garden Smoke: Hindered by the Light, Archive Proof
Print of multicolored smoke rising around a staircase and a trellis, ringed with handwritten text
Garden Smoke: Impeded by a Stairway, Archive Proof
Print of yellow and white smoke rising around trees in a garden, ringed with handwritten text
Garden Smoke: Limited to a Walkway, Archive Proof
Print of green and blue smoke rising around trees in a garden, ringed with handwritten text
Garden Smoke: Restrained in the Foliage, Archive Proof
Print of yellow smoke rising around trees in a garden, ringed with handwritten text
Garden Smoke: Restricted by the Trees, Archive Proof
Print of blue smoke rising in a garden, ringed with handwritten text
Garden Smoke: Suppressed by the Wind, Archive Proof
Print of Judy Chicago wearing a pink t-shirt with purple lace sleeves with arms crossed in front of a cloud of pink and orange smoke
On Fire; Judy Chicago, edition 3/30
Title page of a portfolio with text in a script font
Garden Smoke Portfolio. Garden Smoke Title Page
Print with handwritten text in the center framed in rectangles of magenta, a purple pattern, and green
What if Women Ruled the World?, Archive proof
Sculpture in white of a bald head on a black plinth
Glass. Sharon Head
Sculpture in metallic gold of a bald head divided vertically in half where one half is lighter and the other is darker
Glass. Bronze Toby Head
Sculpture of half of a bald head in metallic purple
Glass. Half Toby Head Bronze
Three consecutively larger painted stainless steel points in receding shades of orange
Trinity, edition 1/3
Increasingly smaller painted stainless steel beams leaning against a wall arranged in order of the colors of the rainbow
Rainbow Pickett, edition 1/3
Six columnar trapezoids, each of a different length and color leaning against a wall in decreasing order of size
Rainbow Pickett
Three domes in red, green, and blue gradations on white
Dark Red, Green Domes (small)
Clear acrylic table with three opaque mirrored domes sitting on top
Grey Domes with Solid Core
Relief sculpture in shades of orange and turquoise of a face with a wrinkled neck looking upward
Woe/Man 1
Relief sculpture of a wrinkled face in shades of orange and turquoise with a tear dripping from a missing eye and an open mouth
Doublehead 1
Relief sculpture in shades of gold, brown, and turquoise of a partial, wrinkled face with an open mouth
Malehead 1
Nine yellow pyramids, seen from above, arranged in two rows with one at the end
Sublime Environment. Sublime Environment, 9-Piece Model
Brown and green relief sculpture of a face framed on a white background
Bronze Face in a Box from Heads Up
Shiny brown sculpture of a bald head with a gold flower in its mouth on a mirrored plinth
Bronze Flowering Head from Heads Up
Sculpture of a bald head in shades of pink and turquoise on a clear plinth
Disappointed Head
Shiny gold sculpture of a man's head with a shovel emerging from his mouth on a clear plinth
Grand Bronze Head with Golden Tongue from Heads Up
Bottom detail of the runner for Mary Wollstonecraft. Her name is in gold lettering surrounded by a design of flowers, vines, birds, butterflies, fish, and a white banner above with the text “Vindication of the Rights of Woman.”
Mary Wollstonecraft Runner Detail (from The Dinner Party)
Runner for Eleanor of Aquitaine with blue fleur-de-lys on a red background, green plants with red and purple flowers surrounding a wood fence in the middle, and her name spelled out in gold over white on the bottom.
Eleanor of Aquitaine Runner (from The Dinner Party)
Close up of embroidery of aquatic animals
Detail of Creation of the World: Embroidery 1/9
Red textile depicting a squatting woman figure with her hair flowing behind her and an embryo coming out of her vagina
Birth Tear E 2
Close up of a quilt in red and pink shades covered with various animal species
Detail of EU-07 Creation of the World Q2
Textile of a pink female torso with leaf-like shapes emanating from between her clasped green arms
Birth Garment 2: Flowering Shrub
Pink quilt with two red figures emerging from a sun and two yellow figures reaching towards a purple spiral
Myth Quilt 1
Textile depicting flames made of human figures rising out of the ground with two volcanoes in the background.
Thou Art the Mother Womb
Textile depicting a human figure giving birth to an embryo and holding a sun while animals crawl down its leg into the sky and water.
The Creation
Close up of petit point artwork of organic shapes on canvas in orange, blue, and green tones
Detail of Creation of the World: Petit Point 2
Detail of a textile work with dark red female symbols overlaid on a gray pattern of the Star of David
Detail (needlepoint panel) of Double Jeopardy
Detail of a textile work with two figures and a profile of a head enclosed in a circle surrounded by buildings, other figures, and animals
Detail from The Fall
Drawing of figures shoving men, women, and children into the flames of a furnace
Detail from The Fall
Detail of a textile work with a row of hanging pigs and bodies above other figures entering flaming ovens and demon-like figures, a goat, and a broom above
Detail from The Fall
Detail of a textile work with Nazis pushing people into flaming ovens under a row of pigs hanging overhead
Detail from The Fall
Detail of a textile work with three pale-skinned nude women fighting blue-skinned figures holding knives
Detail from The Fall
Textile work with three nude women fighting two male figures, a crucified man, a figure with oxen plowing a field, two figures and the profile of a head enclosed in a circle, figures operating a spinning wheel attached to a bound figure, a goat, a broom, and a demon-like figure above people working in a factory, a row of hanging bodies and pigs, and Nazis pushing people into flaming ovens
The Fall
Drawing of figures, facial profiles, and a brain inscribed in a circle with buildings and another figure in the background
The Fall
Tapestry of nude women in combat postures threatened by blue figures holding knives
Detail from The Fall
Drawing of figures, facial profiles, and a brain inscribed in a circle with buildings and another figure in the background
Detail from the Fall
Color illustration of a globe covered with an assortment of oversized buildings and text in the center
Home Sweet Home (Family)
Color illustration divided into two halves with gray figures fighting in front of gray factories and air attacks on the left and people and animals frolicking together in a lush, colorful garden on the right
It's Always Darkest Before the Dawn (Hope)
Color illustration of two groups of figures with different skin colors reaching toward each other above two groups of wolves and sheep reaching toward each other
Live and Let Live (Tolerance)
Color needlework text in a ladder-like frame in rainbow colors on a white ground
Needlework Sampler (Introduction)
Pink and red illustration of concentric square and diamond shapes overlaid on a diamond of human hands holding each other
Now or Never
Color illustration of a brown-skinned woman paddling a canoe with a globe in it as other people look on
Paddle Your Own Canoe (Responsibility)
Color illustration divided diagonally by a turning page and a leaf In the lower left are tree trunks and cut logs In the upper right is a living tree
Turn Over A New Leaf (Conservation)
Color illustration of a light-skinned man, woman, and two children standing in front of a fence and a small house with a chicken in a pot in front of them
A Chicken in Every Pot (Human Rights)
Color illustration of a brown-skinned man and a light-skinned woman leaning their heads together behind a globe
Two Heads Are Better Than One (Human Rights)
Color illustration of a light-skinned man holding out two apples to four people: a pregnant woman, a person wearing a headwrap, a person sitting in a wheelchair, and a woman holding her stomach
An Apple a Day (Human Rights)
Color illustration of people of various skin tones and genders performing various activities in a boat
We're All in the Same Boat (Tolerance)
Color illustration of a shirtless, brown-skinned man filling a glass with water from a faucet with water waves in the background
Begin with a Clean Slate (Human Rights)
Color illustration of a brown-skinned man, woman, and child extending their arms toward a light-skinned figure pushing a full shopping cart
Welcome with Open Arms (Human Rights)
Color illustration of three light-skinned, kneeling figures holding a hatchet and wearing religious clothing from three different traditions
Bury the Hatchet (Human Rights)
Color illustration of the faces of three light-skinned figures wearing religious clothing from three different traditions
Detail from Bury the Hatchet (Human Rights)
Red, purple, and gold embroidery heart mounted on a curving beige surface with gold text
Detail from Find It In Your Heart (Change)
Red, purple, and gold embroidery heart mounted on a curving beige column with gold text
Detail from Find It In Your Heart (Change)
Red, purple, and gold embroidery heart mounted on the chest of a beige sculptural figure
Detail from Find It In Your Heart (Change)
Color embroidery of the word Home below an assortment of buildings
Detail from Home Sweet Home (Family)
Color embroidery of a light-skinned man and a woman embracing next to a tree in a lush garden next to a stream as other people and animals frolic in the background
Detail from It's Always Darkest Before the Dawn (Hope)
Color embroidery of a tiger and two butterflies in a lush garden
Detail from It's Always Darkest Before the Dawn (Hope)
Drawing of a woman, a man, and two children standing in front of a wooden building with a chicken in a pot in front of them
A Chicken in Every Pot (Human Rights)
Color illustration of two brown-skinned, nude figures tending to a baby in a cradle with text below
Detail from The Hands that Rock the Cradle Shape the World (Family)
Color illustration of tree stumps and cut logs
Detail from Turn Over A New Leaf (Conservation)
Color illustration of tree stumps and cut logs, overlaid with a turning page, a leaf, and a tree on the right and text below the leaf
Detail from Turn Over A New Leaf (Conservation)
Color illustration of a light-skinned woman leaning her head on her hand
Detail from Two Heads Are Better Than One (Human Rights)
Orange and purple quilt with four quadrants each with two people touching each other and text in the center
Do A Good Turn (Responsibility)
Gold sculpture of a figure encircled with gold text and spiraling lines with outstretched arms and a red and gold heart affixed to its chest
Find It In Your Heart (Change)
Gold sculpture of a figure encircled with gold text and spiraling lines with outstretched arms and a red and gold heart affixed to its chest
Find It In Your Heart (Change)
Color illustration of two brown-skinned nude figures tending to a baby in a cradle as a brown-skinned figure wearing a graduation cap emerges from a column behind them with a globe and a scroll in their hands and text below
The Hands that Rock the Cradle Shape the World (Family)
Color illustration of people riding in a cart enclosed in a star surrounded by rainbow stripes and other stars
Hitch Your Wagon to a Star (Hope)
Gold textile with handwritten text in the center surrounded by radiating green, red, and blue strips arranged in a circle
Banner #1 English: Would God Be Female?
Gold textile with handwritten text in the center flanked on either side by a blue figure and a red figure touching their abstracted limbs in the center
Banner #2 English: Would Men and Women Be Equal?
Gold textile with handwritten text in the center flanked on either side by a green figure and a dark red figure holding each other's faces
Banner #3 English: Would Both Women and Men Be Gentle?
Gold textile with handwritten text in the center flanked on either side by a dark red figure and a blue figure touching their fists together in the center
Banner #4 English: Would Both Men and Women Be Strong?
Gold textile with handwritten text in the center flanked on either side by an orange figure and a dark red figure holding hands with a smaller green figure in the center
Banner #5 English: Would There Be Equal Parenting?
Gold textile with handwritten text in the center flanked on either side by a green figure pressing their hands together and an orange figure using a cane
Banner #6 English: Would Old Women Be Revered?
Gold textile with handwritten text in the center above a dark red, blue, and orange building shaped like a womb
Banner #7 English: Would Buildings Resemble Wombs?
Gold textile with handwritten text in the center above three overlapping diagonal fences
Banner #8 English: Would There Be Private Property?
Gold textile with handwritten text in the center surrounded by radiating multicolored swords and other weapons arranged in a circle
Banner #9 English: Would There Be Violence?
Gold textile with handwritten text in the center above a blue person embracing an orange orb
Banner 10 English: Would the Earth Be Protected?
Textile with handwritten text in the center framed in rectangles of red, a purple pattern, and green
What if Women Ruled the World? Banner
Mixed media work with the outlines of emaciated nude figures entwined inside a pink triangle on a floral background
Study for Center Panel of Pink Triangle Torture
Mixed media work with emaciated nude figures entwined inside a pink triangle on a floral background with three photographs of lesions on various parts of a man's body above
Homosexual Holocaust, Study for Pink Triangle Torture
Mixed media triptych with illustrations of nude figures being tortured and a floral background
Pink Triangle/Torture
Multi-panel mixed media wall work with nude figures, mushroom clouds, a boxcar, a semi truck with a trailer, and unidentified machinery
See No Evil/Hear No Evil
Multi-panel wall work with scenes of violence from the Ku Klux Klan and the Nazis arranged under a cast iron arch with lettering in German and English
Arbeit Macht Frei/Work Makes Who Free?
Color photograph of artworks installed on white walls in a gallery with another gallery visible through a doorway in the center
PowerPlay. Jan Baum installation view
Five different black and white photographs of a man's head taped to a white surface
PowerPlay. Maleheads - multiple
Collage of drawings, black and white photographs, and color reproductions of men's faces and body parts on a gray background
Vitrine of studies for PowerPlay
Color photograph of multi-paneled artworks installed on the walls of a darkened gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition
Color photograph of multi-paneled artworks installed on the walls of a darkened gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition
Color photograph of multi-paneled artworks installed on the walls of a darkened gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition
Color photograph of multi-paneled artworks installed on the walls of a darkened gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition
Color photograph of multi-paneled artworks installed on the walls of a darkened gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition
Color photograph of two paintings installed on adjacent walls in a gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition
Color photograph of Judy Chicago and Donald Woodman standing behind a camera and looking a note cards with several artworks on the black wall behind them
Judy Chicago and Donald Woodman working on the Holocaust Project
Color photograph of five bald head sculptures each on a white pedestal in a room with white walls
Installation view of Toby Heads at LewAllen Galleries in Santa Fe, New Mexico
Color photograph of a person looking at six artworks arranged on two adjacent gray walls
Installation view of the Human Rights section from the exhibition Resolutions: A Stitch in Time at the American Craft Museum, New York, New York
Color photograph of a gallery installation with multiple sculptures on gray pedestals and several works installed in a large, semi-darkened room with gray walls and a pitched ceiling
Installation view of Chicago in Glass exhibition at Canadian Clay & Glass Gallery, Waterloo, Ontario, Canada
Color photograph of two people standing in front of three large rainbow-colored paintings
PowerPlay. Photograph of Judy Chicago & [Jeffrey?] Dietch, Rainbow Man
Color photograph of six artworks installed on adjacent dark orange walls
PowerPlay. [New Orleans Museum of Art?] NOMA installation view
Black-and-white photograph of a woman and a group of children standing amid rows of white blocks and smoke
Dry Ice Environment #1. Dry Ice Environment from Atmospheres
Color photograph of Lloyd Hamrol and three other people using a forklift to unload packages from a white truck
Dry Ice Environment #2. Dry Ice Environment #2 (2)
Color photograph of Judy Chicago and Lloyd Hamrol arranging dry ice blocks behind a forklift holding more blocks
Dry Ice Environment #2. Dry Ice Environment #2 (4)
Color photograph of Judy Chicago, Eric Orr, and Lloyd Hamrol riding on a forklift loaded with blocks wrapped in paper behind a stack of white blocks
Dry Ice Environment #2. Dry Ice Environment #2 (5)
Color photograph of Judy Chicago and Lloyd Hamrol stacking white blocks in a pyramid shape as other people look on
Dry Ice Environment #2. Dry Ice Environment #2 (10)
Color photograph of two pyramids of white blocks with pink smoke between them
Dry Ice Environment #2. Dry Ice Environment #2 (22)
Color photograph of a young person holding a blue box standing next to a pyramid of white blocks
Dry Ice Environment #2. Dry Ice Environment #2 (23)
Color photograph of two people looking at a pyramid of white blocks
Dry Ice Environment #2. Dry Ice Environment #2 (25)
Color photograph of a young person touching a pyramid of white blocks
Dry Ice Environment #2. Dry Ice Environment #2 (28)
Color photograph of Lloyd Hamrol driving a white forklift as two people stand nearby
Dry Ice Environment #1. Dry Ice Environment #1 (1)
Color photograph of a young person holding a jump rope and touching a pyramid of white blocks
Dry Ice Environment #2. Dry Ice Environment #2 (32)
Color photograph of a child walking and holding a blue disc next to a kneeling woman dressed in white in front of rows of white blocks and white smoke
Dry Ice Environment #1. Dry Ice Environment #1 (10)
Color photograph of three adults dressed in white standing and talking with a child nearby amid stacks of white blocks
Dry Ice Environment #1. Dry Ice Environment #1 (11)
Black-and-white photograph of a woman standing amid rows of white blocks and smoke
Dry Ice Environment #1. Dry Ice Environment from Atmospheres
Color photograph of a woman submerged in a bathtub, seen from above
Women Creating Fire. Woman Bathing, Fresno, CA (1)
Color photograph of two people crouching surrounded by plumes of orange smoke
Orange Atmosphere, Brookside Park, Pasadena, CA (5)
Color photograph of a figure carrying equipment emitting clouds of white smoke against a background of trees
Smoke Gun Atmosphere, Brookside Park, Pasadena, CA (1)
Color photograph of yellow plumes of smoke rising amid green grass
Yellow Atmosphere, Brookside Park, Pasadena, CA (3)
Color photograph of plumes of purple smoke rising from a beach
Purple Atmosphere, Santa Barbara Beach, CA (20)
Color photograph of two figures amid rising plumes of yellow smoke in a desert landscape with hills in the background
Desert Atmosphere, Palm Desert CA (8)
Color photograph of red and orange smoke rising from vegetation at night
Trancas Beach Atmosphere, Trancas Beach, CA (14)
Color photograph of red and orange smoke rising in front of a beige building
Santa Barbara Museum Atmosphere, Santa Barbara, CA (4)
Color photograph of white plumes of smoke rising from a mountainside
Snow Atmosphere, Mt. Baldy, San Bernardino County CA (8)
Color photograph of purple smoke rising against a rocky cliff with water at the base
Smoke Holes and North Coast Atmospheres. Smoke Holes #1, Northwest Coast Atmospheres (2)
Color photograph of white and pink smoke rising amid vertical rebar columns
Fresno State College Atmosphere (Disappearing the Art Building), Fresno CA (4)
Color photograph of orange smoke rising from a cleft in the ground in a forest
Smoke Holes and North Coast Atmospheres. Smoke Holes #2, California/Oregon Border (1)
Color photograph of two figures standing next to pink and white smoke rising from a ring of flares on a grassy field
Pink Atmosphere, Cal-State Fullerton, Fullerton CA (3)
Color photograph of white smoke rising around a piece of driftwood on a beach
Smoke Holes and North Coast Atmospheres. Smoke Holes #3, Beach, OR (3)
Color photograph of black smoke rising from flares on an overpass above a street
Bridge Atmosphere, Cal-State Fullerton, Fullerton CA (5)
Color photograph of orange smoke rising behind a dark rock on a grassy hillside strewn with driftwood
Smoke Holes and North Coast Atmospheres. Smoke Holes #4, Beach, OR (2)
Color photograph of white smoke rising from a black and white building
Campus White Atmosphere, Cal-State Fullerton, Fullerton, CA (4)
Color photograph of yellow smoke rising from a stream with trees on one side and a rocky shore on the other
Smoke Holes and North Coast Atmospheres. Smoke Holes #5, Pond, WA (2)
Color photograph of white smoke rising from a tree stump with wildflowers in the foreground and trees in the background
Smoke Holes and North Coast Atmospheres. Smoke Holes #6, Forest, WA (2)
Color photograph of a nude woman raising her arms in the air bathed in red light with smoke at her feet against a black background
Women Creating Fire. Women Creating Fire, Fresno, CA (16)
Color photograph of a nude woman standing with her arms and legs splayed, holding two flares from which orange smoke emerges in a rocky forest setting
Women Creating Fire. Woman with Orange Flares, Los Angeles, CA (5)
Color photograph of yellow and orange smoke rising in a dark forest
Smoke Holes and North Coast Atmospheres. Smoke Holes #7, Rain Forest, Olympic Peninsula, WA (2)
Color photograph of purple, pink, orange, and yellow smoke rising near a boulder in a rocky stream bed through a forest
Smoke Holes and North Coast Atmospheres. Smoke Holes #8, Vancouver BC, Canada (5)
Color photograph of yellow, green, and orange smoke rising in front of a large building
Multi-Color Atmosphere, Pasadena Museum (now Norton Simon Museum), Pasadena, CA (24)
Color image of a white doily with printed text in the center
Womanhouse (Feminist Art Program, California Institute of the Arts) : invitation
Color photograph of a nude woman standing amid plumes of yellow smoke in the desert
Women Creating Fire. Woman Dancing, Los Angeles, CA (4)
Color photograph of a nude woman kneeling in a puddle in the desert
Women Creating Fire. Woman with Liquid Smoke, Los Angeles, CA (3)
Color photograph of a woman wearing a beige, floor-length dress holding a white canister from which smoke emerges against a rocky background
Women Creating Fire. Bride with Liquid Smoke, Los Angeles, CA (1)
Color image of Judy Chicago and a student wearing a floral print dress standing in front of a large abstract painting
Womanhouse (Feminist Art Program, California Institute of the Arts) : Judy Chicago and student
Color image of a seated woman, seen from the back, wearing a light pink dress and a large ribbon in her dark hair, looking into a vanity mirror framed with lace and a silver handheld mirror
Womanhouse (Feminist Art Program, California Institute of the Arts) : Lea's room
Color photograph of pink and orange smoke rising in the desert with annotation indicating cropping and 10A in black
Women Creating Fire. Smoke Bodies, California Desert, CA (2)
Color photograph of a nude woman with green skin sitting amid plumes of orange smoke and fire in the desert
Women Creating Fire. Immolation (12)
Color photograph of red smoke rising from flares in the shape of a butterfly at night
A Butterfly for Oakland, Lake Merritt, Oakland, CA (46)
Color photograph of eight framed prints with handwritten text hanging on a white wall in a grid with two rows
Smoke Holes and North Coast Atmospheres. Northwest Coast Atmospheres
Volunteer Kathy Erteman and Judy Chicago look at volunteer Judye Keyes holding a plate for the Emily Dickinson place setting for The Dinner Party.
Kathy Erteman, Judye Keyes, and Judy Chicago look at a broken test plate for the Emily Dickinson place setting
Volunteer Audrey Cowan smiling and holding with white gloves the runner for the Eleanor of Aquitaine place setting
Audrey Cowan with the Eleanor of Aquitaine runner
Three volunteers sitting on a studio floor with the center volunteer’s body flipped over backwards over her arms
Volunteers in the needle workers' loft in Judy Chicago's Santa Monica, California studio during the creation of The Dinner Party
Close-up of the hands of a volunteer stitching a human figure detail for the Mary Wollstonecraft runner. The human figure detail is on the volunteer’s jeans.
A volunteer stitching a detail for the Mary Wollstonecraft runner
Volunteer Adrienne Weiss sits at a table applying blue paint onto a mock-up runner for Caroline Herschel while Judy Chicago lies across the table applying white paint onto the runner
Adrienne Weiss and Judy Chicago painting a Caroline Herschel runner mock-up
Volunteer Marjorie Biggs leaning over and embroidering the runner for the Caroline Herschel place setting
Marjorie Biggs working on the Caroline Herschel runner
Judy Chicago paints half of the plate for Susan B. Anthony that is propped up on an easel.
Judy Chicago china painting a Susan B. Anthony plate
People in line on the street outside the San Francisco Museum of Modern Art
Museum goers line up to see The Dinner Party at San Francisco Museum of Modern Art, 1979
Color photograph of a large triangular table with an open center lined with place settings
Installation view, The Dinner Party
Color photograph of a large triangular table with an open center lined with place settings
The Dinner Party, Wing One - Primordial Goddess and Fertile Goddess Place Settings
Color photograph of a colorful artwork with abstracted female figures hanging on a wall next to black and white text panels
Installation view of EU-77 Creation of the World Needle Point 3
Thirty five millimeter color slide with a view of an art exhibition
The Birth Project. Toronto, Canada: Gallery Quan Ltd., 1983.
Black-and-white photograph of a man's head looking down with his eyes shut tight
Malehead Insert 5
Black-and-white photograph of a nude man riding a motorcycle in profile
Motorcycle with Rider 25
Three black and white photographs of a man's face making different facial expressions
Three Faces of Man Composite
Close up of a panel with quotes by Judy Chicago and Pamela Nesbit and a photograph of them working together
Detail of installation view of Creation of the World: Embroidery 1/9
Four black and white panels with text and photographs hung in two rows on the left with framed petit point artwork, on the right
Installation view of Creation of the World: Petit Point 2
Color photograph of people viewing an exhibition of artworks on a wall
The Birth Project. Snug Harbor, Staten Island, New York, 1985-1986.
Color photograph of an exhibition of quilts Four people stand near a small stairway and one person sits at a table nearby
The Birth Project. Wilson Commons, University of Rochester, New York, 1986-1987.
Black-and-white photograph of Judy Chicago standing in front of fallen and crooked gravestones
Judy Chicago in old Jewish cemetery in Prague, Czechoslovakia
Judy Chicago drawing in front of a mausoleum in a cemetery
Judy Chicago drawing at the Vilna Gaon tomb
Black-and-white photograph of Judy Chicago standing and holding a book in front of a large tomb and gravestones
Judy Chicago drawing at the Vilna Gaon tomb
Black-and-white photograph of Judy Chicago standing and holding a book in the midst of a field of jagged stones
Judy Chicago at the Treblinka Memorial in the Treblinka concentration camp in Poland
Color photograph of Judy Chicago standing in a field of jagged stones
Judy Chicago at the Treblinka Memorial in the Treblinka concentration camp in Poland
Color photograph of two figures walking away on a road in the fog
Judy Chicago and Audrey Cowan at the Natzweiler-Struthof concentration camp in France
Color photograph of Judy Chicago kneeling by a marshy pond in a grassy field
Judy Chicago at the Birkenau Ash Pit in the Birkenau concentration camp in Poland
Color photograph of red chairs and brown tables outside a white building with another white building in the background
Inn at Natzweiler-Struthof concentration camp in France
Color photograph of Judy Chicago standing next to a wooden building near a cast iron arch with text on it
Judy Chicago at the gate to Auschwitz concentration camp in Poland
Color photograph of Judy Chicago standing amid crooked gravestones
Judy Chicago in old Jewish cemetery in Prague, Czechoslovakia
Color photograph of four large paintings hanging on white walls in a gallery
Installation view, Power Play
Judy Chicago and Donald Woodman in a studio painting canvases
Judy Chicago and Donald Woodman working on Four Questions, Santa Fe, New Mexico
Color photograph of Judy Chicago (seated) and Donald Woodman painting works on wall-mounted easels in an art studio
Judy Chicago and Donald Woodman working on Four Questions, Santa Fe, New Mexico
Color photograph of four square artworks with wartime imagery on a white wall
Four Questions (view from left)
Color photograph of banners installed on light posts with tall buildings in the background
Street banners for Holocaust Project: From Darkness into Light exhibition at Spertus Museum, Chicago, Illinois
Color photograph of four square artworks with healthcare, animal, and astronaut imagery on a white wall
Four Questions (view from right)
Color photograph of people sitting in a circle in chairs or on the floor in a room lined with artworks
Through the Flower Summer Workshop (College of Santa Fe) : Studio work (color slides)
Black-and-white photograph of a woman standing with her back to the viewer in a backyard Her buttocks are encased in plaster
Through the Flower Summer Workshop (College of Santa Fe) : Studio work, casting process (black-and-white photos)
Black and white image of Judy Chicago and another woman, both wearing shorts, painting a wall
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and student
Black and white image of Judy Chicago facing another gesturing individual as another individual in the background works at a table
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and student
Black and white image of Judy Chicago and another woman, both wearing shorts, painting a wall
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and student
Black and white image of Judy Chicago standing. Three other sitting individuals turn to face her. Some hold paper and writing utensils.
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and students
Black and white image of individuals sitting in a circle of folding chairs turning to face Judy Chicago writing on a whiteboard
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and students
Black and white image of Judy Chicago and individuals examining a cast of a torso and arms as a woman in the background stands on a folding chair facing the wall
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and students
Black and white image of Judy Chicago and a group of individuals sitting in a circle on folding chairs facing an individual sitting in the center of the circle on a folding chair.
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and students
Black and white image of three individuals examining a cast of a torso and arms. Judy Chicago and another individual, who is standing on a folding chair, face the wall in the background.
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and students
Black and white image of Judy Chicago sitting on a table and other individuals sitting on folding chairs in a room where the back of the room is lined with lockers
Through the Flower Summer Workshop (College of Santa Fe) : Judy Chicago and students
Color photograph of artworks on the walls of a darkened gallery
Installation view of the Holocaust Project: From Darkness Into Light exhibition at the Austin Museum of Art at Laguna Gloria, Austin, Texas
Color photograph of a glowing stained glass work and a painting installed on black and white walls in a gallery
Installation View of the Holocaust Project: From Darkness Into Light exhibition at the Austin Museum of Art at Laguna Gloria, Austin, Texas
Color photograph of a glowing stained glass work in a darkened gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition at the Rose Art Museum at Brandeis University in Waltham, Massachusetts
Color photograph of artworks installed on white and black walls in a second-story space with railings and a stairway in the center
Installation view of Holocaust Project: From Darkness Into Light exhibition at Rose Art Museum at Brandeis University in Waltham, Massachusetts
Color photograph of four paintings installed on a white wall in a gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition at Rose Art Museum at Brandeis University in Waltham, Massachusetts
Color photograph of a gallery installation with five large paintings hanging on two adjacent walls
Installation view of Holocaust Project: From Darkness Into Light exhibition at Cleveland Center for Contemporary Art, Cleveland, Ohio
Color photograph of artworks installed on white walls in a gallery
Installation view of Holocaust Project: From Darkness Into Light exhibition at Cleveland Center for Contemporary Art, Cleveland, Ohio
Color image of Judy Chicago, wearing a blue shirt and jeans, and another individual, wearing a black shirt, wrapping a mummy on a gray platform.
SINSation (Indiana University) : Judy Chicago and artist discuss work
Color image of Judy Chicago and other individuals in a room with gray walls and hardwood floors. Some participants view and hang multi-colored art on the walls. Others view multi-colored art on tables.
SINSation (Indiana University) : Judy Chicago and participants, project installation
Color photograph of a woman working on a wall installation
SINsation (Indiana University) : Works in progress (color slides)
Color photograph of a cake decorated with a radial motif and books on a table
SINsation (Indiana University) : Opening night (color slides)
Color image of a group of individuals standing around a table viewing a book held by a woman sitting on the table
From Theory to Practice (Duke University) : class critique with Judy Chicago
Color image of Judy Chicago and other individuals gathered in a semi-circle around a multi-colored artwork
From Theory to Practice (Duke University) : class critique with Judy Chicago
Color photograph of three people reading wall text in an exhibition with an artwork on the left and rainbow lights projected on the wall on the right
Installation view and entryway of the exhibition Resolutions: A Stitch in Time at the American Craft Museum, New York, New York
Color photograph of an art exhibition with full or partial views of five artworks on a series of gray walls
Installation view of the exhibition Resolutions: A Stitch in Time at the American Craft Museum, New York, New York
Color image of the At Home house. Features a white brick home with black shutters, black roof, and a stone facade.
At Home (Western Kentucky University) : house, exterior view
Color image of Judy Chicago wearing jeans, a white tee shirt, and red sneakers speaking with a student, who is wearing a black shirt and ripped jeans
At Home (Western Kentucky University) : Judy Chicago and student
Judy Chicago and three students look at pencil sketches on white paper in a room with white walls, hardwood floors, and black plastic covering the window.
At Home (Western Kentucky University) : Judy Chicago and students
Color image of ten people sitting in a circle in a room with white walls, dark wood work, hardwood floors, and a white floral area rug
At Home (Western Kentucky University) : project meeting
Black and white poster featuring textual list of participants, an image of the front of the At Home House with participants, and the At Home logo
At Home (Western Kentucky University) : exhibitions (events) poster
Black-and-white printed catalog cover with a photograph of two women sitting at the top of a flight of stairs where the catalog is shaped like a house
Feminist Art Program (Fresno/CalArts) : Womanhouse catalog (black-and-white slides)
Color photograph of Judy Chicago sitting in a circle with other people
At Home: A Kentucky Project (WKU) : Group meetings (color slides)
Color photograph of a wooden model of a house
At Home: A Kentucky Project (WKU) : House and portraits (photos and negatives, color/black-and-white)
Color photograph of a large, rectangular plinth covered with images from pornographic magazines
At Home: A Kentucky Project (WKU) : House in progress (color slides)
Color photograph of a painting and a stained glass work in a darkened gallery
Installation view and entryway of the exhibition Holocaust Project: From Darkness into Light at the Orlando Museum of Art, Orlando, Florida
Color photograph of a kneeling man extending one hand
Envisioning the Future (Cal Poly Pomona) : Sculpture group - work process (color slides)
Color photograph of a woman standing next to a podium in front of an audience
Envisioning the Future (Cal Poly Pomona) : Lecture series (color photos and negatives)
Color photograph of two people holding up a piece of fabric and Judy Chicago and others look on
Envisioning the Future (Cal Poly Pomona) : Mural group - work process (color slides)
Color photograph of a large group of people posing in front of a mural and scaffolding on the side of a building
Envisioning the Future (Cal Poly Pomona) : Mural group portrait (prints and transparencies)
Color photograph of two people standing in front of an artwork on the wall
Envisioning the Future (Cal Poly Pomona) : Painting group - work process (color slides)
Color photograph of Judy Chicago and other people sitting in chairs in a circle
Envisioning the Future (Cal Poly Pomona) : Performance group - work process (color slides)
Color image of Judy Chicago and other individuals sitting around a white table trimmed in woodwork. On the table there are sketches, water bottles, and food. The room features a white wall lined with framed artwork.
Envisioning the Future (Cal Poly Pomona) : facilitator training with Judy Chicago
Color image of Judy Chicago standing behind a chair, and other individuals sitting in a circle on dark gray chairs in a room with white walls and dark gray carpet
Envisioning the Future (Cal Poly Pomona) : facilitator training with Judy Chicago
Color image of Judy Chicago and other individuals sitting in a circle in dark gray chairs. The room features white walls and dark gray carpet.
Envisioning the Future (Cal Poly Pomona) : facilitator training with Judy Chicago
Color image of Judy Chicago wearing a multi-colored floral shirt with another individual wearing a white sweater looking at a camcorder
Envisioning the Future (Cal Poly Pomona) : Judy Chicago and installation artist
Color image of Judy Chicago wearing a multi-colored floral shirt with another individual wearing a white sweater looking at a camcorder
Envisioning the Future (Cal Poly Pomona) : Judy Chicago and installation artist
Color Image of Judy Chicago and other individuals viewing architectural drawings hung on a wall
Envisioning the Future (Cal Poly Pomona) : Judy Chicago and mural painting group
Color Image of Judy Chicago and other individuals viewing architectural drawings hung on a wall
Envisioning the Future (Cal Poly Pomona) : Judy Chicago and mural painting group
Color image of Judy Chicago in a hot pink sweatshirt directing individuals holding an off-white canvas
Envisioning the Future (Cal Poly Pomona) : Judy Chicago and mural painting group
Color image of Judy Chicago and other individuals sitting in a semi-circle on a variety of chairs and a sofa featuring a red and gray tribal pattern as one individual sits in the center on the floor filming with a camcorder pointed away from the group
Envisioning the Future (Cal Poly Pomona) : Judy Chicago and performance group
Color Image of Judy Chicago and other individuals sitting in a circle comprised of a variety of chairs, a sofa with a red and gray tribal pattern, and a black leather sofa around a pink area rug
Envisioning the Future (Cal Poly Pomona) : Judy Chicago and performance group
Color photograph of Judy Chicago standing and talking with four people
Envisioning the Future (Cal Poly Pomona) : Installation group - work process (color slides)
Color photograph of a mural of a woman extending her hand on the side of a building
Envisioning the Future (Cal Poly Pomona) : Mural group - finished painting (color slides)
Color image of white semi-circular exhibition installation with multi-colored artworks and clipboards hung on the white walls and in glass boxes on a plinth
Envisioning the Future (Cal Poly Pomona) : photography exhibition opening
Color image of exhibition installation wall with black text and the Envisioning the Future logo, which features a brown eyeball.
Envisioning the Future (Cal Poly Pomona) : photography exhibition opening
Color image of Judy Chicago wearing a pink shirt, painting as another individual, wearing a blue shirt, with their back to the camera holds a palette of paint
Evoke/Invoke/Provoke (Vanderbilt) : Judy Chicago and artist discuss painting in progress
Color image of Judy Chicago wearing a pink shirt and another individual wearing a blue shirt painting a large canvas of a naked woman
Evoke/Invoke/Provoke (Vanderbilt) : Judy Chicago and artist discuss painting in progress
Color image of Judy Chicago and another individual wearing a yellow shirt pointing to small canvases on a white table
Evoke/Invoke/Provoke (Vanderbilt) : Judy Chicago and artist discuss works in progress
Color photograph of Judy Chicago sitting in a row of other people
Evoke/Invoke/Provoke (Vanderbilt) : Self-presentations and group discussions (color slides)
Color image of a woman and Judy Chicago surrounded by cardboard boxes, and pointing to artwork on a dark blue wall.
Evoke/Invoke/Provoke (Vanderbilt) : Judy Chicago and artist discuss works in progress
Color image of Judy Chicago and another individual hanging multi-colored artworks on blue walls
Evoke/Invoke/Provoke (Vanderbilt) : Judy Chicago and artist discuss works in progress
Color photograph of a group of people sitting and standing on a stone staircase Judy Chicago is sitting on the bottom step
Evoke/Invoke/Provoke (Vanderbilt) : Participant portraits and group photos (color slides, transparencies)
Color photograph of a place setting with a plate decorated with the face of a woman surrounded by bananas
The Dinner Party Curriculum Project : Tehiyah Day School Dinner Party - D.W. class (color photos)
A view of an art gallery with exhibits of glass sculptures by Judy Chicago
Installation view of Chicago in Glass exhibition at Canadian Clay & Glass Gallery, Waterloo, Ontario, Canada
Color photograph of artworks installed on white and brick walls, seen through a window with text on it
Installation view of Judy Chicago: Jewish Identity exhibition at Hebrew Union College Art Museum in New York, New York
Color photograph of paintings installed on white walls in a gallery
Installation view of Judy Chicago: Jewish Identity exhibition at Hebrew Union College Art Museum in New York, New York
Color image of student artwork focused on blue ceramic dinner plate made for Anne Frank with a painted depiction of Anne Frank in the middle surrounded by yellow pencils and yellow Stars of David
Dinner Party Curriculum Project : student Dinner Party place setting for Anne Frank
Color image of student artwork focused on a multi-colored Dinner Party place setting featuring a ceramic cat
Dinner Party Curriculum Project : student Dinner Party place setting for Judy Chicago
Judy Chicago using a spray gun to spray paint an orange glass bust
Judy Chicago spray painting Grand Toby Head with Copper Eye
Color photograph of a large beige building with a red tiled roof and a line of palm trees in front
A Butterfly for Pomona: Pomona College Site Visit (4)
Color photograph of a courtyard with a patterned, tile floor inside a beige building with balconies and a red tiled roof
A Butterfly for Pomona: Pomona College Site Visit (5)
Color photograph of Judy Chicago and two other people standing inside a gray outdoor amphitheater
A Butterfly for Pomona: Pomona College Site Visit (8)
Color photograph of yellow caution tape strung across a sports field with bleachers and a tower in the background
A Butterfly for Pomona: Pomona College Site Visit (27)
Color photograph of yellow caution tape strung across a sports field with a scoreboard and buildings in the background
A Butterfly for Pomona: Pomona College Site Visit (29)
Color photograph of a sculpture of half of a translucent orange bald head on a table Judy Chicago is working on another sculpture in the background
Judy Chicago spray painting Grand Toby Head with Copper Eye
Color photograph of Judy Chicago sitting at a table with a glass of wine and a pyramid of white sugar cubes with other people in the background
Sublime Environment. Sublime Environment, Model (4)
Drawing of a building with a large doorway in the center surrounded by red, white, and green petal shapes
The DeFlowering of Nye + Brown: Final Study for the Flowering of Nye Plus Brown
Color photograph of two people reaching into a white bin filled with blocks wrapped in brown paper
Sublime Environment. Sublime Environment, Los Angeles Test (9)
Color photograph of Oliver Hess and Judy Chicago standing in front of two pyramids of white blocks with other people standing nearby
Sublime Environment. Sublime Environment, Los Angeles Test (16)
Color photograph of Glenn Phillips, Judy Chicago, and Jenna Didier speaking to a group of people standing around a table with a model on it
Sublime Environment. Sublime Environment, Los Angeles Test (20)
Color photograph of two pyramids of white blocks with red lights around them
Sublime Environment. Sublime Environment, Los Angeles Test (25)
Color photograph of a pyramid of white blocks with red lights around it
Sublime Environment. Sublime Environment, Los Angeles Test (26)
Color photograph of a paved lot with wooden beams held down with sandbags and an orange lift in front of a white building
Sublime Environment. Sublime Environment, Installation (2)
Color photograph of a group of people dressed in white installing white blocks in a paved lot lined with wooden beams held down with sandbags
Sublime Environment. Sublime Environment, Installation (4)
Color photograph of a pyramid of white blocks with white fog emanating from it
Sublime Environment. Sublime Environment, Installation (6)
Color photograph of two rows of pyramids of white blocks with fog emanating from it and people standing around
Sublime Environment. Sublime Environment, Installation (7)
Color photograph of Judy Chicago, dressed in white, standing in front of a large banner
Sublime Environment. Sublime Environment, Opening (1)
Color photograph of two rows of pyramids of white blocks with fog and red lights emanating from them and people standing around in the evening
Sublime Environment. Sublime Environment, Opening (9)
Color photograph of Judy Chicago leaning over a row of stakes in the grass as a person looks on
A Butterfly for Pomona: Butterfly Installation (6)
Color photograph of Judy Chicago standing in front of pyramids of blocks glowing red and emanating fog
Sublime Environment. Sublime Environment, Opening (14)
Color photograph of Chris Souza and another person kneeling surrounded by stakes and a curving white outline on a grassy field
A Butterfly for Pomona: Butterfly Installation (9)
Color photograph of Rusty Johnson and another person kneeling and standing near a row of stakes and a white outline on a grassy field
A Butterfly for Pomona: Butterfly Installation (13)
Color photograph, seen from above, of people standing among glowing red pyramids of blocks
Sublime Environment. Sublime Environment, Opening (17)
Color photograph of an outline of a butterfly in white and beige stakes on a football field
A Butterfly for Pomona: Butterfly Installation (19)
Color photograph of people walking among three pyramids of white blocks emanating fog
Sublime Environment. Sublime Environment, Opening (25)
Color photograph of ten white, lumpy piles on a paved lot in front of a large banner
Sublime Environment. Sublime Environment, Day After (1)
Color photograph of several people standing amid the outline of a butterfly on a football field at twilight
A Butterfly for Pomona: Butterfly Installation (20)
Color photograph of a person standing alongside five cameras on tripods on a white rooftop overlooking a football field
A Butterfly for Pomona: Butterfly Installation (22)
Photograph of a sandwich board sign in front of a black fence
A Butterfly for Pomona: Butterfly Installation (24)
Color photograph of red flares in the shape of a butterfly on a dark ground
A Butterfly for Pomona: Butterfly Installation (28)
Color photograph of fireworks rising from red flares in the shape of a butterfly on a dark ground
A Butterfly for Pomona: Butterfly Installation (30)
Color photograph of red flares in the shape of a butterfly on a dark ground
A Butterfly for Pomona: Butterfly Installation (34)
Color photograph of red flares in the shape of a butterfly on a dark ground
A Butterfly for Pomona: Butterfly Installation (37)
Color photograph of yellow fireworks at the center of red flares in the shape of a butterfly on a dark ground
A Butterfly for Pomona: Butterfly Installation (38)
Color photograph of fireworks rising from red flares in the shape of a butterfly on a dark ground
A Butterfly for Pomona: Butterfly Installation (41)
Color photograph of purple fireworks rising from red flares in the shape of a butterfly on a dark ground
A Butterfly for Pomona: Butterfly Installation (44)
Color photograph of purple fireworks rising from red flares in the shape of a butterfly on a dark ground
A Butterfly for Pomona: Butterfly Installation (47)
Judy Chicago stands before her artwork speaking to an audience
Judy Chicago talks about ReViewing PowerPlay at David Richard Gallery, Santa Fe, New Mexico
Color photograph of a model, seen from above, of a white building with nine yellow pyramids in front of it
Sublime Environment. Sublime Environment, Model (6)
Color photograph of yellow, red, and white fireworks on the facade of a building
The DeFlowering of Nye + Brown: DeFlowering Performance (3)
Color photograph of white and yellow fireworks on the facade of a building
The DeFlowering of Nye + Brown: DeFlowering Performance (7)
Color photograph of Judy Chicago standing and talking to a group of people in front of three large, rainbow-colored paintings
Judy Chicago talks about ReViewing PowerPlay at David Richard Gallery, Santa Fe, New Mexico
Color photograph of two large, colorful paintings hanging on a white wall in a gallery
Installation view of ReViewing PowerPlay at David Richard Gallery, Santa Fe, New Mexico
Color photograph of Judy Chicago talking to a group of people around a table with a model on it
Sublime Environment. Sublime Environment, Los Angeles Test (7)
Color photograph of red, blue, and yellow fireworks on the facade of a building
The DeFlowering of Nye + Brown: DeFlowering Performance (10)
Panoramic color photograph of artworks on the walls of a gallery with a few people standing at the entrance
Installation view of ReViewing PowerPlay at David Richard Gallery, Santa Fe, New Mexico
Color photograph of a person kneeling next to a small pyramid of white blocks as a group of people look on
Sublime Environment. Sublime Environment, Los Angeles Test (8)
Color photograph of multi colored fireworks on the facade of a building
The DeFlowering of Nye + Brown: DeFlowering Performance (14)
Color photograph of a large green lawn with a body of water and tall buildings in the distance
Disappearing 100 Boxes. Brooklyn Bridge Park (9)
Color photograph of Judy Chicago standing in the open door of a small car
Disappearing 100 Boxes. Brooklyn Bridge Park (19)
Color photograph of Catherine Morris, Judy Chicago, and Jessica Wilcox standing and talking outdoors
Disappearing 100 Boxes. Brooklyn Bridge Park (27)
Color photograph of a glowing red butterfly outline with blue internal lines in a darkened park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (39)
Color photograph of white smoke emanating from a glowing red butterfly outline studded with white lights in a darkened park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (45)
Color photograph of fireworks shooting up from a glowing red outline of a butterfly in a darkened park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (56)
Color photograph of fireworks shooting up from a glowing red outline of a butterfly in a darkened park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (60)
Color photograph of fireworks shooting up from a glowing red outline of a butterfly in a darkened park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (62)
Color photograph of multi colored fireworks shooting up from a glowing red outline of a butterfly in a darkened park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (66)
Color photograph of paintings and a stained glass work in a gallery with white walls
Installation view of The Very Best of Judy Chicago exhibition at Mana Contemporary in Jersey City, New Jersey
Color photograph of a group of people standing near a car in a park as two adults and four children play on the lawn in front of them
A Butterfly for Brooklyn. Butterfly Preshow Setup (3)
Color photograph of multi colored fireworks shooting up from a glowing red outline of a butterfly in a darkened park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (74)
Color photograph of a glowing stained glass work embedded in a wall in a darkened gallery
Installation view of The Very Best of Judy Chicago exhibition at Mana Contemporary in Jersey City, New Jersey
Color photograph of Chris Souza and Judy Chicago looking at plans as person photographs them
A Butterfly for Brooklyn. Butterfly Preshow Setup (10)
Stained glass work of people of different faiths and races sitting around a table
Installation view of The Very Best of Judy Chicago exhibition at Mana Contemporary in Jersey City, New Jersey
Color photograph of several groups of people eating at folding tables and chairs in a park
A Butterfly for Brooklyn. Butterfly Preshow Setup (21)
Color photograph of five differently colored plumes of smoke emanating from gravel with wooden structures in the background
Garden Color. Garden Color, November 26, 2014 (5)
Color photograph of a stained glass work embedded in a dark gray wall
Installation view of The Very Best of Judy Chicago exhibition at Mana Contemporary in Jersey City, New Jersey
Color photograph of Chris Souza, Mary Costa, and Judy Chicago standing arm in arm
A Butterfly for Brooklyn. Butterfly Preshow Setup (33)
Color photograph of a glowing stained glass work at the back of a darkened gallery
Installation view of The Very Best of Judy Chicago exhibition at Mana Contemporary in Jersey City, New Jersey
Color photograph of three people attaching rows of tubes to small, green wooden supports in a park with an installation outlined on the grass behind them
A Butterfly for Brooklyn. Butterfly Preshow Setup (37)
Color photograph of three paintings and a stained glass work in a darkened gallery
Installation view of The Very Best of Judy Chicago exhibition at Mana Contemporary in Jersey City, New Jersey
Color photograph of an orange mechanical lift parked next to a lamppost in a park
A Butterfly for Brooklyn. Butterfly Preshow Setup (41)
Color photograph of nude Katie Schroeder holding red and green smoke flares with similar flares planted in the ground at her feet
Holiday Video. Holiday Performance (6)
Color photograph of paintings and a stained glass work in a darkened gallery with white walls
Installation view of The Very Best of Judy Chicago exhibition at Mana Contemporary in Jersey City, New Jersey
Color photograph of people setting up flares on a lawn strewn with items covered in plastic
A Butterfly for Brooklyn. Butterfly Preshow Setup (46)
Color photograph of people working inside a fence on a lawn with white outlines and many small objects on it
A Butterfly for Brooklyn. Butterfly Preshow Setup (58)
Color photograph of three cameras wrapped in plastic overlooking a lawn with people working amid a white outline and scattered objects
A Butterfly for Brooklyn. Butterfly Preshow Setup (59)
Color photograph of people working inside a fence on a lawn divided by white outlines and with many small objects on it
A Butterfly for Brooklyn. Butterfly Preshow Setup (60)
Color photograph of a person sitting and using a laptop on a table inside a fence on a lawn
A Butterfly for Brooklyn. Butterfly Preshow Setup (74)
Color photograph of Chris Souza, Mary Costa, and three other people standing in the back of a truck with equipment in it
A Butterfly for Brooklyn. Butterfly Preshow Setup (81)
Color photograph of two hands touching an electronic device on the grass
A Butterfly for Brooklyn. Butterfly Preshow Setup (103)
Color photograph of Ben North and another person kneeling and installing a cable on the grass in a park with a large building in the distance
A Butterfly for Brooklyn. Butterfly Preshow Setup (105)
Color photograph of a pair of hands using clippers to cut a wire as another pair of hands holds another wire
A Butterfly for Brooklyn. Butterfly Preshow Setup (107)
Color photograph of Judy Chicago pointing to the right
A Butterfly for Brooklyn. Butterfly Preshow Setup (110)
Color photograph of Judy Chicago with a lawn in the background
A Butterfly for Brooklyn. Butterfly Preshow Setup (114)
Color photograph of Chris Souza and Judy Chicago talking in a park
A Butterfly for Brooklyn. Butterfly Preshow Setup (121)
Color photograph of Rusty Johnson carrying large loops of wire
A Butterfly for Brooklyn. Butterfly Preshow Setup (130)
Color photograph of Rusty Johnson kneeling and holding wires on the grass at night
A Butterfly for Brooklyn. Butterfly Preshow Setup (140)
Color photograph of crisscrossing low, white dividers on a lawn dotted with objects
A Butterfly for Brooklyn. Butterfly Preshow Setup (141)
Color photograph of an aerial view of pink smoke and a glowing red outline on a lawn in a park as a crowd looks on
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (6)
Color photograph of an aerial view of purple smoke and fireworks shooting up from a glowing red outline of a butterfly on a lawn in a park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (19)
Color photograph of an aerial view of pink smoke and fireworks shooting up from a glowing red outline of a butterfly on a lawn in a park
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (20)
Color photograph of an aerial view of multi colored fireworks shooting up from a glowing red outline of a butterfly on a lawn in a park as a crowd looks on
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (29)
Color photograph of an aerial view of fireworks shooting up from a glowing red outline of a butterfly with blue interior lines on a lawn in a park as a crowd looks on
A Butterfly for Brooklyn. Butterfly for Brooklyn Performance (31)
Color photograph of Judy Chicago and Donald Woodman bending over to light flares alongside a garden path as smoke rises and other people stand in the background amid trees
Garden Color. Garden Color, July 4, 2015 (1)
Color photograph of plumes of blue, green, and yellow smoke rising from a garden path
Garden Color. Garden Color, July 15, 2015 (4)
Color photograph of a drone carrying an orange smoke canister in a cloudy sky
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, July (5)
Color photograph of plumes of purple, red, and orange smoke rising within black and yellow barriers on a paved street
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, July (8)
Color photograph of plumes of orange and purple smoke rising alongside a black and yellow barrier on a paved street and sidewalk
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, July (12)
Color photograph of a plume of pink smoke emerging from a pink smoke canister perched on a black and yellow barrier
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, July (17)
Color photograph of a plume of yellow smoke and sparks rising from a yellow smoke canister perched on a black and yellow barrier
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, July (23)
Color photograph of red smoke and sparks rising from smoke canisters perched on a black and yellow barrier at dusk
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, July (28)
Color photograph of sparks and orange smoke rising from a canister perched on a barrier at dusk
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, July (41)
Color photograph of orange smoke rising from a canister perched on a black and yellow barrier
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, October (4)
Color photograph of green smoke rising from a black and yellow barrier on a paved street in front of a brick building
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, October (10)
Color photograph of blue smoke rising from a canister alongside a black and yellow barrier on a paved street in front of a brick building
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, October (20)
Color photograph of sparks and smoke rising from a torch-like support inside a black and yellow barrier on a paved street with a camera on a tripod nearby and buildings in the distance
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, October (31)
Color photograph of sparks and smoke rising from a torch-like support on a paved street with a water tower in the distance at dusk
General Smoke Tests and Technical Information. Smoke Tests, Belen NM, October (38)
Color photograph of Judy Chicago, Rusty Johnson, and Chris Souza standing and looking at orange flames rising from a black machine on pavement in front of a warehouse-like structure
General Smoke Tests and Technical Information. Pyro Spectaculars Flame Test, Rialto (2)
Color photograph of Judy Chicago, Chris Souza, and Rusty Johnson standing in a desert and looking at purple smoke emanating from a metal tray on the ground
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (5)
Color photograph of plumes of pink, orange, and yellow smoke emanating from the desert floor
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (9)
Color photograph of plumes of red and purple smoke emanating from the desert floor
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (11)
Color photograph of Rusty Johnson and Judy Chicago standing in the desert with their backs to the camera watching plumes of orange and green smoke
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (12)
Color photograph of plumes of orange, pink, and green smoke rising from the desert floor
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (13)
Color photograph of Chris Souza kneeling and taking a picture of a lit flare embedded in the desert floor
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (25)
Color photograph of Judy Chicago and Chris Souza, taking a picture, and standing in the desert looking at plumes of red and yellow smoke
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (34)
Color photograph of Judy Chicago, standing, and Chris Souza, kneeling, in the desert looking at plumes of orange smoke
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (39)
Color photograph of Chris Souza, kneeling and taking a picture, and Rusty Johnson, standing, in the desert looking at a plume of purple smoke
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (45)
Color photograph of Judy Chicago standing in the desert and watching a plume of white smoke
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (49)
Color photograph of Chris Souza and Judy Chicago looking at a white smoke plume in the desert
General Smoke Tests and Technical Information. Pyro Spectaculars Smoke Tests, Lucerne Valley (51)
Color photograph of Jessica Silverman, David Linares, Rusty Johnson, and Megan Schulz standing in front of a row of white blocks with red flares stuck in them
Be No More. Dry Ice Test (8)
Color photograph of Judy Chicago standing behind a stack of white blocks with red flares stuck in them
Be No More. Dry Ice Test (26)
Color photograph of David Linares watching flares ignite and smoke between two stacks of white blocks
Be No More. Dry Ice Test (34)
Color photograph of Judy Chicago standing behind a low stack of white blocks glowing pink
Be No More. Dry Ice Test (49)
Color photograph of Judy Chicago sitting on the floor with a circle of people in an art gallery
Be No More. Volunteer Orientation Meeting (5)
Color photograph of Chris Souza and another person working on a row of red flares stuck into a wooden beam on a table
Be No More. Be No More Installation (3)
Color photograph of people installing white blocks of dry ice on the ground in a walkway between two buildings
Be No More. Be No More Installation (8)
Color photograph of Mike Racine and others unloading white blocks of dry ice from bins
Be No More. Be No More Installation (21)
Color photograph of letters spelled in white blocks of dry ice emanating fog in a walkway between two buildings
Be No More. Be No More Installation (56)
Color photograph of Diane Gelon and Judy Chicago holding a pen and a baseball cap surrounded by a group of people dressed in white
Be No More. Be No More Pre-Performance (3)
Color photograph of Judy Chicago with her arm around Diane Gelon
Be No More. Be No More Pre-Performance (13)
Color photograph of Jessica Silverman, Judy Chicago, and Samuel Zients standing in front of rows of white blocks of dry ice studded with red flares
Be No More. Be No More Pre-Performance (17)
Color photograph of a large group of people, most of whom are dressed in white, standing together in front of a dark gray wall
Be No More. Be No More Pre-Performance (35)
Color photograph of rows of white blocks of dry ice studded with flares and emanating fog in a walkway between two buildings
Be No More. Be No More Pre-Performance (39)
Color photograph of rows of white blocks of dry ice studded with red flares glowing and emanating fog
Be No More. Be No More Performance, First Lighting (14)
Color photograph of Judy Chicago standing in front of rows of white blocks of dry ice studded with red flares glowing and emanating fog
Be No More. Be No More Performance, First Lighting (22)
Color photograph of the word truth spelled out in blocks of dry ice lit with red flares and reflected in the glass of an adjacent building
Be No More. Be No More Performance, Second Lighting (7)
Color photograph of smoke canisters mounted on a rectangular wooden smoke test structure in a gravel lot with buildings and a street in the background
A Purple Poem for Miami. Belen NM Smoke Test (7)
Color photograph of a drone pilot and three men observing a black drone in flight above a street corner with brick buildings in the background
A Purple Poem for Miami. Belen NM Smoke Test (12)
Color photograph of Chris Souza legs inside the back of a large truck lined with equipment, as Rusty Johnson holds wires, Marilyn Loddi documents the activities with a camera, and Judy Chicago and Mary Costa stand at the door of the truck, looking in
A Purple Poem for Miami. Orange Show Speedway (2)
Color photograph of rainbow-colored smoke rising from canisters mounted on a rectangular wooden structure in a gravel lot
A Purple Poem for Miami. Belen NM Smoke Test (14)
Color photograph of Mary Costa, Chris Souza, Marilyn Loddi, pyrotechnician Rusty Johnson, and Judy Chicago sitting and standing around a table in Pyro Spectaculars' conference room reviewing documents
A Purple Poem for Miami. Orange Show Speedway (6)
Color photograph of rainbow-colored smoke rising from canisters mounted on a rectangular wooden structure in a gravel lot with buildings in the background and a tripod in the foreground
A Purple Poem for Miami. Belen NM Smoke Test (18)
Color photograph of Judy Chicago, Mary Costa, and Chris Souza in Pyro Spectaculars' conference room sitting around a table reviewing documents with audiovisual equipment in the background
A Purple Poem for Miami. Orange Show Speedway (19)
Color photograph of rainbow-colored smoke rising from canisters mounted on a rectangular wooden structure in a gravel lot with buildings in the background
A Purple Poem for Miami. Belen NM Smoke Test (20)
Color photograph of Judy Chicago and Chris Souza standing and reviewing plans while Bill Bilowit documents the activities with a camera and Mary Costa and pyrotechnician Gabriel Garcia set up the smoke test on gray racetrack pavement in the background
A Purple Poem for Miami. Orange Show Speedway (21)
Color photograph of rainbow-colored smoke rising from a row of canisters mounted on a rectangular wooden structure
A Purple Poem for Miami. Belen NM Smoke Test (25)
Color photograph of pink and purple smoke rising from a row of flares lined up on a wooden board
A Purple Poem for Miami. Orange Show Speedway (31)
Color photograph of Judy Chicago standing at a white road divider making notes on a pad of paper next to a piece of equipment
A Purple Poem for Miami. Orange Show Speedway (35)
Color photograph of pyrotechnician Rusty Johnson, Mary Costa and Chris Souza preparing the smoke test at a folding table set up on the pavement of Orange Show Speedway with a truck nearby
A Purple Poem for Miami. Orange Show Speedway (41)
Color photograph of Rusty Johnson, Chris Souza, Mary Costa, and Gabriel Garcia connecting devices with electronic match to a computerized firing system on the pavement of Orange Show Speedway with grandstands in the background
A Purple Poem for Miami. Orange Show Speedway (44)
Color photograph of Rusty Johnson, Mary Costa, Judy Chicago, Chris Souza, and Gabriel Garcia standing and observing the blue smoke canister test on the pavement at Orange Show Speedway as Marilyn Loddi documents the activities with a camera
A Purple Poem for Miami. Orange Show Speedway (67)
Color photograph of Rusty Johnson, Mary Costa, Judy Chicago, Chris Souza, and Gabriel Garcia standing and observing the blue smoke canister and white flares test on the pavement at Orange Show Speedway as Marilyn Loddi documents the activities with a camera
A Purple Poem for Miami. Orange Show Speedway (68)
Color photograph of flares lighting in a row on the pavement at Orange Show Speedway with a grandstand in the background
A Purple Poem for Miami. Orange Show Speedway (84)
Color photograph of Rusty Johnson lighting a burned out flare in two perpendicular rows of orange flares as Mary Costa and Gabriel Garcia look on in the background and Marilyn Loddi and Bill Bilowit document Chris Souza and Judy Chicago with cameras on the pavement at Orange Show Speedway
A Purple Poem for Miami. Orange Show Speedway (86)
Color photograph of Judy Chicago standing and gesturing while Chris Souza is kneeling and holding a piece of electronic equipment on the pavement at Orange Show Speedway
A Purple Poem for Miami. Orange Show Speedway (91)
People sitting in an art gallery with the artwork from Birth Project on the walls
Installation view of The Creation at Pasadena Museum of California Art, 2018
Color photograph of blue and purple smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (45)
Color photograph of Judy Chicago and Chris Souza speaking to the Fire Marshall with Mary Costa, Gabriel Garcia, Vanessa Olvera, and Rusty Johnson around or on blue scaffolding with a car and a mural in the background
A Purple Poem for Miami. Purple Poem Installation (92)
Color photograph of blue smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (52)
Color photograph of Judy Chicago and Diane Gelon standing outdoors with other people in the background
A Purple Poem for Miami. Purple Poem Installation (97)
Color photograph of blue smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (64)
Color photograph of Judy Chicago and Jeanne Greenberg Rohatyn standing in front of a colorful mural
A Purple Poem for Miami. Purple Poem Installation (99)
Color photograph of red smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (68)
Color photograph of red and blue smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (76)
Color photograph of Judy Chicago delivering remarks from a scaffold with Donald Woodman, Mary Costa, Chris Souza, Vanessa Olvera, and Gabriel Garcia and others in front of a large mural
A Purple Poem for Miami. Purple Poem Remarks, Terrace Overlook (8)
Color photograph of white smoke filling a plaza above a rectangular structure lined with flares with Rusty Johnson lighting the bottom tier of smoke flares
A Purple Poem for Miami. Purple Poem Performance (6)
Color photograph of pink smoke and fireworks emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (96)
Color photograph of white smoke dissipating in a plaza above a multi-colored rectangular structure lined with flares
A Purple Poem for Miami. Purple Poem Performance (8)
Color photograph of pink smoke and fireworks emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (99)
Color photograph of purple smoke emerging from flares on a multi-colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (14)
Color photograph of Rusty Johnson lighting smoke flares as white smoke emerges from a multicolored, rectangular structure in a plaza as a crowd of people looks on with buildings in the background
A Purple Poem for Miami. Purple Poem Event, Mural Wall (3)
Color photograph of purple smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (17)
Color photograph of purple smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (19)
Color photograph of purple and pink smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (19)
Color photograph of Judy Chicago standing in front of multicolored plumes of smoke
A Birthday Bouquet for Belen. Belen NM Smoke Test #2 (6)
Color photograph of purple and pink smoke emerging from flares on a multicolored rectangular structure in a plaza
A Purple Poem for Miami. Purple Poem Event, Mural Wall (28)
Color photograph of purple and pink smoke emerging from flares in a plaza
A Purple Poem for Miami. Purple Poem Performance (23)
Color photograph of multicolored plumes of smoke emanating from flares on a curb
A Birthday Bouquet for Belen. Belen NM Smoke Test #2 (11)
Color photograph of blue smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (37)
Color photograph of blue smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (35)
Color photograph of Judy Chicago standing with her arms raised in front of multicolored plumes of smoke
On Fire at 80. "On Fire at 80" Photoshoot (13)
Color photograph of blue smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (64)
Color photograph of red and blue smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (79)
Color photograph of blue smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (41)
Color photograph of Judy Chicago standing with her hands on her hips in front of multicolored plumes of smoke
On Fire at 80. "On Fire at 80" Photoshoot (22)
Color photograph of red and purple smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (82)
Color photograph of blue smoke emerging from flares on a multi colored rectangular structure in a plaza
A Purple Poem for Miami. Purple Poem Performance (52)
Color photograph of Judy Chicago holding canisters mounted on wood from which green and yellow smoke is emanating
On Fire at 80. "On Fire at 80" Photoshoot (28)
Color photograph of red smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (85)
Color photograph of blue, purple, and pink smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (58)
Color photograph of Judy Chicago standing on a city street with her arms raised holding two canisters mounted on wood from which purple and red smoke is emanating
On Fire at 80. "On Fire at 80" Photoshoot (36)
Color photograph of Judy Chicago standing behind multicolored smoke emerging from canisters on a wooden support in front of a brick building
A Birthday Bouquet for Belen. Belen NM Smoke Test #1 (11)
Color photograph of four women, each wearing a different color dress with their skin painted to match, standing together on a beach with palm trees in the background
Women Creating Fire. Harper's Bazaar Photo Shoot (2)
Color photograph of red smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (87)
Color photograph of pink smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (64)
Color photograph of three people working with building supplies at tables set up on the sidewalk outside a brick building
A Birthday Bouquet for Belen. Birthday Bouquet Frame Prep (1)
Color photograph of Judy Chicago next to multicolored smoke emerging from canisters on a wooden support in front of a brick building
A Birthday Bouquet for Belen. Belen NM Smoke Test #1 (12)
Color photograph of red smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (94)
Color photograph of pink smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (66)
Color photograph of three people painting wood strips at tables set up on the sidewalk outside a brick building
A Birthday Bouquet for Belen. Birthday Bouquet Frame Prep (3)
Color photograph of blue, white, and purple smoke emanating from canisters on the curb in front of a wooden fence
A Birthday Bouquet for Belen. Belen NM Smoke Test #2 (3)
Color photograph of purple, pink, and blue smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (100)
Color photograph of Donald Woodman using a black camera on a tripod
A Purple Poem for Miami. ICA, Miami Program (38)
Color photograph of pink and purple smoke emerging from flares on a multicolored rectangular structure with fireworks in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (90)
Color photograph of Ernesto Morales and four other people working with building supplies on the sidewalk outside a brick building
A Birthday Bouquet for Belen. Birthday Bouquet Frame Prep (6)
Color photograph of red smoke and fireworks emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (102)
Color photograph of Judy Chicago and Alex Gartenfeld sitting in teal chairs on a dais in front of an audience with a slide projection of purple smoke behind them
A Purple Poem for Miami. ICA, Miami Program (48)
Color photograph of pink and purple smoke emerging from flares on a multicolored rectangular structure with fireworks in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (98)
Color photograph of Dave Lorenzen, Ayrton Chapman, Megan Schultz, and Larry Scripter gathered around a table in a room crowded with tools and other supplies
A Birthday Bouquet for Belen. Smoke Bomb Prep (2)
Color photograph of red and purple smoke and fireworks emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (104)
Color photograph of Judy Chicago and Alex Gartenfeld sitting in teal chairs on a dais with a slide projection of orange smoke behind them
A Purple Poem for Miami. ICA, Miami Program (66)
Color photograph of pink and purple smoke emerging from flares on a multicolored rectangular structure with fireworks in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Performance (105)
Color photograph of Ayrton Chapman, Larry Scripter, and Jim Perry bending over to work on smoke canisters along a curb
A Birthday Bouquet for Belen. Smoke Bomb Prep (4)
Color photograph of red and purple smoke and fireworks emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (107)
Color photograph of Judy Chicago and Alex Gartenfeld sitting on chairs on a dais in front of an audience
A Purple Poem for Miami. ICA, Miami Program (70)
Color photograph of a crowd gathered around the perimeter of a multicolored rectangular structure in a plaza with buildings in the background
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (5)
Color photograph of Jim Perry, Larry Scriptor, and Megan Schultz standing alongside a brick building with a row of smoke canisters installed on the curb
A Birthday Bouquet for Belen. Smoke Bomb Prep (9)
Color photograph of Ayrton Chapman, an unidentified woman, Jim Perry, and Larry Scripter installing four rows of smoke canisters in the middle of a paved street
A Birthday Bouquet for Belen. Becker Street Layout (3)
Color photograph of red and purple smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (112)
Color photograph of Mary Costa, Gabriel Garcia, and Rusty Johnson installing smoke and fireworks canisters on a rectangular, multicolored structure in a plaza with a large mural in the background
A Purple Poem for Miami. Purple Poem Installation (2)
Color photograph of white smoke rising from one side of a multicolored, rectangular structure in a plaza as Rusty Johnson lights the bottom tier of smoke flares and a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (7)
Color photograph of Chris Souza, Mary Costa, an unknown man, and Larry Scripter installing ten rows of smoke canisters in the middle of a paved street
A Birthday Bouquet for Belen. Becker Street Layout (4)
Color photograph of red and purple smoke emerging from flares on a multicolored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Mural Wall (118)
Color photograph of Rusty Johnson, Chris Souza, and Mary Costa installing smoke and fireworks canisters on a blue structure in a plaza with buildings in the background
A Purple Poem for Miami. Purple Poem Installation (11)
Color photograph of purple smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (22)
Color photograph of white smoke rising from rows of smoke canisters in the middle of a paved road as a crowd looks on at dusk
A Birthday Bouquet for Belen. Birthday Bouquet Performance (6)
Color photograph of Judy Chicago and Chris Souza laughing with Gabriel Garcia, Vanessa Olvera, and Mary Costa on a scaffold
A Purple Poem for Miami. Purple Poem Post Event (1)
Color photograph of a multicolored structure composed of concentric rectangles in a plaza surrounded by a larger metal structure, palm trees, and trucks
A Purple Poem for Miami. Purple Poem Installation (20)
Color photograph of Mary Costa standing beside plumes of multicolored smoke rising from rows of smoke canisters in the middle of a paved road
A Birthday Bouquet for Belen. Birthday Bouquet Performance (16)
Color photograph of Chris Souza, Gabriel Garcia, Rusty Johnson, an unknown woman, and Mary Costa sitting on white benches with boxes of smoke canisters and fireworks
A Purple Poem for Miami. Purple Poem Installation (27)
Color photograph of Mary Costa running beside plumes of multicolored smoke rising from rows of smoke canisters in the middle of a paved road
A Birthday Bouquet for Belen. Birthday Bouquet Performance (17)
Color photograph of Rusty Johnson and Mary Costa with the Pyro Spectaculars' team installing smoke and fireworks canisters on a multicolored structure draped in white plastic with a large mural in the background
A Purple Poem for Miami. Purple Poem Installation (35)
Color photograph of a strip of firecrackers exploding beside plumes of multicolored smoke rising from rows of smoke canisters in the middle of a paved road
A Birthday Bouquet for Belen. Birthday Bouquet Performance (20)
Color photograph of Chris Souza attaching wires to smoke flares on a pink structure on the ground with Gabriel Garcia and Rusty Johnson
A Purple Poem for Miami. Purple Poem Installation (65)
Color photograph of Judy Chicago standing with arms spread in front of plumes of multicolored smoke rising from rows of smoke canisters in the middle of a paved road
A Birthday Bouquet for Belen. Birthday Bouquet Performance (35)
Color photograph of people waiting in a line along a white fence with three security guards at the front of the line
A Purple Poem for Miami. Purple Poem Installation (75)
Color photograph of Chris Souza and Judy Chicago, talking
A Birthday Bouquet for Belen. Birthday Bouquet Performance (44)
Color photograph of an unknown drone pilot holding a controller and looking up
A Purple Poem for Miami. Purple Poem Installation (76)
Color photograph of a person sitting on a picnic table surrounded by photographic equipment, palm trees, and people standing in the background
A Purple Poem for Miami. Purple Poem Installation (80)
Color photograph of Judy Chicago with Megan Schultz walking across a plaza with other people behind them
A Purple Poem for Miami. Purple Poem Installation (82)
Color photograph of purple smoke emerging from flares on a multi colored rectangular structure in a plaza as a crowd of people looks on
A Purple Poem for Miami. Purple Poem Event, Terrace Overlook (29)
Color photograph of Judy Chicago and Chris Souza standing next to a green industrial lift
A Purple Poem for Miami. Purple Poem Installation (86)
Sound recording of people talking
Group discussion with Judy Chicago regarding The Dinner Party work schedules, floor tiles, and photograph documentation. n.d.
Sound recording of people talking
Group discussion with Judy Chicago regarding The Dinner Party work schedules, floor tiles, and photograph documentation. n.d.
Sound recording describing The Dinner Party, meant to be listened to while viewing the art
The Dinner Party by Judy Chicago. Acoustiguide to exhibition, featuring Judy Chicago. n.d.
Documentary including archival footage of groups of people making art and individual interviews of participants
39 Places: Women Making History, a video work by Lisa Feinstein. Undated. 30 minutes. Judy Chicago and others discuss the making of The Dinner Party and the public debate surrounding the exhibit.
Video recording of Judy Chicago talking while looking at The Dinner Party
Judy Chicago's The Dinner Party: A Tour of the Exhibition. Narrated by Judy Chicago using slides of pieces from the installation. Includes footage from Right Out of History.
Sound recording of people talking
S. Ballafore leads a discussion with Judy Chicago and Diane Gelon on the history of The Dinner Party, and the use of craft work and china painting in the exhibit.
Sound recording of people talking
S. Ballafore leads a discussion with Judy Chicago and Diane Gelon on the history of The Dinner Party, and the use of craft work and china painting in the exhibit. Side 2
Handwritten list in black ink on white paper
The Dinner Party. Creation. Research [Chicago, Diane Gelon notes, uncataloged photographs], n.d.
Handwritten list of painters on ruled paper
The Dinner Party. China painting, n.d.
Black-and-white photocopy of a photograph of Judy Chicago, a woman with shoulder-length curly hair and eyeglasses, working on a sculpture of two rounded, organic forms
The Dinner Party. Descriptive materials, n.d.
Black text printed on white paper with handwritten notes in black ink.
Institutional Time: A Critique of Studio Art Education : typed and annotated draft of chapter "From Theory to Practice"
Handwritten note partially obscured by a yellow sticky note with handwritten annotations
The Dinner Party. Exhibition manual, n.d.
Printed page with a list of dates, sites, and countries in Europe
Holocaust Project - Travel Itinerary Book Page
Handwritten note card about colors for Queen Elizabeth
The Dinner Party. Plates. Colors used [notes], n.d.
Very faint, typewritten form letter from Janet W Bajan
The Dinner Party. Permanent housing. New Mexico. Land committee and proposals, n.d.
Typewritten letter
Alaskan pin project, 1984.
Clipping of a printed page with a quote by Leonard Skuro Handwritten annotation in red
The Dinner Party. Plates. Copy for ceramics show [drafts], n.d.
Hand drawn diagram of a triangular floor layout with segments labeled with different letters and handwritten annotations
The Dinner Party. Floor graphics, n.d.
Handwritten notes in black ink on yellow, lined paper
Embroidering Our Heritage: The Dinner Party Needlework. Draft, n.d.
Handwritten note on ruled paper about Georgia O'Keeffe
The Dinner Party. Plates. Notes, n.d.
Handwritten note card with a bibliographic citation
The Dinner Party. Research note cards. Bibliography. "Somewhat disorganized," n.d.
Typewritten note card with biographical information
The Dinner Party. Research note cards. Disciples by century, 14th-17th century, n.d.
Handwritten note with an ink stamp on the right side and a torn right edge
The Dinner Party. Worker correspondence, n.d.
Handwritten chart of the elements of Wing one of the installation
The Dinner Party. Plates. Notes on position of plates, runners, chalices, n.d.
Typewritten page of installation instructions
The Dinner Party. Pre-installation instructions, n.d.
Typewritten page about women involved in literature, journalism, and publishing
The Dinner Party. Research, n.d.
Black-and-white diagram of measurements around double doors
Glass. Cowan Door Elevation Drawing
Handwritten note on yellow, ruled paper about the process of creating The Dinner Party
The Dinner Party. Documentation panels, n.d.
Typewritten list about panel one annotated in red and black ink
The Dinner Party. Documentation panels. Photographs, n.d.
Photocopy of a diagram of a spotlight on a table with handwritten annotations
The Dinner Party. Installation diagrams [and instructions], n.d.
Handwritten letter on stationery printed with a decorative border
Worker correspondence, n.d.
Yellow page with handwritten list of non-pure fabrics
The Dinner Party. Fabric tests, n.d.
Handwritten note card about a goddess
The Dinner Party. Research note cards. Disciples by century, 1st-5th century, n.d.
Printed page
Worker statements, n.d.
Six hand drawn diagrams of abstract designs with handwritten annotations in black ink on yellow lined paper
The Dinner Party. Needlework kit notes and graphics, n.d.
Typewritten page with list of fabrication problems
The Dinner Party. Fabrication notes, n.d.
Typewritten note card with biographical information
The Dinner Party. Research note cards. Disciples by century, Byzantine-15th century, n.d.
Typewritten note card with biographical information
The Dinner Party. Research note cards. Disciples by country, n.d.
Typewritten note card about the primordial goddess
The Dinner Party. Research note cards. Primordial goddess, n.d.
Typewritten page with a list of plate and runner sponsors
The Dinner Party. Finances. Donor list, n.d.
Typewritten note card about Gaea
The Dinner Party. Research note cards. Research for plates, n.d.
Typewritten note card about rape in colonial America
The Dinner Party. Research note cards. Research for plates, box 2; summary cards, box 2, n.d.
Handwritten note card in black ink on white paper
Bibliography of sources consulted, n.d.
Handwritten note in red and black ink with a torn edge at the top
The Dinner Party. Technical data table/plates/runners set-up, n.d.
Handwritten note card with biographical information
The Dinner Party. Research note cards. Disciples, n.d.
Handwritten note to Judy Chicago in blue ink on white lined paper
The Dinner Party. Fan mail, n.d.
Handwritten note
The Dinner Party. Research note cards. Disciples, first evaluation, alphabetical arrangement, n.d.
Handwritten note to Charlotte Love from Peri Winkler in black ink on light brown Peri Winkler note paper
Press kit, " The Dinner Party: a three-part concept by Judy Chicago," n.d.
Handwritten note card
The Dinner Party. Research note cards. Historical context, n.d.
Diagram of a triangle with decorative edges overlaid with a pattern of triangles
The Dinner Party. Stationery, n.d.
Typewritten letter to Peri and Judy from Irene Kahn on cream colored letterhead for The Terry Kahn Organization
The Dinner Party. Press kit re: television film project, n.d.
Typewritten page
Questionnaires [re: how women feel about birth], 1982, n.d.
Typewritten and handwritten form in black and red ink
Questionnaires which have been used in documentation, 1982, n.d.
Typewritten note card with biographical information and extensive handwritten annotations in black ink
Research files. Photocopies of fragile note cards from abstract for the final 999 The Dinner Party book, n.d.
Handwritten lists of numbers in red ink with annotations in pencil on West LA Radiator letterhead
The Dinner Party. Thread orders, n.d.
Logo for The Birth Project in white type on a black ground surrounded by a ring of cursive type
Form letters, n.d.
Ruled note card with handwritten bibliographic entry
The Dinner Party. Research note cards. Bibliography, original, n.d.
Printed greeting card with handwritten letter in blue ink
The Dinner Party. Correspondence, n.d.
Handwritten notes on yellow ruled paper
"Welcome to The Dinner Party" [drafts], n.d.
Printed invitation in black ink on pink paper
The Dinner Party. Creation. Worker information forms, n.d.
Printed list with handwritten annotations in black ink
Index [of pieces with needleworker, sketch for birth garment by Chicago, etc.], 1982, 1984, n.d.
Typewritten and handwritten form for worker information
The Dinner Party. Workers. Short term worker information sheets, n.d.
Handwritten note in black ink on white paper
The Dinner Party. Research. Mythology, n.d.
Typewritten note card about Sacajewea with handwritten annotations
The Dinner Party. Research note cards. Summary cards, n.d.
Typewritten letter
Researcher introduction kit, n.d.
Photocopied floor plan with handwritten annotations
Installation guidelines, n.d.
Handwritten, annotated list of women with contact information in blue ink on white paper
The Dinner Party. Research notes, n.d.
Printed cover of The Dinner Party Education Kit with illustrations in black of two downward pointing triangles filled with patterns of black triangles on yellow paper
The Dinner Party. Educational materials, older; Museum of Victoria (Canada), n.d.
Typewritten manuscript page with handwritten annotations in black ink
The Birth Project original manuscript, n.d.
Typewritten letter to Diane Gelon on The Dinner Party: Judy Chicago letterhead
The Dinner Party. Edinburgh, n.d.
Needlework of a threaded blue needle on white ground where the thread forms cursive text in yellow
Needleworkers' information index, n.d.
Black-and-white photocopy of a book page with two illustrations: a photograph of a pottery fragment and a decorated pottery jar and handwritten annotations throughout
The Dinner Party. Research. Spirals, n.d.
Typewritten page
[Worker information packet], n.d.
Typewritten page
Sample research write-up, n.d.
Black-and-white photocopy of a photograph of a woman standing beside an industrial loom upside down with handwritten annotations
The Dinner Party. Research. Symbols, n.d.
Typewritten page of notes with handwritten annotations on selection of disciples for the floor
The Dinner Party. Floor, guidelines for selection, n.d.
Printed label with type and an illustration of a voluptuous female figure in black on white paper
Needlework kits. The Dinner Party Emblem Embroidery Kit, n.d.
Printed manuscript page
Research/subject files - Boal Method theatre exercises
Handwritten notes in black ink on green paper
The Dinner Party. Creation. Guidelines for needlework, n.d.
Typewritten page with list of nine apostles
The Dinner Party. List of 999 disciples, semi-official, semi-final copy, n.d.
Printed business card in black ink on white paper
Needlework kits. The Dinner Party Honor Quilt Kit, by Linda Platt, n.d.
Printed list with handwritten annotations in black ink and redactions with black rectangles
Frida Kahlo book : Image lists
Hand drawn floor plan in black ink on white paper
The Dinner Party. Creation. Loft instructions, n.d.
Typewritten page with lists of important women from before the 5th century Includes handwritten annotations and several lines are crossed out
The Dinner Party. List of those on the floor, final and before final selection, n.d.
Printed flier for The Birth Project with a red abstract shape, and black and red text on white paper
Exhibition announcements, brochures, and documents from The Dinner Party, The Birth Project, The Holocaust Project, At Home: A Kentucky Project, and others.
Printed list of three captioned black and white images of Judy Chicago working with a group of people, a poster combining images of women with handwriting, and a photograph of group people sitting on the floor
Institutional Time (book) : Image selections
Handwritten note card in black ink on white paper
The Dinner Party. Creation. Original concept [notes, text], n.d.
Typewritten page about china painting
The Dinner Party. Plates. China painting, n.d.
Printed poster with an abstract, circular shape with fan-like orange ridges Japanese text is printed in shades of blue
Exhibition announcements, brochures, notes, posters, correspondence, and book covers from The Birth Project, The Holocaust Project, and others. 2
Handwritten note on Con Edison note paper
The Dinner Party. Exhibition descriptions, n.d.
Typewritten page
The Dinner Party. Creation. Original concept, early [written descriptions of various aspects of The Dinner Party], n.d.
Typewritten page with journal entries and handwritten annotations
The Dinner Party. Chicago journal entries, journal 4, January 15, 1973 - August 27, 1974.
Typewritten letter to the Admissions Committee from Judy Chicago
Cal Arts [California Institute of the Arts], Feminist Art Program, 1971-1972, n.d.
Typewritten page about Menstruation Bathroom in Womanhouse
"Womanhouse." Information, 1971-1972, 1977.
Typewritten description of a performance
"Womanhouse." Performance pieces [scripts], 1971.
A purple envelope featuring a large black graphic of two fish in a circle, addressed to Judy Chicago
Personal Correspondence. Anaïs Nin, 1972, n.d.
Photocopy of an article by Betty Liddick from the Los Angeles Times including a photograph of a woman sitting beneath an art installation made of hanging loops of string and fabric
"Womanhouse." Miscellaneous articles, 1972, 1975.
Typewritten letter to Georgia O'Keeffe from Judy Chicago
Personal Correspondence. Georgia O'Keeffe, 1973, 1979.
Typewritten, unaddressed letter on San Francisco Museum of Art letterhead from Henry T Hopkins
The Dinner Party. Correspondence re: traveling exhibition, 1975-1976.
Typewritten cover page for an interview with Judy Chicago by Arlene Raven with handwritten annotation
The Dinner Party. Chicago interview with Arlene Raven, September 8, 1975.
Typewritten letter to Judy Chicago from Adrienne Rich
Personal Correspondence. Adrienne Rich, 1975-1979, n.d.
Black-and-white photocopy of typewritten list of women composers
The Dinner Party. Research. Bibliographies, 1975-1978.
Handwritten note about media program
The Dinner Party. Finances. Grants. National Endowment for the Humanities grant application, preliminary proposal, September 1976.
Typewritten and handwritten form
Worker information forms, 1976.
Color illustration of a place setting with a pyramid resting on the plate where the pyramid has an eye and organic forms emanating from its top, and handwritten text below
"First The Dinner Party Sketch Book" [volume of letters, notes, uncataloged photographs, cataloged photographs, drawings, etc., created by workers], 1976-1977.
Typewritten form with handwriting in red ink
The Dinner Party. Creation. Worker. "First Dinner Party Sketch Book" [volume of letters, notes, photographs, drawings, etc., created by workers], loose items removed from, 1976-1977.
Typewritten and handwritten form
The Dinner Party. Creation. Worker information forms, 1976.
Spread from an annual report from the Helena Rubinstein Foundation with a portrait and biography of Helena Rubinstein
The Dinner Party. Finances. Grant and foundation correspondence, 1976-1979.
Typewritten list of famous women
The Dinner Party. Research material, 1976.
Typewritten letter to Judy Chicago from Nancy Hanks on National Endowment for the Arts letterhead
The Dinner Party. Finances. Grants. National Endowment for the Arts correspondence, 1976-1978.
Color photocopy of a drawing in orange of a person's face holding two fingers over their lips framed in an oval on a light green background
The Dinner Party. Worker correspondence, 1976.
Handwritten note in light blue ink on beige paper with a torn edge at the top
The Dinner Party. Worker master list, 1976-1978.
Printed and typewritten grant application form for the National Endowment for the Arts
The Dinner Party. Finances. Grants. National Endowment for the Arts grant application, 1976-1977.
Typewritten form filled out in black ink
The Dinner Party. Workers. Short term worker information sheets, 1976-1978.
Handwritten note about table supports with prices
The Dinner Party. Architecture, 1977-1978.
Black-and-white photograph of a sculpture of a large, voluptuous female figure lying on its back in a public plaza surrounded by people
The Dinner Party. Inflatable Mother Goddess playground, 1977.
Printed receipt for National Women's Conference
The Dinner Party. International Women's Year booth, Houston, 1977.
Printed letter to Katie Amend from Charles M Hobson, III on Comdisco letterhead
The Dinner Party. Finances. [Donor] list of contributors, 1977-1979.
Typewritten letter on San Francisco Tapestry Workshop letterhead
The Dinner Party. Creation. San Francisco tapestry workshop [correspondence re: workshop to create six banners for The Dinner Party], 1977-1978.
Handwritten notes on yellow lined paper about the High Museum of Art
The Dinner Party. Correspondence re: traveling exhibition, 1977-1979.
Typewritten page with minutes from a March 30, 1977 meeting of the Goals and Planning Committee
The Dinner Party. Survival manual, 1977.
Typewritten and handwritten form
The Dinner Party. Creation. Worker information forms, 1977.
Typewritten cover page for National Endowment for the Humanities grant application
The Dinner Party. Finances. Grants. National Endowment for the Humanities grant, 1977-1978.
Handwritten letter to Judy in blue ink on white paper
The Dinner Party. Worker correspondence. Workshop participants, 1977.
Typewritten page with handwritten heading and a request for donations and volunteers for the Boston installation of The Dinner Party
The Dinner Party. Fundraising, 1977-1978.
Printed title page for grant application for the National Archives
The Dinner Party. Finances. Grants. National Endowment for the Arts grant application, 1977.
Typewritten letter to Mary Ross Taylor from Jean-Marie Guehenno on Ambassade de France letterhead
The Dinner Party. Europe, 1977, 1980-1984.
Typewritten letter to Judy
The Dinner Party. Worker correspondence, 1977.
Typewritten page with minutes from a June 22, 1977 meeting of the Goals and Planning Committee
The Dinner Party. Internal memos, 1977-1978.
Black-and-white photocopy of a photograph of a model of The Dinner Party installation, an overhead view of a triangular table, open in the center, surrounded by walls and rigging for lighting above
The Dinner Party. Finances. Grants. National Endowment for the Humanities grant application [draft], 1978.
Handwritten notes on yellow ruled paper with a rough drawing of a prize ribbon at the top
The Dinner Party. Worker correspondence, 1978.
Typewritten schedule with handwritten annotations
The Dinner Party. Advertising and publicity, 1978-1980.
Typewritten letter to Diane
The Dinner Party. Worker correspondence. Workshop participants, 1978
Cover of a guestbook in fabric with a red grid pattern
The Dinner Party. Fan mail. [Guest book and letter from Sandy Korasnow?], 1978.
Typewritten form filled out in blue ink
The Dinner Party. Workers. Short term worker information sheets, 1978.
Typewritten letter to Maurice Tuchman from Barbara Margolies
The Dinner Party. Correspondence with museum galleries, 1978.
Printed article by Charlie Haas in New West about The Dinner Party
The Dinner Party. Information packet for potential exhibitors, ca.1978, n.d.
Handwritten note in pencil
The Dinner Party. Worker statements used in book and documentation panels, 1978.
Typewritten cover page for a report on yellowed paper with stains in the left border
The Dinner Party. Commission on the Status of Women hearing, "Women in the Visual Arts," 1978.
Typewritten letter to Judy from Estelle Chacon
The Dinner Party. Latina controversy, 1978.
Note card with a handwritten note from Toni Stein
The Dinner Party. Finances. Donor correspondence, 1978.
Black-and-white photocopy of a book jacket with two images of the same circular illustration of a vaginal shape flanked by organic ridges and folds Parts of the jacket are obscured by two annotated sticky notes, one white, one yellow
The Dinner Party. San Francisco Museum of Modern Art. Press kit, March 1979.
Handwritten note on printed note paper from Inglewood Wholesale Electric Co
The Dinner Party. Runners. Notes on traveling (Marguerite), 1978.
Typewritten letter to the Village Voice from Honor Moore
The Dinner Party. Correspondence. Diane Gelon, 1978-1980.
Handwritten notes and diagram in red on yellow paper
The Dinner Party. Tablecloth, 1978.
Typewritten and handwritten form
The Dinner Party. Creation. Worker information forms, 1978.
Typewritten list of books with call numbers
The Dinner Party. Research information. Diane Gelon's copy, ca.1978.
Handwritten note
The Dinner Party. Washington, D.C., 1978.
Handwritten letter to Through the Flower Corp annotated with ink stamps
The Dinner Party. East coast, 1978-1979.
Typewritten and handwritten form
The Dinner Party. Creation. Worker statements [#19.3 contains uncataloged photographs], 1978.
Typewritten page with list of fifteen primordial goddesses with handwritten checkmarks next to each name
The Dinner Party. List of disciples (official), August 18, 1978.
Typewritten lists of names with handwritten annotations
The Dinner Party. Worker master and portrait lists, 1978-1979.
Hand drawn row of six upward-pointing triangles each composed of smaller black triangles with handwritten annotations
The Dinner Party. Runners, 1978.
Typewritten summary of The Dinner Party film
The Dinner Party. Johanna Demetrakas film, c.1978.
Printed list of names with handwritten annotations
The Dinner Party. Worker questionnaire re: future of the project, 1978.
Handwritten note
The Dinner Party. Finances. Grants. National Endowment for the Arts grant application, 1978-1980.
Typewritten letter to Judy Chicago on Education Service Center letterhead
The Dinner Party. Educational materials. "Beyond Awareness." Correspondence [with Glee Ingram], 1979-1981, 1985.
Typewritten letter on The Dinner Party Project letterhead
The Dinner Party. Worker correspondence, 1979.
Cover of a guestbook with gold lettering on burgundy
The Dinner Party. Fan mail. [Guest book from unidentified event in California], 1979.
Handwritten note in black ink on white paper
The Dinner Party. Diane Gelon's first press presentation for funding, ca.1979.
Printed vertical strip with five 35 millimeter slides of various views of The Dinner Party installation
The Dinner Party. Press packet [general], ca.1979.
Handwritten note in red ink on yellow ruled paper
The Dinner Party. Installation manual, rough draft for Houston, 1979.
Handwritten poem by Margaret R Litchfield
Fan mail. Journal entries, class exercises, and letters written and/or collected in celebration of Chicago's The Dinner Party at the San Francisco Museum of Modern Art, March 1979.
Photocopy of a news article about the cancellation of an exhibition of The Dinner Party with a photo of Judy Chicago clasping her hands next to her face in the lower right
The Dinner Party. Rochester, 1979.
Handwritten memo in blue ink on Cayuga Community College letterhead with an ink stamp in the upper right
The Dinner Party. Ruth S. Schaffner Gallery, 1979.
Printed invitation to The Dinner Party exhibition in black and red type
The Dinner Party. San Francisco Museum of Modern Art, 1979.
Printed letter to Judy Chicago from Karen Roth with an ink stamp near the bottom
The Dinner Party. Midwest, 1979-1980.
Typewritten guest list for a lunch with handwritten annotation
The Dinner Party. San Francisco Museum of Modern Art. A Celebration of Women's Heritage [one-day conference held in conjunction with exhibit] correspondence, 1979.
Typewritten letter to Katie Amends from Jana Thompson
The Dinner Party. Northwest, 1979-1980.
Printed page from a magazine with a calendar entry about Judy Chicago includes a stylized illustration of an indigenous person in profile wrapped in a robe decorated with geometric patterns
The Dinner Party. Seattle, 1979.
Printed business card with brown text on light brown paper for Lamberts Van and Storage
The Dinner Party. Seattle. Greenwood Gallery, 1979.
Typewritten letter to Audrey Bethel from Diane Gelon
The Dinner Party. Correspondence with museum galleries, 1979.
Handwritten letter in blue ink on lined white paper with ink stamp
The Dinner Party. Canada, 1979-1980, 1982.
Typewritten letter with handwritten annotations to Ellen Goldman from Ann Isolde on Through the Flower letterhead
The Dinner Party. Finances. Donor correspondence, 1979.
Typewritten page with address for Diane Vanderlip
The Dinner Party. Denver, 1979.
Typewritten letter to Judy Chicago on Ford Foundation letterhead
The Dinner Party. Finances. Grants. Ford Foundation, 1979-1980.
Typewritten and handwritten form
The Dinner Party. Creation. Worker information forms, 1979.
Typewritten and handwritten form for worker information
The Dinner Party. Workers. Short term worker information sheets, 1979.
Handwritten note about resume
The Dinner Party. Finances. Grants. Guggenheim grant proposals, 1979-1980, 1982.
Typewritten list of the board of directors of the Marin Arts Council on its letterhead Part of the list is obscured by an annotated yellow sticky note
The Dinner Party. Permanent housing. Marin County, California, 1979-1985.
Photocopy of an article about The Dinner Party in The Chronicle of Higher Education with two photographic illustrations
The Dinner Party. Washington, D.C., 1979.
Handwritten letter in black ink on yellow lined paper
The Dinner Party. Correspondence, 1979.
Handwritten note in blue ink on printed postcard
The Dinner Party. Fan mail, 1979.
Typewritten sample letter on The Dinner Party Project letterhead to Louise Nevelson from Judy Chicago
The Dinner Party. Living women on the floor, 1979.
Handwritten letter in blue ink on graph paper with a color image of a flower collaged in the upper left
The Dinner Party. Worker correspondence. Terry Blecher, 1980.
Black-and-white printed invitation with an illustration of an abstract vaginal form inscribed in a circle
The Dinner Party. Exhibition. Boston [correspondence, printed material, etc.], 1980.
Handwritten note
Through the Flower, 1980-1982.
Handwritten letter to Katie from Dorothy with an ink stamp
The Dinner Party. Worker correspondence, 1980.
Printed invitation with black type on cream paper with handwritten annotations in black ink
The Dinner Party. Diane Gelon, Claire?, 1980.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Joy Lancaster, 1980-1981.
Printed telegram with handwritten annotations
The Dinner Party. Houston, 1980.
Typewritten note with contact information
The Dinner Party. Installation manual, review copy, October 5, 1980.
Printed invitation to The Dinner Party exhibition with an upward-pointing triangle filled with geometric designs in black, six smaller rectangular abstract illustrations in red, and a map
The Dinner Party. Announcements, 1980-1982, 1987.
Typewritten form letter with handwritten annotations in black ink
The Birth Project. Carole Mallin, 1980-1981.
Printed two-color cover for Calendar brochure with red type over a black and white photograph of a bearded man wearing a white hat next to some large pieces of wood
The Dinner Party. Brooklyn, 1980.
Handwritten note to Judy Chicago from Linda Blaker Hirsh with printed address label in the upper left
The Dinner Party. Boston, 1980.
Typewritten page on yellow, lined paper
Photography [correspondence], 1980-1982.
Black-and-white photocopy of handwritten notes in a comment book
The Dinner Party. Boston. Photocopy of comment book, 1980.
Black-and-white photocopy of a printed information sheet about The Dinner Party The title appears in a circle at the top
The Dinner Party. Brooklyn. Public relations kit, 1980.
Typewritten letter on pink paper to Through the Flower Corporation from Toby Yull
The Dinner Party. Correspondence with museum galleries, 1980-1971.
Handwritten envelope addressed in black ink to Judy Chicago with colorful decorations in three corners
The Dinner Party. Correspondence, 1980-1981.
Typewritten note card with blue and pink lines on white paper
Press release bibliography [mentions of the Birth Project], 1980-1985.
One-color printed mailer for The Dinner Party in red with a large photograph of a triangular table with an open center lined with place settings, an illustration of an upward-pointing triangle filled with geometric patterns, and another upward-pointing triangle with a letterform in its center
The Dinner Party. Cleveland, 1980-1982.
Handwritten letter in purple ink on lined white paper with ink stamps at top and bottom
The Dinner Party. Fan mail, 1980.
Photocopy of a typewritten document on Northwestern University letterhead
Courses inspired by The Dinner Party. Correspondence, 1980-1983.
Black-and-white photocopy of an artwork of an abstracted woman's body split down the middle with graphic lines emanating from the center
The Birth Project. Laurie Gelphman, 1980-1983.
Two newspaper clippings collaged on black paper
The Birth Project. Clippings, 1980.
Printed brochure for The Dinner Party with black text and red accents overlaid on a yellow, upward pointing triangle filled with geometric designs
The Dinner Party. Follow-up. Educational materials, 1980-1981, 1984, n.d.
Typewritten note card on green paper
Southwest region, Texas Arts and Cultural Organization (TACO) in Houston notebook, 1981-1982.
Typewritten checklist with handwritten annotations in blue ink
The Birth Project. Betty Hallock, 1981-1982.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Melanie Vandenbos, 1981.
Handwritten letter with an abstract, pink, flame-like illustration in the upper right
Southwest region, Texas Arts and Cultural Organization (TACO) in Houston. Correspondence with the Birth Project in Benicia, California, 1981.
Typewritten checklist with handwritten annotations in pencil and black ink
The Birth Project. Susan Hayes, Marti Frantz, Lauri Marsh, 1981.
Typewritten note card with handwritten annotations in black ink and green ink in the upper left corner
The Birth Project. Elizabeth Vincent, 1981-1984.
Typewritten note card with handwritten annotations in pencil and black ink
The Birth Project. Ginny Weaver, 1981-1983.
Typewritten note card with handwritten annotations in black ink
The Birth Project. Mary Ellen Wilson, 1981-1983.
Black-and-white, abstract illustration of a fetus in a womb with handwritten text below
Applications, 1981-1982.
Typewritten letter
Worker contract and application form, 1981.
Printed exhibition invitation card with hand drawn annotations in color and black
The Dinner Party. Worker correspondence, 1981, 1983.
Possibly a mimeograph of a typewritten letter
Worker correspondence, 1981-1984.
Typewritten checklist with handwritten annotations in black and blue ink
The Birth Project. Michelle Zambory, 1981.
Typewritten checklist
The Birth Project. Barbara Znamierowski, 1981-1982.
Typewritten letter to Jane Weiss from Judy Chicago
The Dinner Party. Calendar, 1981.
Typewritten cover page of a symposium evaluation
The Dinner Party. Diane Gelon lectures, 1981.
Typewritten checklist with handwritten annotations in blue ink
The Birth Project. Gloria Lasky, 1981.
Printed business card for Lielin Jewelers in red ink on white paper
The Dinner Party. Promotional. Lielin Jewelry, 1981-1982.
Typewritten and handwritten form in black, orange, blue, and red ink on white paper
The Birth Project. Arts Council of Franklin County, Greenfield, Massachusetts, 1981-1987.
Typewritten checklist with handwritten annotations in black and blue ink
The Birth Project. Ita Aber, 1981-1982.
Typewritten checklist
The Birth Project. Kayla Lurie, 1981.
Handwritten letter to Judy on kitchen letterhead
The Dinner Party. Japan, 1981.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Dropouts. Katherine Ahrens, 1981.
Typewritten checklist with handwritten annotations in blue ink
The Birth Project. Linda Mazer, 1981-1982.
Typewritten letter to John Cushman on Law Offices Susan A Grode letterhead
The Dinner Party. Los Angeles, 1981-1982.
Typewritten note card with handwritten annotations
The Birth Project. Exhibition unit #30 Charlotte Anderson, 1981-1983.
Typewritten note card with handwritten annotations in black and blue ink and pencil
The Birth Project. Sara Moore, 1981-1984.
Typewritten note card with handwritten annotations
The Birth Project. Exhibition unit #24 Phebe Schwartz, Mary Ewanoski, 1981-1984.
Handwritten letter in blue ink on white paper
The Dinner Party. Fan mail, 1981.
Typewritten note card with handwritten annotations in blue ink
The Birth Project. Marcia Bambenek, 1981-1982.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Teresa Moore, 1981.
Typewritten note card with handwritten annotations and orange ink in the upper left corner
The Birth Project. Exhibition unit #33 Elisa Skarveland, 1981-1984.
Typewritten and printed form with handwritten annotations in blue and black ink with ink stamps
The Birth Project. Marion Beam, 1981-1982
Typewritten checklist with handwritten annotations in black and blue ink
The Birth Project. Susan Mossholder, 1981-1983.
Typewritten letter on The Birth Project letterhead
The Birth Project. Exhibition unit #34 Helen Courovoisie and Penny Davidson, 1981-1986.
Typewritten form letter with handwritten annotations in black ink
The Birth Project. Mary Murray, 1981.
Typewritten note card with handwritten annotations in blue ink and green ink on the left border
The Birth Project. Exhibition unit #28 Teaneck 7, 1981-1983.
Typewritten checklist
The Birth Project. Chris Blechshmid, 1981-1982.
Typewritten checklist with handwritten annotations in blue ink
The Birth Project. Kathleen O'Grady, 1981.
Typewritten note card with handwritten annotations
The Birth Project. Carol Carrier, 1981-1983.
Handwritten note in blue ink on cream paper
The Birth Project. Karen Paparelli, 1981-1982.
Handwritten note in blue ink on yellow lined paper
The Birth Project. Exhibition unit #68 Benicia Group. CR-NP#1 statistics and archival data. Production time totals, 1981-1985.
Typewritten form with handwritten annotations in black ink
The Birth Project. Sarah Carter, 1981.
Handwritten letter in blue ink on white paper with an ink stamp at the top
The Birth Project. Ayn Perry, 1981.
Handwritten note in blue ink on yellow lined paper
The Birth Project. Exhibition unit #68 Benicia Group. CR-NP#1 statistics and archival data. Production time totals Benicia Group stitchers, 1981-1985.
Typewritten form with handwritten annotations in black and blue ink
The Birth Project. Lili Church, 1981.
Typewritten release form with handwritten annotations in blue ink
The Birth Project. Sandra Ragan, 1981.
Printed ticket with an upward-pointing triangle filled with geometric patterns in black on pink paper
The Dinner Party. Chicago, 1981.
Typewritten note card with handwritten annotations in blue ink
The Birth Project. Kathleen Coleman and Michele Lester, 1981-1982.
Typewritten checklist with handwritten annotations in pencil
The Birth Project. Page Prescott, 1981-1982.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Diane Rasmussen, 1981-1983.
Typewritten checklist with handwritten annotations in black and blue ink and ink stamp
The Birth Project. Christine Acker, 1981-1984.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Pat Reese, 1981.
Handwritten letter in blue ink on blue paper
Requests for information, 1981.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Cecilia Dobelmann, 1981-1982.
Typewritten note card with handwritten annotations in black ink
The Birth Project. Rhonda Rothman, 1981-1984.
Typewritten note card with handwritten annotations in purple ink
The Birth Project. Nancy Edmiston, 1981.
Black-and-white printed cover page of Arts Process Manual with an abstract illustration of a spiral shape
The Dinner Party. Educational materials. "Beyond Awareness." Student materials. Arts process manual, ca.1981.
Typewritten note card with pink highlighting and handwritten annotations in black ink
The Birth Project. Marguerite Crosby, 1981-1983.
Typewritten note card with handwritten annotations in black ink
The Birth Project. Mim Galub Scalin, 1981-1982.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Sharron Scott, 1981.
Typewritten invitation with a hand drawn map
Review schedules, administrative information, 1981.
Typewritten note card with handwritten annotations in black and green ink
The Birth Project. Elizabeth Fleming and Mei Lin Wong, 1981-1983.
Typewritten checklist with handwritten annotations in pencil and black ink and ink stamp
The Birth Project. Karen Sexton, 1981-1983.
Photocopied black and white photographic portrait of Judy Chicago holding her fingers to her chin There is type above and below
"Love packets," 1981-1985.
Typewritten note card with handwritten annotations in black ink
The Birth Project. Lisa Gause, 1981-1982.
Typewritten note card with handwritten annotations in blue ink
The Birth Project. Pam Teague, 1981-1982.
Handwritten letter in black ink on white paper
Miscellaneous correspondence, 1981-1989.
Typewritten checklist with handwritten annotations in pencil and blue ink
The Birth Project. Joyce Gibrick, 1981-1982.
Typewritten note card with handwritten annotations in blue ink
The Birth Project. Waynell Gregory (leader of Tahlequah, Oklahoma group), 1981-1983.
Printed cover for Beyond Awareness with a black illustration of a spiral on pink paper
The Dinner Party. Educational materials. "Beyond Awareness." Arts process manual, ca.1981.
Typewritten note card with yellow ink along the left border
The Birth Project. Mary van Ouwerkerk, 1981.
Typewritten and handwritten form
Southwest region, Texas Arts and Cultural Organization (TACO) in Houston, 1981-1983.
Printed, black and white cover page for The 39 Women with a decorative border
Fan mail. The 39 Women published by Margaret Frazer to celebrate the coming of Chicago's The Dinner Party to Toronto, 1982.
Typewritten letter on State of Alaska letterhead
The Birth Project. Juneau, Alaska, 1982-1985.
Full color printed invitation with an abstract design in red, orange, yellow, purple, blue and black, and yellow type
The Birth Project. Through the Flower, Building 57, 1982-1983.
Hand drawn diagram in pencil on white graph paper of four small rectangles and one large one with handwritten annotations
The Birth Project. Chico, California, 1982.
Typewritten checklist
The Birth Project. Judy S. Yokeley, 1982-1983.
Black-and-white illustrated portrait of a woman wearing a patterned headband
Applications A-B, 1982-1983.
Printed invitation to The Dinner Party exhibition in French with an upward-pointing triangle filled with geometric patterns on the left
The Dinner Party. Montreal, 1982.
Handwritten note in blue ink and pencil on white paper
The Birth Project. Judy Kendall, 1982.
Handwritten letter in black ink on yellow lined paper
The Birth Project. Mill Valley, California: Artisans, 1982.
Typewritten and handwritten form
Applications C, 1982-1984.
Black-and-white photographic image of a kneeling figure placing their hand on the forehead of a reclining woman
Applications D-E, 1982-1983.
Handwritten note with stamp in black ink on orange paper
Applications F, 1982-1983.
Photocopy of an advertisement for The Dinner Party with a picture of a triangular table with an open center and place settings
The Dinner Party. Glenbow Museum, Calgary, 1982-1983.
Color photograph of various nature illustrations and decorated stockings on a striped orange sofa
Applications G-H, 1982-1983.
Typewritten note card with handwritten annotations
The Birth Project. Jan M. Leone, 1982-1983.
Typewritten list of alterations to an exhibition hall
The Dinner Party. Glenbow Museum, Calgary. Contracts, 1982.
Needlework in an embroidery hoop of a white, moonlit spiderweb on a black ground
Applications I-K, 1982-1984.
Needlework of a horned animal in blue, white, and pink on a light pink ground
Applications L, 1982-1983.
Black-and-white illustration of flowers on a pink ground
Applications M, 1982-1983.
Typewritten list of volunteers with contact information
The Dinner Party. Atlanta, 1982.
Typewritten checklist with handwritten annotations in pencil
The Birth Project. Dropouts. Sandra Andrews, 1982.
Orange envelope addressed to Judy Chicago in multicolored lettering with an illustration of a bird in the upper left
Applications N-O, 1982-1983.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Sally Babson Creation of the World quilt #4, 1982.
Typewritten note card with handwritten annotations in black ink and pencil
The Birth Project. Beverly Merola, 1982-1983.
Typewritten note card with handwritten annotations
The Birth Project. Exhibition unit #31 Gwen Glesmann, 1982-1984.
Typewritten letter on The Birth Project letterhead
The Birth Project. Vancouver Museum, 1982-1985.
Black-and-white typewritten form on letterhead
Permission to reprint from the Birth Project, 1982-1983.
Handwritten page in black ink with a color illustration of a water wheel in the lower right
Applications P-Q, 1982-1983.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Sally Babson crowning embroidery #2, 1982.
Typewritten contract on white paper
The Birth Project. Bloomington, Indiana; Indiana University, 1982-1984.
Handwritten note in black ink on white paper
The Birth Project. San Diego, California: Dimensions Multicultural Arts Gallery, 1982-1983.
Handwritten letter in black ink with blue ink stamp on beige lined paper
Applications R, 1982-1983.
Handwritten letter to Judy Chicago in blue ink on lined yellow paper
Applications S, 1982-1984.
Typewritten page
Photograph documentation inquiries contracts [for workers], 1982-1984.
Textile work of organic, petal-like shapes in shades of red, pink, and teal
Applications T-Z , 1982-1985.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Susan Pence Beaudry, 1982-1983.
Handwritten title page in black ink on white paper
Directory, 1982.
Typewritten letter to Judy Chicago on blue paper with a red illustration of a woman sitting in front of a castle and holding a book in her lap
The Dinner Party. Correspondence, 1982.
Printed page with handwritten annotations in blue ink
Exhibit program packet masters, 1987.
Typewritten note card with handwritten annotations in black ink and pencil
The Birth Project. Joan Phillips, 1982.
Typewritten contract on white paper
The Birth Project. Galveston, Texas: University of Texas Medical Library, 1982-1983.
Typewritten page
Exhibition contracts and agreements, 1982.
Typewritten note card with handwritten annotations in black ink
The Birth Project. Meredith Beeman, 1982.
Typewritten contract
Researcher information contracts, 1982-1983.
Typewritten note card with handwritten annotations
The Birth Project. Rachel Einstandig, 1982-1983.
Typewritten letter on white paper
The Dinner Party. Fan mail, 1982
Typewritten note card with handwritten annotations in blue ink
The Birth Project. Joanne Thompson, 1982.
Handwritten letter in blue ink on white paper with an ink stamp at the top
The Birth Project. Davette Gregg, 1982.
Typewritten list with handwritten annotations in blue ink
The Birth Project. Houston, Texas: Judy Chicago/Word & Image Network Gallery, 1982-1983.
Typewritten checklist with handwritten annotations in black ink
The Birth Project. Rosemary Trubit, 1982-1983.
Typewritten letter
Permission to quote from the Birth Project material, 1983.
Typewritten note card with pink highlighting and handwritten annotations in black ink
The Birth Project. Carol Hill, 1983.
Typewritten cover page to a report
The Dinner Party. Exhibition. Visitor and reactions, written by Estelle Inman, May 1983.
Printed envelope with stamp and postmark and handwritten address in black ink
The Birth Project. Sara Johnson, 1983.
Three dark red rectangles collaged on white paper with handwritten annotation on a light green sticky note
The Birth Project. Milwaukee, 1983-1985.
Printed business card in black ink on off-white paper
The Birth Project. Nelleke Langhuot-Nix, 1983.
Typewritten letter on Through the Flower letterhead on off-white paper
The Birth Project cover information and correspondence, 1983-1984.
Typewritten memo on James letterhead
The Birth Project. Long Beach, California: Long Beach Museum of Art, 1983.
Black-and-white mockup of a mailer with an illustration of a female figure descending from the sky holding hands with arms that emanate from a hilly landscape
The Birth Project. Bellingham, Washington; University of Western Washington, 1983-1984.
Three handwritten receipts on a printed yellow form
The Dinner Party. Finances, 1983.
Typewritten letter to Judy Chicago from Claire Shindler
The Dinner Party. Fan mail, 1983.
Handwritten note on a printed and postmarked white envelope
The Birth Project. Pembroke Pines, Florida: Broward Community College, 1983-1984.
Typewritten letter on YWCA letterhead
The Birth Project. Seattle, Washington: YWCA, University of Washington Jackson Street Gallery, 1983-1984.
Printed note with handwritten annotations in pencil
The Birth Project. Exhibition unit #68 Benicia Group. CR-NP#1 statistics and archival data, 1983-1984.
Handwritten letter to Judy Chicago in blue ink
The Dinner Party. Correspondence, 1983-1985.
Printed brochure for Muse Gallery in red ink on beige paper
The Birth Project. Philadelphia, 1983-1986.
Typewritten letter on Visual Arts Center of Alaska letterhead
The Birth Project. Visual Arts Center of Alaska, 1983-1985.
Typewritten letter with handwritten annotations in blue and black ink on Through the Flower letterhead
The Birth Project. Cecilia Dingledy, 1983.
Typewritten contract on The Birth Project letterhead with handwritten annotation
The Birth Project. Great Falls, Montana: Paris Gibson Square Center for Contemporary Arts, 1983-1985.
Typewritten page in black on white paper
The Birth Project. Madison, Wisconsin: Methodist Hospital, Convention Civic Center, 1983.
Black-and-white printed invitation with an illustration of a woman giving birth surrounded by radiating lines
Lectures by workers [flyers], 1983-1985.
Typewritten memo on James letterhead
The Birth Project. Pine Bluff, Arkansas: Arts and Science Center, 1983.
Handwritten note in black ink on white paper
The Dinner Party. Permanent housing. Seattle correspondence, 1983-1986, n.d.
Printed letter on Snug Harbor letterhead
The Birth Project. Tampa, Florida: Coalition of Florida Childbirth Educators, 1983-1984.
Typewritten letter on The Birth Project letterhead
Permissions granted [to use images for project], 1984.
Handwritten note in black ink on off-white lined paper
The Birth Project. Chapel Hill: University of North Carolina, 1984.
Typewritten letter on Through the Flower letterhead with handwritten annotations in black
The Birth Project. Michigan State University (Lansing), 1984.
Typewritten letter on Artworks letterhead
The Birth Project. Young Women's Christian Association, Columbus, Ohio; Ohio State University Gallery, 1984-1985.
Typewritten memo to Through the Flower from Barbara J Jeskalian on San Jose State University letterhead
The Dinner Party. Papers about the project, 1984-1986.
Hand drawn diagram of gallery floor plan in black ink on white paper
The Birth Project. Krannert Art Museum, Champaign, Illinois, 1984-1986.
Typewritten letter on Through the Flower letterhead
The Birth Project. University of California, Los Angeles, Wright Gallery, 1984-1985.
Photocopy of a book or pamphlet cover with an upward-pointing triangle filled in with geometric shapes
The Dinner Party. London, 1984-1986.
Black-and-white photocopy of an announcement with an abstract motif in the center
The Birth Project. Washington, D.C., 1984-1985.
Typewritten letter on The Birth Project letterhead
The Birth Project. Montpelier, Vermont, 1984-1985.
Typewritten letter with handwritten annotations in black ink on Through the Flower letterhead
The Birth Project. University of Maine at Farmington, 1984.
Typewritten letter on blue The Birth Project letterhead with a handwritten note on a white overlay at the bottom
Permission to reprint from the Birth Project, 1984-1985.
Typewritten memo on University of California, Santa Cruz letterhead
The Birth Project. Santa Cruz Art Museum, 1984.
Typewritten letter to Leslie Ann Jacobs from Susan Lynn on The Birth Project letterhead with handwritten annotation
The Dinner Party. Fan mail, 1984-1986.
Typewritten checklist on The Birth Project letterhead with yellow highlighting and handwritten annotations in black ink
The Birth Project. Santa Fe Center for Contemporary Arts, 1984-1985.
Typewritten, handwritten, and printed note card
The Birth Project. Glass Grower's Galleries, Erie, Pennsylvania, 1984-1986.
Printed business card for Terry Wolverton, Development Director of The Women's Building with pink and gray text over a pink grid on white paper
The Dinner Party. Permanent housing. Los Angeles, 1984-1985.
Typewritten letter on Methodist Hospital letterhead
The Birth Project. Madison Art Center, 1984-1986.
Diagram in pencil on yellow, ruled paper with handwritten annotations
The Dinner Party. Edinburgh, 1984.
Typewritten letter on Webb Design Studio letterhead
The Birth Project production and design correspondence, 1984-1986.
Printed article about the Edinburgh Fringe Festival with torn edges and handwritten annotations
The Dinner Party. Edinburgh, 1984.
Typewritten letter to Judy Chicago from Stephen L Schlesinger on John Simon Guggenheim Memorial Foundation letterhead
The Dinner Party. Finances. Grants. Guggenheim grant proposals, 1984-1985.
Typewritten contract
The Dinner Party. Edinburgh contract, 1984.
Handwritten note in black ink on orange paper
Miscellaneous exhibition correspondence, 1984-1986.
Typewritten letter to Lew Wolff from Mary Ross Taylor on Through the Flower letterhead
The Dinner Party. Permanent housing. San Jose, California, 1984-1985.
Illustration in blue tones of a female figure descending and reaching toward a group of figures with outstretched arms as undulating lines stream from the woman's breasts to their hands and mouths and to the hills below
The Birth Project. ACA Galleries, New York City, 1985.
Hand drawn diagram of eight horizontal rectangles with handwritten annotations in black and red on white graph paper
The Birth Project. Marilyn Butler Fine Art Gallery, Scottsdale, Arizona, 1985.
Handwritten note in black ink on white paper layered over a printed form handwritten in blue ink
The Birth Project. Alaskan tour exhibitors, 1985-1986.
Photocopy of a handwritten postcard
The Birth Project. Pre- and Perinatal Psychology Association Conference, San Diego, 1985.
Black-and-white photocopy of six photographs of people standing on a staircase
The Dinner Party. Germany, 1985-1986.
Typewritten and printed note card
The Birth Project. Alberni Valley Museum, British Columbia, Canada, 1985-1986.
Handwritten letter in green and blue ink on white paper
Worker correspondence, 1985.
Typewritten letter to Judy Chicago
The Dinner Party. Germany. Correspondence. Dagmar von Gar, 1985-1987.
Typewritten form with handwritten annotations in black, red, orange, and blue ink
The Birth Project. Ramapo College, New Jersey, 1985-1987.
Typewritten, handwritten, and printed note card
The Birth Project. Coral Gables, Florida, 1985-1986.
Black-and-white photocopy of invitation with handwritten annotations in red ink and correction fluid
The Birth Project. Milwaukee, 1985.
Photocopied flier in black on pink paper with calligraphy and a decorative motif down the center
The Birth Project. Arts Space Gallery, Fresno City College, California, 1985-1987.
Full color printed postcard with a painting of two figures sitting at a round table as another figure stands nearby and on the table is a small figure standing in a spotlight and one figure at the table is lighting a cigarette
The Birth Project. Palo Alto Cultural Center, 1985-1986.
Printed and typewritten form for budget
The Dinner Party. Benicia, 1985.
Typewritten form with handwritten annotations in red, black, blue, green, and orange ink
The Birth Project. Sarah Lawrence College, New York, 1985-1987.
Typewritten and printed note card
The Birth Project. Central Missouri State University, 1985-1986.
Typewritten checklist on The Birth Project letterhead with handwritten annotations
The Birth Project. Milwaukee, 1985.
Typewritten and handwritten form in black and red ink
Condition reports, 1985-1990.
Typewritten, handwritten, and printed note card
The Birth Project. Fresno Arts Center, California, 1985-1987.
Typewritten and printed note card
The Birth Project. Myers Fine Art Gallery, State University of New York (Plattsburgh), 1985-1986.
Handwritten letter to Judy from Maria Eriksen on Maria Eriksen letterhead
The Dinner Party. Calgary, 1985-1986.
Typewritten and handwritten form in black, orange, blue, and red ink on white paper
The Birth Project. Gallery 25, Fresno, California, 1985-1987.
Typewritten and printed note card
The Birth Project. Northwestern Michigan College, Travers City, 1985-1986.
Printed calendar page in blue with handwritten annotations in black ink
Exhibition schedules, 1985-1988.
Black-and-white photocopy of three images with captions: a photographic portrait of Judy Chicago, and two artworks depicting abstracted women
The Birth Project press kit, 1985.
Typewritten curriculum vitae for Mark D Ondrake
The Dinner Party. Permanent housing. Proposals, 1985-1991.
Typewritten letter on The Birth Project letterhead
The Birth Project. Marilyn Butler Fine Art Gallery, Santa Fe, New Mexico, 1985.
Typewritten, handwritten, and printed note card
The Birth Project. Women's Hospital, Houston, Texas, 1985-1986.
Printed letter on Through the Flower letterhead with handwritten annotations in pencil
The Birth Project. Japan, 1986.
Typewritten and printed note card
The Birth Project. Marin Quilt and Needlework Show, 1986.
Handwritten note to Judy on printed Hannelore L Wagner note paper
The Dinner Party. Germany. Correspondence, general, 1986-1987.
Typewritten memo on James letterhead
The Birth Project. College of Saint Mary's, Nebraska, 1986-1986.
Printed business card from La Salsiccia with handwritten annotation in black ink
The Dinner Party. Germany. Frankfurt event, 1986.
Printed letter to Judy Chicago from Christoph Vitale on Schirn Kunsthalle Frankfurt letterhead
The Dinner Party. Germany. Correspondence. Christoph Vitali, 1986-1987.
Typewritten letter to Judy Chicago
The Dinner Party. Germany. Correspondence. Hannelore Wagner, 1986-1987.
Typewritten and handwritten form in black and red ink on white paper
The Birth Project. Colorado Rocky Mountain Planned Parenthood, 1986-1987.
Handwritten letter on stationery printed with illustrations of bears
Worker correspondence, 1986.
Book page with a black and white drawing of a broken chair draped with pieces of fabric perched on sandbags in front of a portion of fence
The Dinner Party. Germany. Renate Sautermeister, 1986.
Typewritten form with handwritten annotations in black, orange, and red ink
The Birth Project. Trinity College, Hartford, Connecticut, 1986-1987.
Typewritten form with handwritten annotations in black and red ink
The Birth Project. R.H. Love Galleries, Chicago, 1986.
Full color printed image of an embroidered, abstract shape in red, orange, yellow, purple and black framed by yellow type
The Birth Project. Northwestern Michigan College, Travers City, 1986.
Typewritten letter to Mary Ross Taylor from Diane Gelon
The Dinner Party. Installation correspondence, 1986-1989.
Typewritten and printed note card
The Birth Project. Rosemont Art Gallery, Saskatchewan, Canada, 1986.
Typewritten and printed note card
The Birth Project. Santa Rosa Junior College Art Gallery, sponsored by California Parenting Institute, 1986-1987.
Typewritten form with handwritten annotations in red and black ink
The Birth Project. Paramus, New Jersey, Bergen Community College, 1986.
Typewritten and handwritten form in black and red ink on white paper
The Birth Project. Ella Sharp Museum, Jackson, Michigan, 1986-1987.
A row of four thirty five millimeter slides, each with an installation image of an art exhibition with handwritten annotations in pencil
The Birth Project. Florida State University, Tallahassee, 1986-1987.
Typewritten form with handwritten annotations in black, red, and orange ink
The Birth Project. Phebe Conley Gallery, Fresno State University, California, 1986.
Typewritten letter on Serono letterhead
The Birth Project. Serono Laboratories, Toronto, Canada, 1986.
Typewritten letter to Judy Chicago from Theodora Litsios on Theodora Litsios printed letterhead
The Dinner Party. Correspondence, 1986-1989.
Typewritten and printed note card
The Birth Project. Grants Pass Museum of Art, Oregon, 1986.
Typewritten form with handwritten annotations in black and red ink
The Birth Project. Sinai Hospital, Detroit, Michigan, 1986-1987.
Typewritten and printed note card
The Birth Project. Philadelphia Art Alliance, 1986-1987.
Typewritten letter to Mary Ross Taylor from Marlene Johnson on State of Minnesota letterhead
The Dinner Party. Permanent Housing. Minneapolis, 1986.
Handwritten note in black ink on white note paper with a Yellow logo
The Birth Project. Philadelphia, Muse Gallery, 1986.
Printed and handwritten form in black, red and blue
The Birth Project. Grundy, Iowa: American Association of University Women (AAUW), 1986-1987.
Printed and handwritten contract in black and blue ink on white paper
The Birth Project. Hartford Seminary, Hartford, Connecticut, 1986.
Typewritten table of contents in German with handwritten annotations
The Dinner Party. Germany. Book, 1987.
Handwritten letter to Judy Chicago on a photocopied book page
The Dinner Party. Germany. Gisela Brachert speech, 1987.
Printed and typewritten contract on white paper
The Birth Project. Colorado State University, Hatton Gallery, 1987-1989.
Handwritten letter on printed grid paper
Worker correspondence, 1987.
Handwritten note in black ink on white paper
The Birth Project. Minnesota, 1987-1989.
Printed invoice with handwritten annotations in blue ink
The Birth Project. University of Iowa, Iowa City, Hancher Auditorium, 1987.
Typewritten letter to Mary from Lois on Dr Lois M Achimovich letterhead with handwritten annotations
The Dinner Party. Australia, 1987-1988.
Typewritten letter on light brown Benicia Historical Museum letterhead
The Birth Project. Camel Barn Museum, Benicia, California, 1987.
Typewritten letter
Permission to reprint from the Birth Project, 1987-1991.
Typewritten letter to Anthony Radisch from Mary Ross Taylor on The Birth Project letterhead
The Dinner Party. Permanent housing. Eugene, Oregon, 1987.
Full-color printed invitation card with a painting by Constance von Briesen of a creek with woods and green hills in the background
The Dinner Party. Correspondence, 1987-1991.
Printed form with handwritten annotations in pencil and black and blue ink
The Birth Project. Women in Theatre Festival, Boston, Massachusetts, 1987-1988.
Typewritten and handwritten form in black, blue, and red ink on white paper
The Birth Project. Iowa City Women's Center, Johnson County Arts Council, 1987.
Handwritten note in blue ink on white paper
The Birth Project. Yellow Springs, Ohio, 1988-1989.
Handwritten letter on stationery printed with illustrations of bears and balloons
Worker correspondence, 1988.
Printed business card in black ink on white paper
The Birth Project. Blackie Group, Liverpool, England, 1988.
Handwritten letter in blue ink to Judy from Helen Budge
The Dinner Party. Australia. Responses, 1988.
Handwritten note in pencil and purple and black ink on cream manila folder
The Birth Project. Santa Barbara, California, 1988-1989.
Typewritten letter to the Ad Hoc Committee to Bring The Dinner Party to Santa Fe from Cynthia Lukens
The Dinner Party. Permanent housing. Santa Fe. Correspondence, 1988-1989.
Handwritten note in black ink on white paper
The Dinner Party. Permanent housing. University of the District of Columbia. American Association of University Women (AAUW) letters of support, 1988-1990.
Printed and collaged mockup of a spread from a brochure about The Dinner Party
Permanent housing. University of the District University. Master for The Dinner Party booklet, 1989-1991.
Photocopy of a typewritten letter to Caroline Joyce from Alice G Chambers on Western Maryland College letterhead
The Dinner Party. Permanent housing. University of the District of Columbia. Letters of support, 1989-1990.
Printed form in brown ink on cream paper with handwritten annotations in blue ink
The Birth Project. Pittsburgh, 1989.
Printed cover page for The Dinner Party Site Project with a photocopied image of a triangular table with an open center set with place settings
The Dinner Party. Exhibition possibilities, 1989-1990, n.d.
Handwritten letter in blue ink on pink, lined paper
Worker correspondence, 1989.
Handwritten notes on beige paper about The Dinner Party
The Dinner Party. Permanent housing. Albuquerque, 1989-1990.
Typewritten form
Placement program contracts [blank], 1989.
Printed list of crates with handwritten annotations
The Dinner Party. Crating and shipping instructions, 1989.
Printed membership list with contact information and handwritten annotations
Permanent housing. Santa Fe. Minutes, agendas, member lists [of the Ad Hoc Committee to Bring The Dinner Party to Santa Fe], 1989.
Color photocopy of an article about The Dinner Party with two illustrations: a photograph of a triangular table with an open center lined with place settings, and a photograph of a plate decorated with an abstract star design
The Dinner Party. Permanent housing. Publicity, 1989.
Typewritten letter to Joseph Thompson from Judy Chicago on Through the Flower letterhead
The Dinner Party. Permanent housing. North Adams, Massachusetts. Massachusetts Museum of Contemporary Art, 1989.
Printed press release in black ink on white paper
The Dinner Party. Tenth anniversary celebration, Santa Fe, New Mexico, March 14, 1989.
Handwritten note in blue ink on beige Aspen Florist card with brown printed logo and text
The Dinner Party. Tenth anniversary celebration, Santa Fe, New Mexico. Correspondence, 1989.
Fax copy of a typewritten letter to Ms Thompson from Nira Hardon Long on University of the District of Columbia letterhead
The Dinner Party. Permanent housing. University of the District of Columbia. Correspondence with architect Austin Spriggs, 1990.
Fax copy of a typewritten memo from Pat Mathis, stamped Confidential in upper right
The Dinner Party. Permanent housing. University of the District of Columbia. Pat Mathis action file, University of the District of Columbia statement, 1990.
Handwritten and photocopied fax cover sheet on Through the Flower letterhead
The Dinner Party. Permanent housing. University of the District of Columbia. Fax correspondence, July-August 1990.
Handwritten and printed fax cover sheet on Through the Flower letterhead
The Dinner Party. Permanent housing. University of the District of Columbia. Fax correspondence, September 1990.
Handwritten note in black ink on photocopied Judy Chicago letterhead
The Dinner Party. Permanent housing. University of the District of Columbia. General crisis correspondence, 1990.
Handwritten letter on stationery printed with a decorative border
Worker correspondence, 1990-1993.
Printed page of a manuscript
Permanent housing. University of the District of Columbia. Jenny's[?] diary account of The Dinner Party crisis, 1990.
Photocopy of an article by Ellen Sweets about The Dinner Party in The Dallas Morning News
The Dinner Party. Permanent housing, 1990, 1993.
Handwritten letter to Judy Chicago from Jay Reseborough in black ink on off-white paper
The Dinner Party. Fan mail, 1990-1994.
Handwritten note in red and black ink
The Dinner Party. Permanent housing event information archive, 1990-1994, n.d.
Typewritten letter to Nina Felshin from Elyse Grinstein on Grinstein Daniels Inc letterhead
The Dinner Party. Permanent housing. Nina Fleshin, Florida, Tracy Gray, Carla Poppen, 1990-1993.
Handwritten memo to Amy Trevelyn from Judy Chicago on Through the Flower fax cover page
The Dinner Party. Permanent housing. Gettysburg, Pennsylvania, 1990, 1992.
Printed business card for Marlene DeNardo, Holy Names College with an abstract, geometric symbol in red ink on white paper
Courses inspired by The Dinner Party. Holy Names College, 1990, 1992, 1995.
Photocopy of a printed list of facts and fallacies
The Dinner Party. Permanent housing. University of the District of Columbia. Action updates by others, 1990.
Printed cover page for a business plan with a diagram of an upward-pointing triangle in the lower right corner
Permanent housing. Santa Fe. "Business Plan for the Exhibition of The Dinner Party," submitted by Santa Fe Ad Hoc Committee of Through the Flower Corporation, ca.1990.
Typewritten cover page for a paper
The Dinner Party. Papers. Unpublished papers [includes uncataloged photographs], 1991-1994, 1996.
Handwritten note from Mickey on printed, beige Mickey Stern note paper
The Dinner Party. Permanent housing. Cleveland, 1991-1996, n.d.
Full-color printed invitation with a photograph of a triangular table with many place settings and an open center
The Dinner Party. Permanent housing. Cleveland, 1991-1996.
Typewritten letter on white Lady Touche letterhead
The Dinner Party. Permanent housing. Lady Ouida Touche, Calgary, 1991-1993, 1996.
Handwritten letter to Diana on Judy Chicago letterhead
The Dinner Party. Permanent housing. Diana Coleman, Campaign Committee correspondence etc. file, 1992-1995, n.d.
Typewritten letter to Charlotte H Hetherington from Susan A Grode on Kaye, Scholer, Fierman, Hays and Handler letterhead
The Dinner Party. Permanent housing. New Mexico. Land, 1992-1994.
Typewritten letter to Judy Chicago
The Dinner Party. Permanent housing. Seneca Falls, New York, Marie Unini, 1992, 1995.
Through the Flower fax cover sheet with an outline drawing of a person in profile with a speech bubble that reads Yo, Herb!
The Dinner Party. Permanent housing. New Mexico. Land committee and proposals, 1993-1994.
Printed, addressed envelope with a diagram of an upward-pointing triangle filled with geometric designs in the upper left corner
The Dinner Party. Permanent housing event packets, 1994, n.d.
Handwritten memo to Judith Asher from Mickey Stern on printed Al and Mickey Stern fax cover page
Permanent housing. Interest in The Dinner Party events, 1994, n.d.
Cover page for a proposal with a full-color image of a triangular table lined with place settings and open in the center
The Dinner Party. Permanent housing. [Proposal by Narduli/Grinstein architects], 1994?
Printed letter to Michael Botwinick from Judith Asher on Through The Flower letterhead
The Dinner Party. Permanent housing. California, 1995.
Typewritten letter to Ms Hilliard from Judy Chicago
Courses inspired by The Dinner Party. Notre Dame High School, San Jose, California, 1995.
Full-color, printed cover of an invitation to The Dinner Party Exhibition with a photograph of a triangular table, open in the center and lined with place settings
The Dinner Party. University of California, Los Angeles. Armand Hammer Museum of Art and Cultural Center, "Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History" [media report], April 24 - August 18, 1996.
Printed opening invitation in gold ink on white paper with a decorative pattern of triangles around the borders
The Dinner Party. Permanent housing. Brooklyn Museum of Art. Announcement, 1996, 2002.
Printed list in black ink on white paper
The Dinner Party. Reunion RSVP, 1996.
Children's drawing of Emily Dickinson wearing a blue shirt and red scarf with Emily Dickinson written in blue bubble letters below and above, Emily written in a dark teal within a blue square, and underlined with a purple squiggle
Dinner Party Curriculum Project : letter to Judy Chicago from 5th grade student
Children's drawing of a peach colored circle with a yellow sun inside with thank you written in black and Judy Chicago is written in multi-colored letters below
Dinner Party Curriculum Project : letter to Judy Chicago from 5th grade student
White document with black text of a lecture about the Holocaust Project with red proofreading notes and marks.
Holocaust Project: From Darkness into Light Lecture Text
Printed manuscript page
SINsation (Indiana University) : Wall text for exhibition
Printed list of search results from an online catalog
SINsation (Indiana University) : Reading list
Printed letter on Indiana University letterhead
SINsation (Indiana University) : Letter from IU president
Printed manuscript page
From Theory to Practice (Duke) : Wall text for exhibition (multiple copies)
Black-and-white printed postcard with a missing persons illustration
From Theory to Practice (Duke) : Press clippings, promotional ephemera
Printed cover page with a color project logo at the top
At Home: A Kentucky Project (WKU) : Invoices / expenses
Printed manuscript page
Other Writing : Made in California: Feminist Art Education (versions)
Black-and-white poster with a photographic image of a group of people in front of a house where parts of the text are redacted with black rectangles
At Home: A Kentucky Project (WKU) : Miscellaneous/poster design
Yellow paper with text describing the events included in the At Home Colloquia series, including times and locations.
At Home (Western Kentucky University) : colloquia series schedule
Black and white printed grading rubric
At Home (Western Kentucky University) : grading criteria
Black and white printed schedule, including dates
At Home (Western Kentucky University) : project schedule
Printed manuscript page
Writing by others - Kimball, Gayle: interview with JC (transcript, photocopied book chapter)
Handwritten note in blue ink on light yellow paper
Envisioning the Future (Cal Poly Pomona) : Miscellaneous teaching notes
Printed manuscript title page with handwritten annotation in black ink
Writing by others - Keifer-Boyd, Karen: "Cyberfeminist" art/pedagogy article (drafts)
Blank white index card
Envisioning the Future (Cal Poly Pomona) : Post-Envisioning the Future review of JC/DW teaching projects (index cards)
Black-and-white printed cover of ArtScene magazine with a painting of a seated woman
Envisioning the Future (Cal Poly Pomona) : Press (clippings and contact list)
Color magazine clipping with illustrations of a bar graph, a bird, and a glass of wine, with handwritten annotations in black ink
Research/subject files - Women - women's issues, women's history (clippings)
Printed manuscript title page with yellow highlighting
Writing by others - Keifer-Boyd, Karen: "From Content to Form" participatory pedagogy (drafts)
Printed manuscript page
Other Writing : Visionary Woman Award, from Moore College (remarks)
Storyboard, featuring color screenshots from the video in the left-hand column and black and white text of the captions in the right-hand column.
At Home (Western Kentucky University) : original storyboard, At Home On Tour video documentary
Printed manuscript page
Research/subject files - Discipline-based art education (articles)
Printed manuscript page
Other Writing : Letter to Duke lecture (script)
Printed manuscript title page
Writing by others - Keifer-Boyd, Karen: Speculative fiction, "Handmaid Art" article (draft)
Color newspaper clipping with photographic illustrations of two women working on a dinosaur or dragon sculpture, two men wearing cowboy hats, a basketball player, a portrait of a man, and a large sign in front of a building
Evoke/Invoke/Provoke (Vanderbilt) : Press release (clipping)
Printed manuscript page with handwritten annotation in black ink
Evoke/Invoke/Provoke (Vanderbilt) : Proposal and project planning
Gray envelope with a faint pink circular design in the center
Evoke/Invoke/Provoke (Vanderbilt) : Invitations / group photo
Printed orange and red cover page
The Dinner Party Curriculum Project : K-12 Curriculum - overview, contents
Printed manuscript page
Other Writing : Thoughts on Returning to Teaching after 25 Years
Printed agenda
The Dinner Party Curriculum Project : Through the Flower Board / planning team documents
Printed manuscript page with handwritten annotations in black ink and yellow highlighting
The Dinner Party Curriculum Project : Website texts - "About Teaching" "Introduction"
Black-and-white magazine clipping with an illustration of a bookshelf shaped like the letter T
Research/subject files - Education - general, art ed, higher ed (clippings)
Manila envelope with handwritten text in black
The Dinner Party Curriculum Project : Kutztown University Summer Institute - JC lecture notes
Printed board meeting minutes
Through the Flower board meeting minutes, June 16-17
Black-and-white printed page with a portrait of Madeline Albright, a world map, and a word search
The Dinner Party Curriculum Project : Twenty Women of the 20th Century activity book pages
Off white page with black and white Dinner Party images, a red envelope, an orange butterfly and a square that contains the text of the invitation in the lower right-hand corner
The Dinner Party Summer Institute at Kutztown University: program information
Handwritten note in black ink on lined white paper
Research/subject files - Male rape - myths about (articles, notes)
Printed timeline with black, purple, and blue text
The Dinner Party Curriculum Project : Timeline and 3-year budget
Printed questionnaire form
The Dinner Party Curriculum Project : Version 3 - edits / layout, July-August
Printed letter on Brooklyn Museum letterhead
Guide to The Dinner Party - in: Brooklyn Museum Teen Guide to Art
Black-and-white magazine clipping with an illustration of various people interacting with artworks encased in balloons
Research/subject files - Art - general, art markets (clippings)
Children's drawing on white paper in shades of purple Includes a stick figure with long hair, and a thank you message
Dinner Party Curriculum Project : letter to Judy Chicago from grade school student
Children's drawing on white paper features a thank you message written in green with red accents
Dinner Party Curriculum Project : letter to Judy Chicago from grade school student
Color printed page with a black and white photographic illustration of a large group of people sitting and standing around tables in a room with a high, beamed ceiling
The Dinner Party Curriculum Project : Version 3 - edits / layout
Printed manuscript page with handwritten annotations in black ink
The Dinner Party Curriculum Project : Website - Editor's Copy, Version 3 (folder 3 of 5)
Printed appendix title page
The Dinner Party Curriculum Project : Website - Editor's Copy, Version 3 (folder 4 of 5)
Printed list in black and red text with images of six circular artworks on the left edge
The Dinner Party Curriculum Project : Website edits / layout - Encounters 3 and 4 (versions)
Site map printed in black and red on white paper. Text appears in small boxes with lines to other boxes. Also features handwritten notes in black ink.
Dinner Party Curriculum Project : site map for online curriculum, annotated
Award certificate with a patterned diamond in the center and red and black text
The Dinner Party Curriculum Project : Minx Auerbach Education Award
White document with black text of a lecture on how Frida Kahlo influenced Judy Chicago.
Face to Face with Frida Kahlo Lecture Introduction Text
Printout of an email
A Butterfly for Pomona: A Butterfly for Pomona
Printout of a web page with a photograph of a wavy line of pink light between two pyramids of white blocks and fog
Sublime Environment. Judy Chicago's Upcoming Disappearing Environments
Black-and-white photocopy of a magazine article with a photographic portrait of three women: Judy Chicago, Sheila de Bretteville, and Arlene Raven
Writing by others - Kort, Michele: "When Feminist Art Went Public" (photocopied article)
Multicolored technical drawing of the fireworks layout on the facade of a building
The DeFlowering of Nye + Brown: The DeFlowering of Nye + Brown
Black text printed on small pieces of white paper, and stapled to white lined paper with handwritten notes in black ink
Institutional Time: A Critique of Studio Art Education : manuscript notes for "Chapter 5: From Form to Content or Content vs. Form"
Printout of a web page with typewritten text and an image of three circles decorated with rainbow pinwheel shapes
The DeFlowering of Nye + Brown: Judy Chicago
Printout of a web page with typewritten text and an image of a rainbow gradient in a circle surrounded by radiating purple lozenge shapes
The DeFlowering of Nye + Brown: Judy Chicago’s Early Style Blooms In “Deflowered”
Printout of a web page with two photographs of pyramids of blocks, one in the day and one at night
Sublime Environment. Openings / Interviews: Judy Chicago’s – “Sublime Environment” @ Art Los Angeles Contemporary
Typewritten page
Disappearing 100 Boxes. Disappearing One Hundred Boxes
Diagram of three horizontal rectangles intersected with circles and other rectangles
Disappearing 100 Boxes. Disappearing One Hundred Boxes
Diagram of a butterfly shape on a grid annotated with handwritten text
A Butterfly for Brooklyn. Butterfly for Brooklyn Layout Notes
Printout of a webpage about multi colored rope lights annotated with handwritten text
A Butterfly for Brooklyn. Multi-Colored Rope Lights
Typewritten budget
A Butterfly for Brooklyn. A Butterfly for Brooklyn - Judy Chicago Documentary
Typewritten schedule with handwritten annotations in black ink
A Butterfly for Brooklyn. A Butterfly for Brooklyn Schedule with Notes
Printout of a webpage with contact information and handwritten annotations in black ink
A Butterfly for Brooklyn. SkyCamUSA
Typewritten list
A Butterfly for Brooklyn. Supply List for Butterfly for Brooklyn Layout
Typewritten schedule
A Butterfly for Brooklyn. A Butterfly For Brooklyn Production Schedule
Printout of a webpage with text and a photograph of multicolored fireworks shooting up from a glowing red outline of a butterfly in a darkened park
A Butterfly for Brooklyn. Film and Discussion: Judy Chicago: A Butterfly for Brooklyn
Printout of an email from Judy Chicago to Chris Souza
General Smoke Tests and Technical Information. Fireworks Tests
Printout of a picture of a red and yellow smoke canister with writing on it and annotated with handwritten text
General Smoke Tests and Technical Information. Legend Red
Printout of a picture of a black smoke canister with writing on it and annotated with handwritten text
General Smoke Tests and Technical Information. TNT Orange Ammo Smoke
Printout of a picture of a yellow smoke canister with writing on it and annotated with handwritten text
General Smoke Tests and Technical Information. TNT Blue Ammo Smoke
Printout of an email from Judy Chicago to Chris Souza
General Smoke Tests and Technical Information. Performa Commission
Typewritten page
A Purple Poem for Miami. A Purple (Visual) Poem for Miami
Black-and-white pie chart with captions and callouts
A Purple Poem for Miami. A Purple Poem for Miami 2017, Budget Chart
Color photograph of an outdoor walkway with stairs between two buildings
Be No More. SFMOMA Site Location (2)
Typewritten list
Be No More. SFMOMA Dry Ice 2017 General Information
Printout of a web page with typewritten text and a temperature graph
Be No More. Average Weather In April For San Francisco, California, USA
Printout with a color photograph of a model with people standing amid stepped structures, annotated with handwritten text
Be No More. Be No More, Proposal (1)
Diagram of the word truth composed of squares and annotated with handwritten text
Be No More. TRUTH
Diagram of the letter T composed of squares and annotated with typewritten and handwritten text
Be No More. (big) T Instructions
Diagram of the letter R composed of squares and annotated with typewritten and handwritten text
Be No More. R Build Instructions
Cover page of a proposal with multicolored fireworks and writing in yellow and white on a black ground
Be No More. Pyrotechnic Proposal
Typewritten schedule
Be No More. Build Schedule with Notes
Floor plan of a horizontal space with an angled wall on the left
Be No More. Be No More, SFMOMA, San Francisco CA, First Floor Signage
Color printout includes a photograph of a plaza with a large mural of tropical vegetation at the back and a small square with part of a Google map at the bottom
A Purple Poem for Miami. Google Maps, Jungle Plaza
Black-and-white floor plan of a sculpture garden with printed and handwritten annotations
A Purple Poem for Miami. Detailed Layout
Typewritten page
A Purple Poem for Miami. A Purple Poem for Miami Logistics
Technical drawing of a side view of a tiered structure with four levels
A Purple Poem for Miami. Elevation / Section
Floor plan of an outdoor plaza
A Purple Poem for Miami. Jungle Plaza Floorplan
Technical drawing from above of a rectangular structure made of concentric rectangles
A Purple Poem for Miami. Layout Plan
Handwritten and printed permit from the City of Belin
A Purple Poem for Miami. City of Belen Special Permit
Typewritten page
A Purple Poem for Miami. A Purple Poem for Miami Remarks
Printout of an email
A Purple Poem for Miami. Re: Film Plan - A Purple Poem for Miami
Floor plan of a rectangular room annotated with furniture and camera locations
A Purple Poem for Miami. Jungle Plaza Floorplan
Floor plan of a rectangular sculpture garden annotated with locations of smoke elements, sculptures and viewing areas
A Purple Poem for Miami. Preliminary Layout
Typewritten chart with cues, timing, and positions listed
A Purple Poem for Miami. Purple Poem Run Sheet
Printout of an aerial view of a neighborhood with handwritten annotations in red and typewritten annotations in white
A Birthday Bouquet for Belen. Aerial View of Belen with Notes
Diagram of rows of multicolored dots between outlines of buildings at the top and bottom
A Birthday Bouquet for Belen. Judy Chicago’s Bouquet for Belen Ignition Sequence
Technical drawing from above of a rectangular structure made of concentric rectangles noting the location of strobes
A Purple Poem for Miami. PBR/Center Smoke, Strobes
Printout of a web page with typewritten text and a color photograph of Judy Chicago standing on an industrial life with three other people and speaking into a microphone
A Purple Poem for Miami. Purple Haze: Judy Chicago: A Purple Poem for Miami
Printout of a web page with typewritten text and a color photograph of Judy Chicago standing in front of a painting with text superimposed on the image
A Purple Poem for Miami. The Purple Poem for Miami, and the Artistic Manifesto of Feminism According to Judy Chicago
Newspaper clippings of a masthead and captioned photographs of people silhouetted against orange smoke, a ribbon cutting ceremony, and Jerah Cordova and Judy Chicago toasting with glasses of red wine
A Birthday Bouquet for Belen and On Fire at 80. TTF Art Space & Belen Arts District
Magazine cover with an artwork of four pastel, multicolored rings
A Birthday Bouquet for Belen and On Fire at 80. An Interview with Judy Chicago
Black-and-white panel with two house-shaped images: a photograph of two women sitting at the top of a flight of stairs and a page of text
Feminist Art Program (Fresno/CalArts) : Womanhouse catalog display panels (oversized)
Green needlework of the word Gaea on a white ground
Needlework stitch sample book, n.d.
Color illustration of a woman giving birth surrounded by radiating lines and smaller image of animals
Printed material, n.d.
Four multicolored enamel pins in different shapes with different abstract designs
Pins: Alaskan pin project pin, The Birth Project symbol pin, Amazon plate pin, Millennium triangle pin, n.d.
Packaging for a needlepoint kit with a multicolored, horizontal star motif on a burgundy ground with light gray type
Needlework kits. Images from Judy Chicago's The Dinner Party, Hildegarde of Bingen (1098-1179), Germany: A Complete Needlepoint Belt Project, n.d.
Packaging for an embroidery kit with three multi-colored panels depicting women in various activities on a gray ground with light gray type
Needlework kits. Images from Judy Chicago's The Dinner Party, Hrosvitha of Gandersheim (935-1002), Germany: A Complete Embroidery Project, n.d.
Black-and-white printed catalog cover with a photograph of two women sitting at the top of a flight of stairs where the catalog is shaped like a house
Feminist Art Program (Fresno/CalArts) : Womanhouse catalog (publication)
Black-and-white printed invitation with three photographs: a detail of a triangular table lined with place settings, two women leaning over a table, and a sculpture of a voluptuous female figure
The Dinner Party. Creation. Advertisements for researchers, workshops, 1977-1978.
Typewritten title page with handwritten annotation in blue ink
Needlework articles [not mentioning Chicago], 1978.
Black-and-white printed newsletter page with illustration of a female figure descending from the sky and extending her arms toward a group of figures on the ground
Newsletters, 1981-1983.
Printed cover page on pink paper with six black and white illustrations of women performing domestic work
Needlework articles [not mentioning Chicago], 1981.
Photographic portrait of Judy Chicago with hand drawn halo and stigmata in red, orange, and yellow ink
Scrapbook, 1982-1984.
Handwritten postcard
[Scrapbook items from #94f.2v found loose, 1982-1983.]
Typewritten letter on Through the Flower letterhead with handwritten annotations in black ink
San Jose Mercury Times, 1985.
Color postcard of a group of people posing and wearing red feather boas where part of the image is redacted with a black rectangle
SINsation (Indiana University) : Postcard announcement
Black-and-white illustration of a house with a wavy front path
At Home: A Kentucky Project (WKU) : Signs (printed / mounted)
Black-and-white newspaper clipping of an article with three photographic illustrations: a mural of a woman on the side of a building, a row of people holding a ladder with boxes in the foreground, and an artwork
Envisioning the Future (Cal Poly Pomona) : Press (newspaper) clippings
Poster on white paper with black and orange text. Includes an image of Judy Chicago and the Envisioning the Future logo featuring a green eyeball.
Envisioning the Future (Cal Poly Pomona) : poster and calendar of events
Invitation on white paper with blue text.
Evoke/Invoke/Provoke (Vanderbilt) : exhibitions (events) announcement and invitation
Full color printed invitation with a color photographic image of Judy Chicago standing in front of a triangular table with an open center lined with place settings
The Dinner Party Curriculum Project : Kutztown University Summer Institute ephemera
Black-and-white newspaper clipping with an illustration of a vehicle composed of various buildings
Research/subject files - General - miscellaneous (clippings)
Poster with white typewritten text surrounded by radiating white lines and three green rings on a red background
The DeFlowering of Nye + Brown: Judy Chicago DeFlowered
White baseball cap with purple lettering on the front
Be No More. Be No More, Judy Chicago 2017